Print made by Bradshaw & Blacklock, active ca.1850
Oriental Scenes
after 1850
106
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
107
Print made by Edmund Blampied, 1886–1966
Ostend Shrimper
1926
108
Print made by Sir Muirhead Bone, 1876–1953
Stirling Castle, No. 2
1909
109
Print made by John Smith, the mezzotinter, 1652–1743
Tobit and the Angel
undated
110
Print made by Robert Robinson, active 1674–1706
Huntsmen Chasing a Stag
undated
111
William Lee Hankey, 1869–1952
The Flight from Belgium
1914
112
Charles Hunt, 1803–1877
'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..
1839
113
Richard Earlom, 1743–1822
Embassy of Hyderbeck to Calcutta
1800
114
George Townly Stubbs, 1748–1815
Warren Hastings on his Arabian Horse
ca. 1796
115
Print made by William Dickinson, 1746–1823
Lady Charles Spencer
1776
116
unknown artist
Man on Horse, with Pigs
undated
117
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
118
Sir George Howland Beaumont seventh Baronet, 1753–1827
Lane with Figures, May 1802
1802
119
George Bryant Campion, 1796–1870
Dedham
undated
120
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
121
Frederick Calvert, ca. 1785–ca. 1845
Undercliff, Isle of Wight
undated
122
Edna Kaulbach, active 1874
At Oxford
1874
123
Print made by James Bretherton, ca. 1730–1806
Englishman at Paris, 1767
1799
124
Print made by James Bretherton, ca. 1730–1806
George Stubbs: A Sketch
undated
125
Print made by Bradshaw & Blacklock, active ca.1850
Albanian Scenes
after 1850
126
Print made by Bradshaw & Blacklock, active ca.1850
Ben Nevis
after 1850
127
Robert Strange, 1721–1792
La Retour du Marche
128
Robert Dixon, 1780–1815
The Late Entrance to Ber Street, Norwich
1810
129
Robert Dixon, 1780–1815
The Greyfriars Tower, Lynn, as it appeared 1801
between 1810 and 1811
130
Print made by John Smith, the mezzotinter, 1652–1743
Tobias and the Angel
ca. 1685
131
Print made by John Robert Cozens, 1752–1797
Ariccia
between 1783 and 1789
132
attributed to James Ward, 1769–1859
Hunstanton Cliffs
undated
133
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: General Gamble's orderly while the troops were at Gun Hill during the yellow fever epidemic, 1881
1881
134
George Alken, 1794–active 1837
Exercising a Racehorse
undated
135
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
136
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
137
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
138
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
139
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
140
Henry Thomas Alken, 1785–1851
Horse and Dog
undated
141
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
142
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman Standing Beside a Horse
undated
143
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
144
Henry Thomas Alken, 1785–1851
Hooded Damascene Cavalryman Riding
undated
145
Henry Thomas Alken, 1785–1851
Knight in Armour Standing by a Plumed and Caparisoned Horse
undated
146
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
147
Henry Thomas Alken, 1785–1851
Wounded Turkish Cavalryman in Danger of Failling From His Horse..
undated
148
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
149
Henry Thomas Alken, 1785–1851
Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right
undated
150
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
151
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
152
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
153
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
154
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
155
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
156
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
157
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
158
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
159
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
160
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
161
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
162
Sawrey Gilpin, 1733–1807
Man With a Horse Harnessed to a Roller
undated
163
Sawrey Gilpin, 1733–1807
Rider in Tricorne Hat
undated
164
Sawrey Gilpin, 1733–1807
Rubbing Down a Horse in a Paddock at a Racetrack
undated
165
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
166
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
167
Samuel Howitt, 1756–1822
Going Home
undated
168
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
169
Attributed to Inigo Jones, 1573–1652
A Plumed Saddle-Horse
ca. 1640
170
Possibly Sir Thomas Lawrence, 1769–1830
The Duke of Wellington Riding Copenhagen
undated
171
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
172
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
173
James Seymour, 1702–1752
Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
undated
174
James Seymour, 1702–1752
Rider in Armour
undated
175
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
176
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
177
Sir Edwin Henry Landseer, 1802–1873
A Hunting Accident
1836
178
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
179
James Seymour, 1702–1752
Rider With a Draw-Rein, Walking to Left
undated
180
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
181
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
undated
182
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
183
James Seymour, 1702–1752
Coursing - After the Kill
undated
184
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
undated
185
James Seymour, 1702–1752
Flying Childers and Grooms
undated
186
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
187
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
188
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
189
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
190
James Seymour, 1702–1752
Conqueror Going to Start
undated
191
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
192
Francis Barlow, 1622–1704
Hare Hunting
undated
193
Peter Tillemans, 1684–1734
The Duke of Somerset on Horseback
undated
194
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
195
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
196
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
197
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
198
James Ward, 1769–1859
Ralph John Lambton on His Hunter, "Undertaker"
ca. 1815
199
James Ward, 1769–1859
Horse's Foreleg: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery