On-site Access: Accessible by appointment in the Study Room / Width [cm]: 32

201. View of Arched Doorway

Creator:: Print made by Alfred East, 1849–1913
Date:: undated
Materials & Techniques:: Drypoint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/2 x 12 1/2 inches (29.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

202. Coast Scene with Figures

Creator:: Robert Brandard, 1805–1862
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 × 12 5/8 inches (15.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Internal Order of the Cell of the most entire Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on modreately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 12 1/2 inches (27.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Man on Horseback Throwing a Spear

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, silghtly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Hilly Landscape with River and Cattle

Creator:: John Glover, 1767–1849
Date:: ca. 1810
Materials & Techniques:: Watercolor over graphite on moderateley thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 3/4 inches (21 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. View near Auckland: Three Maoris and a Dog

Creator:: Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:: 1860
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 12 1/2 inches (27 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Leiston Abbey, Suffolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 x 8 11/16in. (17 x 22.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Design for a Ceiling

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 9/16 x 12 1/2 inches (14.1 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Landscape with Farmhouse, Figures and Pond

Creator:: Paul Sandby Munn, 1773–1845
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 5/8 inches (21 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. View of the South Front of Hamilton Palace

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Watercolor, pen, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Cobham Hall, Kent: Section of Tower Staircase

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and brown and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 x 12 5/8 inches (45.7 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Folkstone, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; late impression proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/2 × 18 3/4 inches (34.3 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Bodiham Castle, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 14 1/4 inches (29.8 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Bodiham Castle, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving; modern impression on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Rome from Monte Mario

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Rome from Monte Mario

Creator:: Print made by John Byrne, 1786–1847
Date:: 1820
Materials & Techniques:: Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving, and etching, engraver's proof on thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 9/16 inches (33.7 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1819
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Linlithgow Palace

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 7/8 × 12 11/16 inches (25.1 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Bridge on a Mountain Stream

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 9 3/8 inches (23.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Studies of Anatomy, Measurements and Writing

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. In Knole Park

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 12 1/2 inches (19.1 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. View from Renard's Hole, Dovedale, Derbyshire

Creator:: John Webber, 1752–1793
Date:: 1789
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 12 3/4 inches (25.4 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Head of a Boy

Creator:: unknown artist
Date:: between 1750 and 1760
Materials & Techniques:: Black chalk, graphite, and white chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 3/4 × 12 5/8 inches (40 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. An East View of the Gate on Hampton Court Green Hampton Court

Creator:: Bernard Lens III, 1682–1740
Date:: 1731 to 1733
Materials & Techniques:: Pen and black ink and wash
Dimensions:: Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. A West View of Hampton Court from Hampton Town

Creator:: Bernard Lens III, 1682–1740
Date:: 1731 to 1733
Materials & Techniques:: Pen and black ink and wash
Dimensions:: Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. An East View of the Four Banqueting House in Hampton Court Gardens and Thames Ditton

Creator:: Bernard Lens III, 1682–1740
Date:: 1731 to 1733
Materials & Techniques:: Pen and black ink wash
Dimensions:: Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. A South View of Hampton Court from Molesey

Creator:: Bernard Lens III, 1682–1740
Date:: 1731 to 1733
Materials & Techniques:: Pen and black ink and wash
Dimensions:: Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Old London, View from St. James Park Looking East

Creator:: William Henry Pyne, 1769–1843
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 12 3/4in. (19.7 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Design for Stables: Plan and Elevation

Creator:: Henry Holland, 1745–1806
Date:: undated
Materials & Techniques:: Pen and black ink with brown wash on thin, smooth, beige wove paper
Dimensions:: Sheet: 20 15/16 x 12 3/4 inches (53.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Severn-Henbury Village and Blaize Castle from the road in the Mill

Creator:: Attributed to J. Hadley, active 1730–1758
Date:: undated
Materials & Techniques:: Gray wash, and pen and black ink on four joined sheets of medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/4 × 12 3/4 inches (10.8 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Man and Children with a Street Organ and a Monkey

Creator:: Thomas Heaphy, 1775–1835
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 12 3/4 inches (37 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. View from Skiddaw over Derwentwater

Creator:: Thomas Hearne, 1744–1817
Date:: between 1772 and 1782
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 10 3/4 x 12 3/4 inches (27.3 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Studies: Newborn Baby's Head

Creator:: Mervyn Peake, 1911–1968
Date:: undated
Materials & Techniques:: Pen and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 12 11/16 inches (24.8 x 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

236. Italian Landscape with Three-Arched Bridge, Bridgehouse, Figures on near Bank, and Poplars on Farther Bank

Creator:: Richard Wilson, 1713/4–1782
Date:: ca. 1752
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 13/16 x 11 1/8 inches (19.8 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. A South View of the Camp on Hampton Court Green 1731

Creator:: Bernard Lens III, 1682–1740
Date:: 1731 to 1733
Materials & Techniques:: Pen and black ink and wash on laid paper
Dimensions:: Sheet: 8 3/16 x 12 5/8in. (20.8 x 32cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. An East View of the Quarter Guard on Hampton Court Green

Creator:: Bernard Lens III, 1682–1740
Date:: 1733
Materials & Techniques:: Pen and black ink and wash
Dimensions:: Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. A South West View of Hampton Court from the Hurst at Molesey in Surrey

Creator:: Bernard Lens III, 1682–1740
Date:: 1731 to 1733
Materials & Techniques:: Pen and black ink and wash
Dimensions:: Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. A View of West Molesey near Hampton Court

Creator:: Bernard Lens III, 1682–1740
Date:: 1731 to 1733
Materials & Techniques:: Pen and black ink and wash
Dimensions:: Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. A West Prospect of the Gate on Hampton Court Green to Hampton Town

Creator:: Bernard Lens III, 1682–1740
Date:: 1731 to 1733
Materials & Techniques:: Pen and black ink and wash
Dimensions:: Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Sidmouth from Offshore

Creator:: Henry Haseler, active 1814–1825
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 12 5/8 inches (17.1 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, 1st published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Canal of the Loire and Cher, near Tours

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 5/8 × 12 1/2 inches (21.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Mount: 15 1/8 × 20 15/16 inches (38.4 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, finished state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, early engraver's proof on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 20 9/16 inches (35.9 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 14 5/16 inches (28.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Edinburgh from the Calton Hill

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Open etching and line engraving on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 15 3/8 inches (29.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Lowestoffe

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 20 3/4 inches (37.8 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Whitby

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/8 × 20 1/2 inches (36.5 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. An Old Oak Tree

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured beige laid paper
Dimensions:: Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Entrance to Pidcock's Exhibition Tent at a Fair

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/16 x 12 3/4in. (35.7 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Studies of a Suit of Armor

Creator:: Edward Burne-Jones, 1833–1898
Date:: 1875
Materials & Techniques:: Graphite, watercolor, and gouache on thick, moderately textured, brown wove paper
Dimensions:: Sheet: 16 3/4 x 12 3/4 inches (42.5 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. The Sluice Gate near Slough

Creator:: Paul Sandby Munn, 1773–1845
Date:: 1811
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 12 5/8 inches (28.6 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Piveral Point (one of five drawings on one mount)

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 12 5/8 inches (8.6 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Graphite, black ink, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:: Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Design for a Mythological Scene, with Jupiter and Juno

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and black and brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 6 3/8 inches (13.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Bewdley Bridge, Worcester

Creator:: Attributed to Peter Rashleigh, active 1775
Date:: 1775
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary

Creator:: John Claude Nattes, 1765–1822
Date:: 1812
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 x 12 13/16in. (23.5 x 32.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Two Men on a Country Road

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 7/16 x 12 9/16in. (44.3 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Jesus Chapel, Norwich Cathedral

Creator:: Maria Turner
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. A Project for the Monument of the Apotheosis of Nelson

Creator:: Benjamin West, 1738–1820
Date:: 1806
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 23 3/4 × 12 1/2 inches (60.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Interior of the Great Bay Window, or Recess in the Hall of Crosby Place

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1819
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 12 3/4in. (25.7 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Westminster Bridge

Creator:: Richard Gilson Reeve, 1803–1889
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. View of a Crypt on the Site of the Late College of St. Martin's le Grand

Creator:: unknown artist
Date:: 1819
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 12 3/4in. (25.7 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Plan of the Cathedral of St. Pauls

Creator:: Remi Parr, active 1723–1750
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 x 12 3/4in. (48.3 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. South Prospect of St. Pauls

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/16 x 12 1/2in. (23.3 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. The Southwest Prospect of St. Katherine Cree church

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/8 x 12 1/2in. (28.3 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. The Palace of the Stuarts

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

273. St. Martins in the Fields

Creator:: unknown artist
Date:: 1795
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/4 x 12 1/2in. (27.3 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. The Southeast Prospect of the Church of All Hallows, London Wall

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 12 1/2in. (27.9 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. The Northwest Prospect of the Church of St. Andrew Undershaft

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 x 12 1/2in. (28.6 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Glasgow Cathedral

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

277. Cour des Bons Enfants, Rouen

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1897
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 3/4 inches (27.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

278. An Edinburgh Lady

Creator:: Henry Lamb, 1883–1960
Date:: ca. 1908
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 12 1/2 inches (47.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

279. Christ Church, Rotherhithe

Creator:: W. C. Smith, 1815–1887
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 9 1/8 x 12 1/2in. (23.2 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Crypt of the Nunnery of St. Helen

Creator:: William Wise, Active 1823–1876
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/4 x 12 3/4in. (26 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Notre Dame

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: 1908
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 11/16 x 15 inches (52.5 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

282. South Side of St. Paul's Church Yard

Creator:: Thomas Horner, 1785–1844
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 12 1/2in. (31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Head of a Girl

Creator:: Print made by Gerald Leslie Brockhurst, 1890–1978
Date:: 1944
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 12 3/4 inches (40.7 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Associates in Fine Arts

284. West View of the Interior of the Chapel

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/8 x 12 3/4in. (26.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Cremorne Gardens, Chelsea

Creator:: Walter Greaves, 1846–1930
Date:: 1871
Materials & Techniques:: Pen and black ink, watercolor, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 17 × 12 3/4 inches (43.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Design for A Winter's Tale

Creator:: Thomas Grieve, 1799–1882
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 12 3/4 inches (18.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Messrs. Carfax

Creator:: Sir Max Beerbohm, 1872–1956
Date:: undated
Materials & Techniques:: gray wash with pen and black ink, watercolor and graphite on medium, slightly textured, cream laid paper mounted on board
Dimensions:: Sheet: 11 5/8 x 12 3/8 inches (29.5 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

288. A Tudor Manor House and Church

Creator:: Claude de Jongh, ca. 1600–1663
Date:: 1625
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 1/2 inches (20.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. A British Frigate Dropping Anchor

Creator:: William Joy, 1803–1867
Date:: undated
Materials & Techniques:: Watercolor with scraping and gum on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 12 1/2in. (21.3 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. View of Ruins of the Asclepium at Pergamon

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Ruins at Pergamon, Probably of the Amphitheatre

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. The Basilica at Pergamon

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Boats in a Harbour

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on vellum
Dimensions:: Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Studies of Two Seated Men

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Studies of Two Men with Staffs

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 1/2 inches (21.6 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Studies of Two Men

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 12 5/8 inches (22.5 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Two Men Sitting on Cushions

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, silghtly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 12 5/8 inches (22.5 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Study of Two Men

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Elevation of Ruined Temple

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Lulworth Castle, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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201. View of Arched Doorway

202. Coast Scene with Figures

203. Internal Order of the Cell of the most entire Temple at Baalbec

204. Man on Horseback Throwing a Spear

205. Hilly Landscape with River and Cattle

206. View near Auckland: Three Maoris and a Dog

207. Leiston Abbey, Suffolk

208. Design for a Ceiling

209. Landscape with Farmhouse, Figures and Pond

210. View of the South Front of Hamilton Palace

211. Cobham Hall, Kent: Section of Tower Staircase

212. Hythe, Kent

213. Folkstone, Kent

214. Bodiham Castle, Sussex

215. Bodiham Castle, Sussex

216. Rome from Monte Mario

217. Rome from Monte Mario

218. Naples, from the Mole

219. Naples, from the Mole

220. Linlithgow Palace

221. Bridge on a Mountain Stream

222. Studies of Anatomy, Measurements and Writing

223. In Knole Park

224. View from Renard's Hole, Dovedale, Derbyshire

225. Head of a Boy

226. An East View of the Gate on Hampton Court Green Hampton Court

227. A West View of Hampton Court from Hampton Town

228. An East View of the Four Banqueting House in Hampton Court Gardens and Thames Ditton

229. A South View of Hampton Court from Molesey

230. Old London, View from St. James Park Looking East

231. Design for Stables: Plan and Elevation

232. The Severn-Henbury Village and Blaize Castle from the road in the Mill

233. Man and Children with a Street Organ and a Monkey

234. View from Skiddaw over Derwentwater

235. Studies: Newborn Baby's Head

236. Italian Landscape with Three-Arched Bridge, Bridgehouse, Figures on near Bank, and Poplars on Farther Bank

237. A South View of the Camp on Hampton Court Green 1731

238. An East View of the Quarter Guard on Hampton Court Green

239. A South West View of Hampton Court from the Hurst at Molesey in Surrey

240. A View of West Molesey near Hampton Court

241. A West Prospect of the Gate on Hampton Court Green to Hampton Town

242. Sidmouth from Offshore

243. Longships Lighthouse, Lands End

244. Canal of the Loire and Cher, near Tours

245. Lyme Regis, Norfolk

246. Aldborough

247. Aldborough

248. Aldborough

249. Orfordness

250. Orfordness

251. Edinburgh from the Calton Hill

252. Lowestoffe

253. Whitby

254. An Old Oak Tree

255. Entrance to Pidcock's Exhibition Tent at a Fair

256. Studies of a Suit of Armor

257. The Sluice Gate near Slough

258. Piveral Point (one of five drawings on one mount)

259. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

260. Design for a Mythological Scene, with Jupiter and Juno

261. Bewdley Bridge, Worcester

262. A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary

263. Two Men on a Country Road

264. Jesus Chapel, Norwich Cathedral

265. A Project for the Monument of the Apotheosis of Nelson

266. Interior of the Great Bay Window, or Recess in the Hall of Crosby Place

267. Westminster Bridge

268. View of a Crypt on the Site of the Late College of St. Martin's le Grand

269. Plan of the Cathedral of St. Pauls

270. South Prospect of St. Pauls

271. The Southwest Prospect of St. Katherine Cree church

272. The Palace of the Stuarts

273. St. Martins in the Fields

274. The Southeast Prospect of the Church of All Hallows, London Wall