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Subject Terms harness

Classification Prints

1. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 8, "Rose up against me...."

Jerusalem, Plate 8, "Rose up against me...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Horse of Ostend

The Horse of Ostend

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1921
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 8 3/8 x 10 3/4 inches (21.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. Early Spring, Gloucestershire

Early Spring, Gloucestershire

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 x 10 1/16 inches (22.9 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. Landscape with a Fisherman

Landscape with a Fisherman

Creator:: James McNeill Whistler, 1834–1903
Date:: 1861
Materials & Techniques:: Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:: Sheet: 9 3/4 x 12 5/8 inches (24.8 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

8. Jack in Office

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1835
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 7/8 x 17 3/16 inches (30.2 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Dusty Millers

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper (2 layers)
Dimensions:: Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

10. Dusty Millers

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:: Sheet: 6 3/4 x 9 1/2 inches (17.1 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

11. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Mail Coach Behind Time

No cover image available

Creator:: Engraved by Henry Pyall, 1795–1833
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection