The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
9
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
10
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
11
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
12
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
13
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
15
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
16
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
17
Frederick Goulding, 1842–1909
Ruins of the Old Bridge, Vernon
1879
18
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
19
George Richmond, 1809–1896
Study of Trees, etc., in a Meadow
1866
20
William Wyld, 1806–1889
View of Gibraltar
undated
21
Henry Monro, 1791–1814
A Wooded Track
1813
22
Paul Jacob Naftel, 1817–1891
Head of Loch Lomond, with Ben Lomond in the Distance
1859
23
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
24
Thomas Hearne, 1744–1817
Cottage
undated
25
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
26
Stefano della Bella, 1610–1664
A Study in Pinks and Roses
undated
27
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
28
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
29
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
30
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
31
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
32
Print made by Benjamin Green, ca. 1736–ca. 1800
Oxford Physic Garden
1766
33
John Ruskin, 1819–1900
Four Species of Grasses
undated
34
Print made by Mark Catesby, 1682–1749
An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
1754
35
Print made by John Chalon, 1738 – 1795
Study
1789-1790
36
Print made by Sir Charles D'Oyly, 1781–1845
Brahmins at a Toolsee Altar
ca. 1830
37
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
38
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
39
Thales Fielding, 1793–1837
Hop Picking
1832
40
George Edwards, 1694–1773
A Stone Curlew
ca. 1790
41
Print made by Thomas Bewick, 1753–1828
The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland
1789
42
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
43
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
44
Francis Barlow, 1622–1704
Hare Hunting
undated
45
Print made by George Cruikshank, 1792–1878
Mr Crump's Extreme Politeness
undated
46
Thomas Daniell, 1749–1840
Sketches
undated
47
Print made by Alfred Henry Forrester, 1804–1872
Wrapper for six prints from Alfred Crowquill's Christmas Pieces
undated
48
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
49
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
50
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
51
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
52
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
53
John Buckler FSA, 1770–1851
The Court at Blithfield
1823
54
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
55
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
56
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
57
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
58
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
59
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
60
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
61
unknown artist
62
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
63
John Robert Cozens, 1752–1797
Near Raito on the Gulf of Salerno
ca. 1783
64
Alfred Diston, active 1818–1829
Woman of El Miradero, Tenerife
1828
65
Joshua Cristall, 1768–1847
Young Woodcutter
1818
66
Joshua Cristall, 1768–1847
Isaac Willis
1816
67
Edward Burne-Jones, 1833–1898
Sketches of Myrtle and a Head Crowned with Myrtle
undated
68
William Cruickshank, 1836–1917
Plums and Apple
1864
69
Thomas Rowlandson, 1756–1827
The Flower Seller
undated
70
Thomas Rowlandson, 1756–1827
The Vinery
undated
71
Thomas Rowlandson, 1756–1827
Dr. Syntax Soliloquising
between 1812 and 1820
72
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
73
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
74
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
75
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 2 (large plate)
1860
76
Sir Francis Seymour Haden, 1818–1910
The Three Sisters
after 1867
77
Sir Francis Seymour Haden, 1818–1910
A Salmon River, no. 2
1884
78
Sir Francis Seymour Haden, 1818–1910
Encombe Woods, no. 2
1881-1882
79
Print made by William Havell, 1782–1857
Landscape with Trees, Girl Crossing a Footbridge
1804
80
Print made by John Blackmore, active 1740–1780
Henry Bunbury Esqr
ca. 1769
81
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
82
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 1 (small plate)
1860
83
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 2 (large plate)
1860
84
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 2 (large plate)
1860
85
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
86
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
87
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
88
Print made by William Havell, 1782–1857
Landscape with a Seated Shepherd
1804
89
Print made by Thomas Bewick, 1753–1828
Fisherman
undated
90
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
91
James Ward, 1769–1859
Study of Undergrowth
undated
92
unknown artist
Study of a Thistle and Other Plants, Sept. 8
early 19th century
93
unknown artist
Docks, September 6, 1777
1777
94
James Ward, 1769–1859
Studies of Plants, August 2, 1815
1815
95
Print made by Samuel Buck, 1696–1779
The South-West View of Battel-Abbey, in the County of Sussex
1737
96
Anna Mills, active 1819
The Entrance to Hengrave Hall, 1819
1819
97
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
98
attributed to Peter DeWint, 1784–1849
Study of Burdocks
undated
99
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh