Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
6
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
7
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
8
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
9
Edward Lear, 1812–1888
Albenga
1864
10
Print made by Edward Calvert, 1799–1883
The Sheep of His Pasture
ca. 1828
11
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
12
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
13
John Inigo Richards, 1730/31?–1810
Thornbury Castle, Gloucestershire
undated
14
Print made by Thomas Burford, ca. 1710–after 1774
Making a Cast at a Fault
1794
15
Print made by Thomas Bewick, 1753–1828
The Arms of Glasgow
1909
16
John Linnell, 1792–1882
Beddgelert
1834
17
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
18
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
19
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
20
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
21
Print made by Henry William Bunbury, 1750–1811
Love and Wind
undated
22
Print made by Jean B. C. Chatelain, 1710–1771
Classical Landscape with Travellers, a Dog and House on the left
1741
23
John Linnell, 1792–1882
Horses in a Paddock
1811
24
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
25
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
26
Print made by Sir David Young Cameron, 1865–1945
The Leaf Cart
1894
27
Print made by Sir David Young Cameron, 1865–1945
A Valley of the Ardennes [Belgian Set: No. 10]
1907
28
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
29
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
30
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
31
Edward John Poynter, 1836–1919
Landscape near Ageles - Gazost at the foot of the Pyrenees
undated
32
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
33
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
34
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
35
James Hakewill, 1778–1843
Llanrumny Estate, St. Mary's, Jamaica
between 1820 and 1821
36
Print made by Jacob Gole, 1660–1737
Augustus
undated
37
David Charles Read, 1790–1851
Landscape With Figures and a Wagon
undated
38
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
39
David Charles Read, 1790–1851
Landscape With a Ploughed Field in the Foreground
undated
40
David Charles Read, 1790–1851
Landscape with Hills in the Distance
undated
41
David Charles Read, 1790–1851
Landscape with Trees
undated
42
George Alken, 1794–active 1837
Exercising a Racehorse
undated
43
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
44
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
45
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
46
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
47
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
48
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
49
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
50
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
51
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
52
unknown artist
Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
between 1713 and 1718
53
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
54
Arthur James Stark, 1831–1902
A Shepherd with Flock Beneath a Large Tree
undated
55
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
56
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
57
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
58
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
59
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
60
George Alken, 1794–active 1837
Releasing a Bag-Fox
1821
61
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
62
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
63
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
64
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
65
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
66
Peter DeWint, 1784–1849
Building a Hayrick
undated
67
Walter Paris, 1842–1906
A Cricket Match of the Royal Marine Artillery, London
1888
68
Charles Claude Pyne, 1802–1878
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
1872
69
John Wootton, 1682–1764
A Stag Hunt
undated
70
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
71
John Linnell, 1792–1882
Donkey Beside a Tree, Hampstead
undated
72
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
73
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
74
John Collet, ca. 1725–1780
A Game of Bowls
undated
75
Henry Thomas Alken, 1785–1851
Rider on a Brown Horse Going at a Wall
undated
76
Henry Thomas Alken, 1785–1851
Gone Away
undated
77
John Sell Cotman, 1782–1842
Two Old Horses Standing in a Field
undated
78
Henry Thomas Alken, 1785–1851
'Rather Too Slow'
undated
79
Henry Thomas Alken, 1785–1851
'Getting Across the Country Like a Gentleman'
undated
80
Henry Thomas Alken, 1785–1851
'Riding to Horses with Difficulty'
undated
81
Henry Thomas Alken, 1785–1851
'Rather Too Fast'
undated
82
Henry Thomas Alken, 1785–1851
Rider Holding on to a Gray Horse After a Fall
undated
83
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field Jumping in and Out of a Lane
undated
84
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Stone Wall and Gate
undated
85
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
86
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
87
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
88
Henry Thomas Alken, 1785–1851
Foxhunting: The Refreshment
undated
89
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain," 1821: Owling
1821
90
Samuel Alken, 1756–1815
Whipper-in With a Hound, the Field Ahead at Left
undated
91
Samuel Alken, 1756–1815
Stag Hunting - The Meet: a Hind Released From a Van.