On-site Access: Accessible by appointment in the Study Room / Image Use: Free to Use / Subject Terms: pointing

1. The Avon Gorge, Looking toward Clifton

Creator:: Francis Danby, 1793–1861
Date:: ca. 1820
Materials & Techniques:: Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Christ and the Woman of Samaria

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Lulworth Castle, Dorset

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1820
Materials & Techniques:: Watercolor and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Little Girl Lost (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. A Dream (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Major Thomas Pearson and the Brahman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 6 1/2 inches (20 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth, Yale BA 1938, transfer from the Yale University Art Gallery

18. Major Thomas Pearson and the Brahman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium slightly textured cream laid paper
Dimensions:: Sheet: 7 7/8 x 4 3/4 inches (20 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, Yale BA 1938

19. A French Petit Maître and His Valet

Creator:: Charles Grignion, 1717–1810
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper, pasted on medium, moderately textured, cream Asian paper
Dimensions:: Mount: 16 1/4 x 11 5/16 inches (41.3 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Night

Creator:: Print made by John Boydell, 1720–1804
Date:: 1756
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 1/4 inches (39.7 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Barbadoes Mulatto Girl

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 9/16 x 12 5/8 inches (49.7 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Bristol High Cross

Creator:: Print made by Samuel Buck, 1696–1779
Date:: 1734
Materials & Techniques:: Line engraving and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 9/16 x 11 11/16 inches (49.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Damnation of Obadiah

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1773
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. I Will Pay No More Debts of Her Contracting

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1772
Materials & Techniques:: Etching on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 13 1/16 x 9 1/2 inches (33.1 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Lady Pointing with a Stick

Creator:: Print made by Charles Bretherton, ca. 1760–1783
Date:: 1782
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 8 11/16 inches (30.7 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Relief

Creator:: William Dickinson, 1746–1823
Date:: 1781
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/16 × 13 3/8 inches (29 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Damnation of Obadiah

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Column at Yarmouth to the Memory of Lord Nelson

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Sisters Contemplating on Mortality

Creator:: Print made by Robert Dunkarton, 1744–1811
Date:: 1770
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 1/4 inches (50.8 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. The Confession

Creator:: Print made by Isaac Beckett, 1652/3–1719
Date:: between 1681 and 1688
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 8 1/16 inches (26.6 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

31. Water Engine, Cold-Bath-Field's Prison

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

32. Malvolio abusing Maria, Fabian and Sir Toby

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partly varnished on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 4 5/16 inches (15.5 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Falstaff with Mistress Quickly and Bardolph

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 4 3/8 inches (15.3 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Château des Comtes de Flandre, Ghent

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Christ's Charge to Peter

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Noon

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/16 x 21 1/4 inches (38.3 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Night and a Ship on Fire

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 15/16 x 21 7/16 inches (37.9 x 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Justice

Creator:: Print made by Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 11 1/4 inches (23 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. The School-Boy

Creator:: Print made by Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 1/4 inches (22.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. William Sommers, King Henry VIII's Jester

Creator:: Print made by R. Clamp, fl.1789–1798
Date:: undated
Materials & Techniques:: Colored stipple engraving and etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/2 × 5 inches (16.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II

Creator:: Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:: 1778
Materials & Techniques:: Etching on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 6 7/16 × 4 inches (16.3 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. The Three Witches

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1786
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 10 3/16 inches (24.2 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. 'Henry IV, Part I,' Act II, Scene IV

Creator:: Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 4 1/16 x 2 3/8 inches (10.3 x 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. 'Henry IV, Part I,' Act III, Scene III

Creator:: Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 4 1/16 × 2 1/2 inches (10.3 × 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. 'Henry IV, Part I,' Act III, Scene III

Creator:: Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 4 1/8 × 2 1/2 inches (10.5 × 6.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1805
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 21 1/16 inches (45.1 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Study of a Military Scene

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Study of Christ Raising Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 5/8 × 5 11/16 inches (9.2 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 3/4 × 10 9/16 inches (14.6 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Gems of the Great Exhibition No. 4: The Foreign Department

Creator:: Print made by George Baxter, 1804–1867
Date:: 1852 or 1854
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Crimean War

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 8 1/8 × 9 7/16 inches (20.7 × 23.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

54. Buckingham Palace from St. James's Park

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph on thick, smooth, cream card
Dimensions:: Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

55. Thomas Shadwell, Esquire, Poet Laureat & Historiographer

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1690 and 1703
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 13/16 x 11 1/8 inches (40.1 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

56. Diana and Acteon

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 13/16 × 9 3/4 inches (35.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. Nymphs Bathing

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 1/16 × 11 11/16 inches (25.6 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Venus Presenting Armour to Aeneas

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 × 13 1/16 inches (25.4 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Nymphs Bathing

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 11 11/16 inches (25.7 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. Acteon and Diana

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. S. Matthias

Creator:: Print made by Elias Nessenthaler, 1664–1714
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 9 1/4 inches (34.4 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. The Death of Ananias

Creator:: Print made by John Simon, 1675–1751
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 15/16 × 13 7/8 inches (25.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. St. Francis

Creator:: Print made by unknown artist
Date:: between 1681 and 1688
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 11/16 inches (15.6 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Ego Dilecto Meo

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: ca.1700
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 7 9/16 inches (26.7 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. The Marriage of Moses

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 12 7/8 inches (25.6 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Grammatica. Die Sprachkunst.

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 16 7/16 × 11 3/8 inches (41.8 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. A School of Boys

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1739
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 13 7/16 inches (28.7 x 34.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. The Morning Rose, What Shall Poor Harpax Do!

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1744
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 14 5/16 inches (31.1 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. Mary Commended, Martha Reprehended

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1690 and 1703
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 12 11/16 inches (23.2 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Mary Commended, Martha Reprehended

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1752 and 1768
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.1 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. The Rt. Hon. Alexander Hood, Viscount Bridport, K.B.

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1834
Materials & Techniques:: Stipple engraving and etching on moderately thick, smooth, cream card
Dimensions:: Sheet: 8 13/16 × 5 9/16 inches (22.4 × 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

72. Job Rebuked by His Friends

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Edgar's Tower at Worcester

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 7 5/8 x 9 1/4 inches (19.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 13 7/8 inches (25 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Jack Sheppard Gets Drunk and Orders his Mother off

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 x 7 1/8 inches (21 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

78. Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

Creator:: Print made by John Finlayson, 1730–1776
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 x 22 3/8 inches (46 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Juvenis auscultans seni de divinis admonenti

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1764
Materials & Techniques:: Etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 18 3/8 x 14 5/16 inches (46.6 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Inverlochy Castle, Invernesshire

Creator:: Henry Griffiths, 1835–1849
Date:: 1836
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The House of William Russell, Esq., Showell Green

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:: Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The House of William Russell, Esq., Showell Green: English and French Text

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Letterpress on medium, slightly textured, cream wove paper (page in book), pasted on left edge to B1977.14.14752a
Dimensions:: Sheet: 8 1/8 x 11 15/16 inches (20.6 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

Creator:: Print made by John Browne, 1741–1801
Date:: after 1762
Materials & Techniques:: Etching on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 9 x 12 1/16 inches (22.8 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Admiral George Edgcumbe, first Earl of Mount Edgcumbe

Creator:: Edward Fisher, 1722–1785
Date:: 1760
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 3/16 × 10 7/8 inches (38.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Miss Wynyard

Creator:: John Finlayson, 1730–1776
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 9/16 × 13 13/16 inches (49.7 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. In Her Love-Darting Eyes Awakes the Fires

Creator:: Alexander van Haecken, 1701–1758
Date:: between 1735 and 1757
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 7/8 × 11 13/16 inches (45.4 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. View of a Sea Port

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 16 3/4 inches (27.6 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer

89. Vulcan's Forge

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

90. Robert van Voerst

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: 1771
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. View of a Portico by the Side of a River, with Herdsmen and Cattle

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 x 16 5/16 inches (28 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Theodore Sizer

92. Jack Sheppard's Escape from the Cage at Willesden

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 5/8 x 7 3/16 inches (21.9 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

93. Jack Sheppard Accuses Thames Darrell of the Theft

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 x 7 5/16 inches (22.5 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

94. A View of Campo Vaccino at Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 3/4 x 12 1/2 inches (24.8 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. A View of the Piazza Navona in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 x 12 3/8 inches (22.8 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A View of the Piazza del Popolo in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/2 x 12 5/8 inches (24.2 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. A View of Part of the Royal Gardens at Naples Towards the Sea

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/2 inches (24.4 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Lecture on Elocution, the Professor Enforcing his Precepts by Example

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/8 x 17 5/16 inches (30.8 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Triumph of Music

Creator:: Walter Crane, 1845–1915
Date:: ca. 1876
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 x 14 5/8 inches (27 x 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

100. Macbeth and the Witches

Creator:: James Northcote, 1746–1831
Date:: between 1777 and 1778
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 16 1/4 inches (32.4 x 41.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

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1. The Avon Gorge, Looking toward Clifton

2. Christ and the Woman of Samaria

3. Lulworth Castle, Dorset

4. 'Like that, the dial speaks; and points to thee' (Page 33)

5. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

6. 'His hand the good man fastens on the skies' (Page 86)

7. 'The goddess bursts in thunder and in flame' (Page 95)

8. The Little Girl Lost (Plate 20)

9. A Dream (Plate 4)

10. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

11. 'Like that, the dial speaks; and points to thee' (Page 33)

12. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

13. 'His hand the good man fastens on the skies' (Page 86)

14. 'The goddess bursts in thunder and in flame' (Page 95)

15. "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

16. "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

17. Major Thomas Pearson and the Brahman

18. Major Thomas Pearson and the Brahman

19. A French Petit Maître and His Valet

20. Night

21. The Barbadoes Mulatto Girl

22. Bristol High Cross

23. The Damnation of Obadiah

24. I Will Pay No More Debts of Her Contracting

25. Lady Pointing with a Stick

26. The Relief

27. The Damnation of Obadiah

28. Column at Yarmouth to the Memory of Lord Nelson

29. Sisters Contemplating on Mortality

30. The Confession

31. Water Engine, Cold-Bath-Field's Prison

32. Malvolio abusing Maria, Fabian and Sir Toby

33. Falstaff with Mistress Quickly and Bardolph

34. Château des Comtes de Flandre, Ghent

35. Christ's Charge to Peter

36. A View from Richmond Hill Up the River

37. Noon

38. Night and a Ship on Fire

39. The Justice

40. The School-Boy

41. William Sommers, King Henry VIII's Jester

42. Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II

43. The Three Witches

44. 'Henry IV, Part I,' Act II, Scene IV

45. 'Henry IV, Part I,' Act III, Scene III

46. 'Henry IV, Part I,' Act III, Scene III

47. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

48. Study of a Military Scene

49. Study of Christ Raising Lazarus

50. Study For, Christ's Entry into Jerusalem

51. Gems of the Great Exhibition No. 4: The Foreign Department

52. The Crimean War

53. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

54. Buckingham Palace from St. James's Park

55. Thomas Shadwell, Esquire, Poet Laureat & Historiographer

56. Diana and Acteon

57. Nymphs Bathing

58. Venus Presenting Armour to Aeneas

59. Nymphs Bathing

60. Acteon and Diana

61. S. Matthias

62. The Death of Ananias

63. St. Francis

64. Ego Dilecto Meo

65. The Marriage of Moses

66. Grammatica. Die Sprachkunst.

67. A School of Boys

68. The Morning Rose, What Shall Poor Harpax Do!

69. Mary Commended, Martha Reprehended

70. Mary Commended, Martha Reprehended

71. The Rt. Hon. Alexander Hood, Viscount Bridport, K.B.

72. Job Rebuked by His Friends

73. Edgar's Tower at Worcester