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1
- Two Bottles and Glass
- 1967 (1973)
2
- The Horse Mart
- ca. 1917
3
- Who-o-p!
- 1898-1899
4
- The Meet
- 1898-1899
5
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
6
- Opening the Fold
- 1880
7
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
8
- Cornfields with Barn, Shoreham
- ca. 1829
9
- A Horse Affrighted by a Lion
- 1788
10
- Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
- 1795 to 1806
11
- Human Skeleton, Lateral View
- 1795 to 1806
12
- Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
- 1795 to 1806
13
- Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
- 1795 to 1806
14
- Tiger, Recumbent, Viewed Ventrally
- 1795 to 1806
15
- Plate VII, Human Body, Lateral View
- 1804
16
- A Bridge near Salisbury Court, Perhaps Milford Bridge
- ca. 1829
17
- Salisbury Plain from Old Sarum
- 1829
18
- Hay Carts, Cumberland Market (sketch)
- ca. 1915
19
- The First Stage of Cruelty
- ca. 1750
20
- The Early Ploughman
- etching begun before 1861; impression printed in 1926
21
- Mer de Glace, Valley of Chamouni, Savoy
- 1812
22
- Sheep-Washing, Windsor
- between 1813 and 1823
23
- The Stork and Aqueduct
- between 1813 and 1823
24
- The Straw Yard
- 1808
25
- Autumn Sowing of the Grain
- ca. 1794
26
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
27
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
28
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
29
- Night the Third. Narcissa; Title Page
- ca. 1797
30
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
31
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
32
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
33
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
34
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
35
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
36
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
37
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
38
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
39
- The Baffled Devils Fighting (Plate 3)
- 1827
40
- Night the First. On Life, Death, and Immortality; Title Page
- 1797
41
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
42
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
43
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
44
- 'We censure nature for a span too short' (Page 23)
- 1797
45
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
46
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
47
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
48
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
49
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
50
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
51
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
52
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
53
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
54
- Night the Third. Narcissa; Title Page
- 1797
55
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
56
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
57
- The Christian Triumph; Title Page
- 1797
58
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
59
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
60
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
61
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
62
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
63
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
64
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
65
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
66
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
67
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
68
- 'Disease invades the chastest temperence' (Page 10)
- 1797
69
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
70
- 'The present moment terminates our sight' (Page 13)
- 1797
71
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
72
- 'The longest night though longer far, would fail' (Page 15)
- 1797
73
- Sealing the Stone and Setting a Watch
- 1800 to 1803
74
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
75
- The Complaint, and the Consolation; or, Night Thoughts
- ca. 1797
76
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
77
- A Ruined Tower House
- 1836
78
- Calder Abbey, September 12. 1836
- 1836
79
- The Capo Sant' Angelo, Amalfi
- ca. 1885
80
- Gebel Sheikh Eredi
- 1867
81
- Lorius Domicella / Black-capped Lorry (Plate 37)
- 1832
82
- Anger, Envy, and Fear
- late 1780s
83
- Horses at Cottages Door
- 1804, published 1806
84
- Scene on the Serpentine, Hyde Park on the Night of the Grand Jubilee, August 1, 1814
- 1814
85
- View in Hyde Park, with the Fleet at Anchor on the Serpentine River, 12 August 1814
- 1814
86
- The Schinderlin
- 1777
87
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
88
- Picturesque Landscape
- undated
89
- Najel
- undated
90
- Hotel de Sens, Paris
- 1830
91
- The West India Washer-Women
- 1779
92
- A Negroes Dance in the Island of Dominica
- 1779
93
- Tunis
- between 1894 and 1913
94
- The Slumbers of Ragotin Interrupted
- 1773
95
- Strephon and Chloe
- 1801
96
- The Relief
- 1781
97
- Presented by the Officers
- after 1813
98
- The Cotillion Dance
- 1771
99
- Mrs. Cosway
- 1787
100
- The Kitchen of an Oxford College
- 1858