On-site Access: Accessible by appointment in the Study Room / Width [cm]: 24

1. Basket of Flowers

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: ca. 1954
Materials & Techniques:: Linocut printed in blue ink on medium, smooth, white wove paper
Dimensions:: Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

2. A Morning at Tattersalls (with further sketches in left margin folded over)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and colored washes on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

5. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun ca. 1880
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A Prancing Horse, Facing Right

Creator:: George Stubbs, 1724–1806
Date:: ca. 1790
Materials & Techniques:: Red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 x 9 5/8 inches (22.5 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Tiger Body, Standing in Human Posture

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 9 1/2 inches (27.3 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Subscription Ticket for The March to Finchley

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 9 7/16 in. (19.1 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

14. Simon Lord Lovat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/4 × 9 3/8 inches (38.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

15. Characters and Caricatures: subscription ticket for 'Marriage à la Mode'

Creator:: William Hogarth, 1697–1764
Date:: 1743
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 11 1/8 x 9 1/2in. (28.3 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

16. Lewis Theobald: Detail of the Poet

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 12 3/8 x 9 1/2in. (31.4 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

17. Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1822
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Villa Salviati on the Arno

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1796 and 1797
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 9 1/4 inches (18.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Waterfall of Lodore, Cumberland

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: undated
Materials & Techniques:: Watercolor, gray wash, blue wash, graphite and black chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Santa Lucia, A Convent near Caserta

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 9 3/8in. (15.2 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Lulworth Castle, Dorset

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1820
Materials & Techniques:: Watercolor and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Sir William Hamilton's Villa

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick wove paper
Dimensions:: Sheet: 6 3/4 x 9 1/4 inches (17.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. Manor (Knowsley Lane?)

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/8 x 9 5/8 inches (16.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Toara, 11:15 a.m., January 1, 1867 (9)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 1 7/8 x 9 3/8 inches (4.8 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

27. Sowadi, 8:30 am, 4 January 1867 (65)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 x 9 1/4 inches (14.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

28. Negadeh, 1:45 pm, 17 January 1867 (190)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and gray and green chalk and gouache, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

29. Gebel Sheikh Embarak

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 9 1/4 inches (13 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

30. Simon, Lord Lovat

Creator:: after William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 9 1/4 inches (36.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Paradise Lost Sketchbook

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

32. Tom Hayley and William Meyer

Creator:: George Romney, 1734–1802
Date:: between 1749 and 1802
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 9 1/4 inches (35.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

33. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

34. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

35. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

36. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

37. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

38. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

39. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

40. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

41. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

42. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

43. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

44. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

45. Satan Presiding over Hell

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 9 1/2 inches (11.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

46. Two Nude Children

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 9 1/2 inches (21.6 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

47. Landscape with a Leaning Tree

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite; verso: brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 9 1/2 inches (18.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

48. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

49. Hell

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

50. Satan Presiding over Hell

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite; verso: brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 x 9 1/2 inches (11.7 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

51. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

52. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

53. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

54. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

55. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

56. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

57. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

58. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

59. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

60. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

61. Sketchbook Drawing

Creator:: George Romney, 1734–1802
Date:: ca. 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/4 inches (14 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection, University Purchase, Everett V. Meeks, Yale BA 1901, Fund

62. The Book of Thel

Creator:: William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etchings printed in brown ink, with watercolor and pen and ink; 8 leaves
Dimensions:: Plate: 6 x 4 1/4in. (15.2 x 10.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Romeo and Juliet, Act IV, Scene V

Creator:: Print made by William Blake, 1757–1827
Date:: 1799
Materials & Techniques:: Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 5/16 × 16 9/16 inches (31.2 × 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

64. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. For the Sexes: The Gates of Paradise, London, 1826

Creator:: William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Bound volume of twenty engravings
Dimensions:: Spine: 13 3/4in. (34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Europe. A Prophecy, Frontispiece Proof Impression

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1820
Materials & Techniques:: Relief etching prined in brown ink; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The First Book of Urizen, Plate 22 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The First Book of Urizen, Plate 24 (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The First Book of Urizen, Plate 14 (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The First Book of Urizen, Plate 16 (Bentley 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The First Book of Urizen, Plate 21 (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The First Book of Urizen, Plate 18 (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Book of Thel, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The First Book of Urizen, Plate 5 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The First Book of Urizen, Plate 8 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The First Book of Urizen, Plate 12 (Bentley 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Book of Thel, Plate 1, "Thel's Motto . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. For the Sexes: The Gates of Paradise, Plate 6, "Air"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Width [cm] 24

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1. Basket of Flowers

2. A Morning at Tattersalls (with further sketches in left margin folded over)

3. The Homeward Star

4. The Vine

5. The Bellman

6. The Bellman

7. The Bellman

8. The Homeward Star

9. The Lonely Tower

10. A Sleeping Leopard

11. A Prancing Horse, Facing Right

12. Tiger Body, Standing in Human Posture

13. Subscription Ticket for The March to Finchley

14. Simon Lord Lovat

15. Characters and Caricatures: subscription ticket for 'Marriage à la Mode'

16. Lewis Theobald: Detail of the Poet

17. Margate

18. North East View of Grantham Church, Lincolnshire

19. Villa Salviati on the Arno

20. Waterfall of Lodore, Cumberland

21. Santa Lucia, A Convent near Caserta

22. Lulworth Castle, Dorset

23. Sir William Hamilton's Villa

24. Gloucester Cathedral

25. Manor (Knowsley Lane?)

26. Toara, 11:15 a.m., January 1, 1867 (9)

27. Sowadi, 8:30 am, 4 January 1867 (65)

28. Negadeh, 1:45 pm, 17 January 1867 (190)

29. Gebel Sheikh Embarak

30. Simon, Lord Lovat

31. Paradise Lost Sketchbook

32. Tom Hayley and William Meyer

33. Sketchbook Drawing

34. Sketchbook Drawing

35. Sketchbook Drawing

36. Sketchbook Drawing

37. Sketchbook Drawing

38. Sketchbook Drawing

39. Sketchbook Drawing

40. Sketchbook Drawing

41. Sketchbook Drawing

42. Sketchbook Drawing

43. Sketchbook Drawing

44. Sketchbook Drawing

45. Satan Presiding over Hell

46. Two Nude Children

47. Landscape with a Leaning Tree

48. Sketchbook Drawing

49. Hell

50. Satan Presiding over Hell

51. Sketchbook Drawing

52. Sketchbook Drawing

53. Sketchbook Drawing

54. Sketchbook Drawing

55. Sketchbook Drawing

56. Sketchbook Drawing

57. Sketchbook Drawing

58. Sketchbook Drawing

59. Sketchbook Drawing

60. Sketchbook Drawing

61. Sketchbook Drawing

62. The Book of Thel

63. Romeo and Juliet, Act IV, Scene V

64. The Book of Thel, Plate 4, "Why should the mistress . . . ."

65. For the Sexes: The Gates of Paradise, London, 1826

66. Europe. A Prophecy, Frontispiece Proof Impression

67. The First Book of Urizen, Plate 22 (Bentley 24)

68. The First Book of Urizen, Plate 24 (Bentley 26)

69. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

70. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

71. The First Book of Urizen, Plate 14 (Bentley 14)

72. The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

73. The First Book of Urizen, Plate 16 (Bentley 17)

74. The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)