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Design for Kelham Hall, Nottinghamshire: Entrance Elevation
Creator:
Anthony Salvin, 1799–1881
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on slightly textured, thick, cream wove paper
Dimensions:
Sheet: 20 1/8 × 27 1/4 inches (51.1 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Port d'Arona
Creator:
Charles Gore, 1729–1807
Date:
1795
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 27 inches (33.7 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Former Winter Capital of Bhutan at Punakha Dzong
Creator:
Samuel Davis, 1760–1819
Date:
1783
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache, graphite, with scratching out and sponging on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 20 1/8 × 29 3/4 inches (51.1 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. James's Park, London: Plan
Creator:
Lancelot ('Capability') Brown, 1716–1783
Date:
1770
Materials & Techniques:
Pen and black and brown ink, watercolor on moderately thick, smooth, cream vellum
Dimensions:
Sheet: 19 1/2 x 27 1/16 inches (49.5 x 68.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rockhewn Temple of Elephanta
Creator:
Student of Thomas Sandby, 1721–1798
Date:
ca. 1770-1790
Materials & Techniques:
Watercolor and gray wash over graphite on slightly textured, moderately thick, beige wove paper
Dimensions:
Sheet: 18 5/8 × 27 inches (47.3 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woolwich Warren
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on very thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 x 27 1/8 inches (49.5 x 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of Chatterton
Creator:
Print made by Thomas Oldham Barlow, 1824–1889
Date:
1860
Materials & Techniques:
Mezzotint and stipple engraving on thick, moderately textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 26 3/4 × 39 3/8 inches (67.9 × 100 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Purchased with a gift from Bart and Nini Tiernan
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?
Creator:
John Harris, 1811–1865
Date:
1837
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling
Creator:
John Harris, 1811–1865
Date:
1837
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start
Creator:
John Harris, 1811–1865
Date:
1837
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style
Creator:
John Harris, 1811–1865
Date:
1837
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Procession of Queen Elizabeth
Creator:
George Vertue, 1684–1756
Date:
1742
Materials & Techniques:
Etching on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 15/16 × 27 inches (58.3 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport
The Cottage Door
Creator:
Attributed to Thomas Barker, 1769–1847
Date:
undated
Materials & Techniques:
Brown wash, gray wash, black chalk, brown chalk, and graphite on medium, slightly textured, cream wove paper, mounted on card
Dimensions:
Mount: 25 1/4 × 30 inches (64.1 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North Prospect of Westminster Abbey
Creator:
Print made by John Collins, active ca. 1682
Date:
between 1680 and 1710
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ulysses Deriding Polyphemus
Creator:
Print made by Henry Robert Robertson, 1839–1921
Date:
ca. 1887
Materials & Techniques:
Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/8 × 29 inches (56.2 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968

18. The Kill

The Kill
Creator:
Samuel Howitt, 1756–1822
Date:
1792
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 × 27 1/4 inches (47.9 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Hawking Party
Creator:
Print made by William Wynne Ryland, 1732–1783
Date:
1765
Materials & Techniques:
Etching on medium, slightly textured, beige laid paper
Dimensions:
Frame: 22 1/4 × 27 1/4 × 1 inches (56.5 × 69.2 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Susan Boyd-Bowman, Yale BA 1971
A Great Indian Fruit Bat or Flying Fox (Pteropus giganteus)
Creator:
Bhawani Das, active 18th century
Date:
1778 to 1782
Materials & Techniques:
Pen and ink, watercolor with gum arabic, heightened with gouache on watermarked paper
Dimensions:
Sheet: 17 7/8 × 27 inches (45.4 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Supreme Court of Judicature in the Island of Ceylon
Creator:
Print made by William James Bennett, 1787–1844
Date:
1829
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor
Dimensions:
Sheet: 20 1/8 x 27 1/4in. (51.1 x 69.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 3/16 × 28 1/2 inches (58.9 × 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Brewhouse Yard
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1791
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 27 1/8 inches (54.3 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Tiger Hunting in the East Indies
Creator:
Richard Earlom, 1743–1822
Date:
1802
Materials & Techniques:
Stipple engraving, mezzotint, and etching with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 x 29 1/8 inches (52.1 x 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colonel Mordaunt's Cock Match at Lucknow
Creator:
Richard Earlom, 1743–1822
Date:
1792
Materials & Techniques:
Mezzotint with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man of War Moored in Harbor, Mountains in the Background
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 21 × 27 1/16 inches (53.3 × 68.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colonel Mordaunt's Cock Match at Lucknow
Creator:
Richard Earlom, 1743–1822
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Garrick in the Green Room
Creator:
William Ward, 1766–1826
Date:
1829
Materials & Techniques:
Mezzotint on moderately thick, smooth, cream wove paper mounted on canvas
Dimensions:
Sheet: 22 7/8 × 27 inches (58.1 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Salisbury Cathedral
Creator:
Print made by David Lucas, 1802–1881
Date:
1837
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 x 31 1/2 inches (67.9 x 80 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
His Majesty Reviewing the Armed Associations the Fourth of June in Hyde Park
Creator:
Joseph Collyer, 1748–1827
Date:
1801
Materials & Techniques:
Stipple
Dimensions:
Sheet: 18 1/2 x 27 1/4in. (47 x 69.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; engraver's proof (a) on thick, sightly textured, cream wove paper
Dimensions:
Sheet: 22 × 27 7/8 inches (55.9 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Ramsgate

Ramsgate
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1825
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 18 1/2 x 27 1/8in. (47 x 68.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Whampoa, in China
Creator:
Edward Duncan, 1803–1882
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 19 1/8 x 27 1/4in. (48.6 x 69.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1798
Materials & Techniques:
Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 × 27 1/4 inches (53.3 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kings College, the Chapel and Clare Hall in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 27 inches (54 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jesus College in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Aquatint with etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 27 3/16 inches (53.3 × 69.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Court and Chapel of Trinity College in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1798
Materials & Techniques:
Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/16 × 27 5/16 inches (53.5 × 69.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Western leaving Bristol for New York
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1840
Materials & Techniques:
Colored aquatint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/8 × 28 5/8 inches (56.2 × 72.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Print of John Musters, Esq. and His Hounds
Creator:
Charles E. Wagstaff, 1808–
Date:
1847
Materials & Techniques:
Hand colored stipple engraving
Dimensions:
Sheet: 21 x 27in. (53.3 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death of the Fox
Creator:
John Scott, 1774–1828
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 21 1/4 x 27in. (54 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Byron's Dream
Creator:
James T. Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Line engraving on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 3/8 × 27 inches (54.3 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Ships of the General Steam Navigation Company, Caledonia 800 Tons leaving Hamburg - The Neptune 800 tons entering the Elbe, with her Majesty's Mails
Creator:
Edward Duncan, 1803–1882
Date:
1842
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 18 3/4 x 27in. (47.6 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Geometrical Plan of his Majesty's dockyard, at Sheerness
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1755
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/8 × 28 11/16 inches (56.2 × 72.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Port of Liverpool
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1836
Materials & Techniques:
Color printed etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 27 1/8 inches (54 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers
Creator:
Print made by Joseph Ryland, active ca. 1775–1790
Date:
undated
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/16 × 27 1/16 inches (41.4 × 68.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
British Servants, with Honesty and Fidelity - Against French Servants, with Perfidy and Impudence! (Four vignettes)
Creator:
Richard Newton, 1777–1798
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/2 x 27in. (19.1 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Geometrical Plan of his Majesty's Dockyard, at Chatham
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1755
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/8 × 28 13/16 inches (56.2 × 73.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of St. Cloud and Mt. Calvary taken from Pont de Seve
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 18 5/8 × 27 inches (47.3 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Yes or No

No cover image available
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1873
Materials & Techniques:
Mezzotint and stipple engraving on thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 40 × 27 1/4 inches (101.6 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Purchased with a gift from Bart and Nini Tiernan
No cover image available
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1794
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 21 3/8 × 27 inches (54.3 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert
No cover image available
Creator:
James Watson, 1740–1790
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 33 x 27in. (83.8 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Studio of Sir William Emerson, 1843–1924
Date:
between 1903 and 1921
Materials & Techniques:
Pen and ink, watercolor, and graphite on medium, slightly textured, beige wove paper mounted on linen
Dimensions:
Sheet: 33 3/4 × 35 1/4 inches (85.7 × 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Paul Walter
No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1846
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1863
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 24 3/8 × 31 5/8 inches (61.9 × 80.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1805
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 inches (50.8 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1789
Materials & Techniques:
Etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/4 inches (50.8 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Thomas Watson, 1743–1781
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/4 × 27 1/8 inches (56.5 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
James Pollard, 1792–1867
Date:
ca. 1839
Materials & Techniques:
Watercolor and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 x 24 inches (34 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Walcot, 1874–1943
Date:
1913
Materials & Techniques:
Etching and aquatint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 31 × 27 inches (78.7 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery