On-site Access: Accessible by appointment in the Study Room / Width [cm]: 51

1. The Horse Mart (Barbican No. 1)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1920
Materials & Techniques:: Lithograph on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 20 1/16 inches (38.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Crocks

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/16 × 20 inches (38.3 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Cornfield and Church by Moonlight

Creator:: Samuel Palmer, 1805–1881
Date:: early 1830s
Materials & Techniques:: Brush and black ink on very thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Tiger Skeleton, Lateral View (Probably the master study of the skeleton)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of two platemarks
Dimensions:: Sheet: 14 1/2 x 19 7/8 inches (36.8 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Tiger Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper with traces of platemark along one edge
Dimensions:: Sheet: 15 x 20 inches (38.1 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Tiger Skeleton, Lateral View (Study for the key figure to Table IV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen and iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 20 1/4 inches (38.1 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Plate VI, Human Body, Frontal View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

8. Plate VII, Human Body, Lateral View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

9. Plate X, Fowl Body, Lateral View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

10. Plate VIII, Human Body, Posterior View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

11. Wooded Slope with a Receding Road

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Black chalk and white chalk with stumping on medium, rough, beige laid paper
Dimensions:: Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1901 and 1925
Materials & Techniques:: Black chalk, white chalk, and gray wash; verso: graphite and black chalk, incised for transfer on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Etching
Dimensions:: Sheet: 15 1/8 x 20in. (38.4 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Ship Aground, Brighton, with the Chain Pier Beyond

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1827
Materials & Techniques:: Watercolor, black ink, and gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Ship and Cutter

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint printed in brown ink; 1873 impression on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Ship in a Storm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint, printed in brown ink; 1873 impression on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 20 inches (31.4 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A Sea Piece - A Rough Sea with a Fishing Boat

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1830
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 11 5/8 inches (20 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Weymouth

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1811
Materials & Techniques:: Watercolor, pen and brown ink, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 5/8in. (14.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Pity

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:: Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink, pen and black ink and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Benares

Creator:: Edward Lear, 1812–1888
Date:: 1873
Materials & Techniques:: Watercolor with pen in brown ink over graphite and gouache on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 13 1/2 x 20 inches (34.3 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

22. A View of the Harbour at Cannes

Creator:: Edward Lear, 1812–1888
Date:: 1869
Materials & Techniques:: Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Jericho, 7 May 1858

Creator:: Edward Lear, 1812–1888
Date:: 1858
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 19 7/8 inches (18.1 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Maharraka Temple

Creator:: Edward Lear, 1812–1888
Date:: February 14, 1867
Materials & Techniques:: Brown ink, watercolor and gouache on medium brown moderately textured wove paper
Dimensions:: Frame: 17 1/8 x 27 1/2 x 1 inches (43.5 x 69.9 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Peter R. Spokes, Yale BA 1948, in memory of C.C. and C.B. Hogan, Yale BA 1928

25. Val di Roppa, Corfu, 22 May 1868

Creator:: Edward Lear, 1812–1888
Date:: 1868
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 × 20 inches (35.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Santa Decca, Corfu, 28 May 1848 (126)

Creator:: Edward Lear, 1812–1888
Date:: 1848
Materials & Techniques:: Pen and brown ink, and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 14 x 19 7/8 inches (35.6 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

27. A View of the Pine Woods Above Cannes

Creator:: Edward Lear, 1812–1888
Date:: 1869
Materials & Techniques:: Watercolor and gumming with pen in brown and blue ink, and scraping out, over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 3/16 inches (16.7 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Corfu

Creator:: Edward Lear, 1812–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 19 7/8 inches (35.2 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

29. River God

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 20 1/4 inches (40 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

30. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: 1790-1791
Materials & Techniques:: Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

31. Hitch in the Roman Triumph

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, white gouache, blue chalk and graphite on moderately thick, slightly textured, beige wove paper, mounted on card
Dimensions:: Mount: 14 7/16 × 21 1/16 inches (36.7 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and Jennifer Monaghan

32. Fainasollis, Borbar and Fingal

Creator:: James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Line-engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 20 inches (44.5 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Fall of Agandecca

Creator:: Print made by James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 21 1/8 × 30 1/8 inches (53.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. King Lear and Cordelia, Act V, Scene 10

Creator:: James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Etching and aquatint; touched with india ink
Dimensions:: Plate: 21 7/8 x 20 1/8in. (55.6 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Views in the Levant: The Sacred Cave of Archidamus

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The British Naval Victors

Creator:: Valentine Green, 1739–1813
Date:: 1799
Materials & Techniques:: Mezzotint and line engraving
Dimensions:: Sheet: 25 1/4 x 20 1/4in. (64.1 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

37. A Small Breeze

Creator:: Print made by Thomas Boydell, active 1750–1751
Date:: 1753
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 1/16 inches (36.2 x 50.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Morning

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 1/16 inches (36.2 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Evening

Creator:: Print made by John Boydell, 1720–1804
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Greenland Fishery

Creator:: Print made by John Boydell, 1720–1804
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Negroes Dance in the Island of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 x 19 7/8 inches (33.8 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Magicians Marching off After the Success of their Incantations

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. View of Part of Tivoli and Adjacent Hills

Creator:: Richard Cooper the Elder, 1701–1764
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 3/8 x 20 1/8in. (36.5 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo

Creator:: Richard Cooper the Elder, 1701–1764
Date:: 1779
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 14 3/8 x 19 7/8in. (36.5 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Shields on the River Tyne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint with brown ink; touched proof, Turner's copies on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 20 1/8 inches (34 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Rochester, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Okehampton Castle on the River Okement

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1825
Materials & Techniques:: Engraving and mezzotint; Turner's copies on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Warkworth Castle on the River Coquet

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 20 1/8 inches (33 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Hen Peckt Husband

Creator:: Butler Clowes, active 1768, died 1782
Date:: ca. 1768
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 7/8 x 20in. (40.3 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Kirkstall Lock, on the River Aire

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 20 1/8 inches (33.7 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Stangate Creek, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Stangate Creek, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 inches (34.3 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. 'Sweetbrier'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1804
Materials & Techniques:: Stipple with etching, second state
Dimensions:: Sheet: 15 15/16 x 20 1/16in. (40.5 x 50.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. 'Sweetwilliam'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1796
Materials & Techniques:: Stipple, printed in color
Dimensions:: Sheet: 15 7/8 x 19 7/8in. (40.3 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. 'Sweetwilliam'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 15 7/8 x 19 7/8in. (40.3 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Sharke

Creator:: George Townly Stubbs, 1748–1815
Date:: 1794
Materials & Techniques:: Stipple with etching first state
Dimensions:: Sheet: 16 1/4 x 20in. (41.2 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. 'Volunteer'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1794
Materials & Techniques:: Etching with stipple, first state
Dimensions:: Sheet: 15 15/16 x 19 7/8in. (40.5 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Le Havre and Le Manche: A Map of Le Havre

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, red ink, gray wash and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 × 20 15/16 inches (38.1 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

60. Rouen: A Map of the City and Surrounding Areas

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, red ink, brown ink, gray wash and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 15 1/8 × 21 1/8 inches (38.4 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

61. Rochefort 1776

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, red ink, gray wash and graphite on thick, rough, beige laid paper
Dimensions:: Mount: 14 7/16 × 19 7/8 inches (36.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

62. Anvil

Creator:: Print made by George Townly Stubbs, 1748–1815
Date:: 1794
Materials & Techniques:: Stipple engraving with hand coloring in watercolor
Dimensions:: Sheet: 16 x 20in. (40.6 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Monument and the Pool of London from Southwark

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 15/16 × 20 1/16 inches (35.4 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Sailing Barge being loaded with Hay, December 1827

Creator:: Cornelius Varley, 1781–1873
Date:: 1827
Materials & Techniques:: Graphite with watercolor and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 20 inches (28.6 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A View of London Bridge

Creator:: Edmund Walker, active 1836–died 1882
Date:: 1858
Materials & Techniques:: Graphite, watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 20 inches (28.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Dilettanti Society

Creator:: Print made by Charles Turner, 1774–1857
Date:: between 1800 and 1820
Materials & Techniques:: Mezzotint (proof before titles) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 27 5/8 × 20 1/8 inches (70.2 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Garrick Between Tragedy and Comedy

Creator:: Print made by Edward Fisher, 1722–1785
Date:: undated
Materials & Techniques:: Mezzotint ( 1st state ) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 × 19 7/8 inches (41.6 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. George Augustus Elliot Lord Heathfield

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1788
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/2 × 20 inches (64.8 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. View from the Round Tower, Windsor Castle

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 20 5/16 inches (31.3 × 51.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Marchioness of Exeter

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1803
Materials & Techniques:: Mezzotint (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 × 20 inches (71.1 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Countess Wilton

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1838
Materials & Techniques:: Mezzotint with chine collé; first published state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 27 × 20 inches (68.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. A Mountain Lake

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Samuel Declareth to Eli the Judgements of God Upon his House

Creator:: Print made by James Daniell, active ca. 1780–1820
Date:: 1805
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 26 × 20 1/8 inches (66 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Harlech Castle and Twgwyn Ferry

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Tribute Money

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 20 3/8 inches (41.3 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. The Tribute Money

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 20 1/4 inches (41.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Studies from Nature

Creator:: Print made by James Ward, 1769–1859
Date:: 1807
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 20 1/4 inches (38.1 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. The Full of the Honeymoon

Creator:: Print made by Robert Laurie, 1755?–1836
Date:: 1789
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 × 19 7/8 inches (66 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. The Wane of the Honeymoon

Creator:: Print made by Robert Laurie, 1755?–1836
Date:: 1789
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/4 × 20 inches (66.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Charles Robert Darwin

Creator:: Print made by Paul Adolphe Rajon, 1842–1888
Date:: 1882
Materials & Techniques:: Etching (unique remarque proof) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 5/8 × 20 1/16 inches (65.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Aretino

Creator:: Print made by Charles Waltner, 1846–1925
Date:: 1905
Materials & Techniques:: Etching (artist's proof) on vellum
Dimensions:: Sheet: 25 1/16 × 20 inches (63.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. The Command to Jacob to Depart

Creator:: John Alexander, 1686–before 1768
Date:: 1717
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 11 1/2 x 20 1/8in. (29.2 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Shanklin Chine, Isle of Wight

Creator:: Paul Sandby Munn, 1773–1845
Date:: 1797
Materials & Techniques:: Gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 15 3/4 x 20 1/8 inches (40 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. The Huguenot: Eve of St. Bartholomew's Day, 1572

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1857
Materials & Techniques:: Etching, stipple engraving, and mezzotint
Dimensions:: Sheet: 29 1/4 × 20 1/8 inches (74.3 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. The Horse Race at Rome During the Carnival

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Mount:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View of the Walton Bridge, Venus's Temple

Creator:: William Woollett, 1735–1785
Date:: 1757
Materials & Techniques:: Etching and line engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 17 7/8 × 23 5/8 inches (45.4 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A View of the House and Part of the Garden at West Wycomb

Creator:: William Woolnoth, active 1806–1830
Date:: 1757
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 23 3/4 inches (45.4 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A View of the Casade etc. at West Wycomb

Creator:: William Woollett, 1735–1785
Date:: 1757
Materials & Techniques:: Engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 23 5/8 inches (45.4 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A View of the Lake etc. at West Wycomb

Creator:: William Woollett, 1735–1785
Date:: 1757
Materials & Techniques:: Engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 23 11/16 inches (45.4 × 60.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A South View of Scarborough

Creator:: unknown artist
Date:: ca. 1797
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 1/4 x 20in. (36.2 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A Highland Interior

Creator:: William Finden, 1787–1852
Materials & Techniques:: Engraving, with graphite sketches
Dimensions:: Sheet: 14 1/4 x 20 1/4in. (36.2 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A View of the Castle and Town of Dover

Creator:: James Mason, 1710–1783
Date:: 1762
Materials & Techniques:: Engraving tinted with watercolor
Dimensions:: Sheet: 16 1/2 x 20 1/4in. (41.9 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Jack in the Bilboes

Creator:: William Ward, 1766–1826
Date:: 1790
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 20 3/16 inches (47 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Cambridge University: Kings College Chapel

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1798
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Kings College, the Chapel and Clare Hall in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Cambridge University: Great Court And Chapel

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1789
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Cambridge University: Jesus College

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1798
Materials & Techniques:: Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 × 27 1/4 inches (53.3 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Great Court and Chapel of Trinity College in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1798
Materials & Techniques:: Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 27 5/16 inches (53.5 × 69.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The East Front of the Library of Trinity College in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 25 7/8 inches (47.6 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Width [cm] 51

Search Results

1. The Horse Mart (Barbican No. 1)

2. Crocks

3. Cornfield and Church by Moonlight

4. Tiger Skeleton, Lateral View (Probably the master study of the skeleton)

5. Tiger Skeleton, Lateral View

6. Tiger Skeleton, Lateral View (Study for the key figure to Table IV)

7. Plate VI, Human Body, Frontal View

8. Plate VII, Human Body, Lateral View

9. Plate X, Fowl Body, Lateral View

10. Plate VIII, Human Body, Posterior View

11. Wooded Slope with a Receding Road

12. The Meet

13. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

14. Ship Aground, Brighton, with the Chain Pier Beyond

15. Ship and Cutter

16. Ship in a Storm

17. A Sea Piece - A Rough Sea with a Fishing Boat

18. Weymouth

19. Pity

20. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

21. Benares

22. A View of the Harbour at Cannes

23. Jericho, 7 May 1858

24. Maharraka Temple

25. Val di Roppa, Corfu, 22 May 1868

26. Santa Decca, Corfu, 28 May 1848 (126)

27. A View of the Pine Woods Above Cannes

28. Corfu

29. River God

30. Howard Visiting a Prison

31. Hitch in the Roman Triumph

32. Fainasollis, Borbar and Fingal

33. The Fall of Agandecca

34. King Lear and Cordelia, Act V, Scene 10

35. Views in the Levant: The Sacred Cave of Archidamus

36. The British Naval Victors

37. A Small Breeze

38. Morning

39. Evening

40. Greenland Fishery

41. A Negroes Dance in the Island of Dominica

42. The Magicians Marching off After the Success of their Incantations

43. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

44. View of Part of Tivoli and Adjacent Hills

45. View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo

46. Shields on the River Tyne

47. Rochester, on the River Medway

48. Okehampton Castle on the River Okement

49. Warkworth Castle on the River Coquet

50. The Hen Peckt Husband

51. Kirkstall Lock, on the River Aire

52. Stangate Creek, on the River Medway

53. Stangate Creek, on the River Medway

54. 'Sweetbrier'

55. 'Sweetwilliam'

56. 'Sweetwilliam'

57. Sharke

58. 'Volunteer'

59. Le Havre and Le Manche: A Map of Le Havre

60. Rouen: A Map of the City and Surrounding Areas

61. Rochefort 1776

62. Anvil

63. The Monument and the Pool of London from Southwark

64. A Sailing Barge being loaded with Hay, December 1827

65. A View of London Bridge

66. The Dilettanti Society

67. Garrick Between Tragedy and Comedy

68. George Augustus Elliot Lord Heathfield

69. View from the Round Tower, Windsor Castle

70. Marchioness of Exeter

71. Countess Wilton

72. A Mountain Lake

73. Samuel Declareth to Eli the Judgements of God Upon his House

74. Harlech Castle and Twgwyn Ferry