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1. The Damnation of Obadiah

The Damnation of Obadiah
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1773
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Slumbers of Ragotin Interrupted

The Slumbers of Ragotin Interrupted
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1773
Materials & Techniques:
Etching on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 10 11/16 x 15 1/8 inches (27.1 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Hamlet

Hamlet
Creator:
Print made by Charles Ansell, ca.1752–active 1790
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Washing the Blackamoor

Washing the Blackamoor
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Monstrosities of 1822 - Pt. 5

Monstrosities of 1822 - Pt. 5
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/16 x 16 1/8 inches (29 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. John Bull Visited With the Blessings of Peace

John Bull Visited With the Blessings of Peace
Creator:
Charles Williams, active 1796–1830
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 14 7/8in. (22.9 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!
Creator:
Print made by Charles Jameson Grant, active 1830–1852
Date:
1833
Materials & Techniques:
Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 15 13/16 inches (27.8 x 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Bindman

9. The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "

The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"

The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor, and white gouavhe on moderately thick, slightly textured, gray-brown, wove paper
Dimensions:
Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "You're Not Going to Follow, Belle, Are You?"

"You're Not Going to Follow, Belle, Are You?"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"

The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Sporting Parson: "He Sheweth Them the Way They Should Go"

The Sporting Parson: "He Sheweth Them the Way They Should Go"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, moderately textured, gray-brown wove paper
Dimensions:
Sheet: 10 3/4 × 15 1/16 inches (27.3 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Sporting Parson: "He Trieth a Little 'High Church' Style"

The Sporting Parson: "He Trieth a Little 'High Church' Style"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 13/16 inches (27.1 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Sporting Parson: "Next a Little Low Church"

The Sporting Parson: "Next a Little Low Church"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Sporting Parson: "He Sends Mother Eve's Apples Flying"

The Sporting Parson: "He Sends Mother Eve's Apples Flying"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor, and gouache on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "

The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 7/8 inches (27.1 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Valley of the Shadow of Death

The Valley of the Shadow of Death
Creator:
James Gillray, 1756–1815
Date:
1808
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Shakespeare Sacrificed; or, The Offering to Avarice

Shakespeare Sacrificed; or, The Offering to Avarice
Creator:
Print made by James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"

The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching with hand coloring in watercolor
Dimensions:
Sheet: 12 x 15in. (30.5 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Presages of the Millenium

Presages of the Millenium
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and white gouache on medium, slightly textured, gray-green, wove paper
Dimensions:
Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Apotheosis of Hoche

The Apotheosis of Hoche
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 19 1/8 x 14 7/8in. (48.6 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Which is the Better Man or The Pot Calls the Kettle Blacka-e

Which is the Better Man or The Pot Calls the Kettle Blacka-e
Creator:
James Gillray, 1756–1815
Date:
1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 14 15/16in. (24.4 x 37.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The April Fool or The Follies of a Night ---

The April Fool or The Follies of a Night ---
Creator:
James Gillray, 1756–1815
Date:
1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 15in. (24.8 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Union Club Masquerade

The Union Club Masquerade
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Balance of Justice

The Balance of Justice
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/8 x 14 3/4in. (23.8 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The City Combat, or the Desperate Attack at The English Baron

The City Combat, or the Desperate Attack at The English Baron
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 14 7/8in. (22.9 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Prize Beef or Luxury in the Nineteenth Century

Prize Beef or Luxury in the Nineteenth Century
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 14 7/8in. (25.1 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Royal Society

The Royal Society
Creator:
James Gillray, 1756–1815
Date:
1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 14 3/4in. (24.1 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. John Bull Bother'd; - or - The Geese Alarming the Capitol

John Bull Bother'd; - or - The Geese Alarming the Capitol
Creator:
James Gillray, 1756–1815
Date:
1792
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 11 5/8 x 14 3/4in. (29.5 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Anticipation - Ways & Means - or - Buonaparte Really Taken!!

Anticipation - Ways & Means - or - Buonaparte Really Taken!!
Creator:
Print made by Charles Williams, active 1796–1830
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 5/8 x 15in. (27 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Cure For the Heart Ache!! A New Scotch Reel Altered From the Brunswic Minnet, & The Old Jersey Fig

A Cure For the Heart Ache!! A New Scotch Reel Altered From the Brunswic Minnet, & The Old Jersey Fig
Creator:
Isaac Cruikshank, 1764–1811
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 14 3/4in. (21.3 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Oh Yes Believe Me. Love Has Eyes.

No cover image available
Creator:
William Heath, 1795–1840
Date:
undated
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 17 inches (28.3 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul and Anita Turner