On-site Access: Accessible by appointment in the Study Room / Subject Terms: landscape

1601. The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

Creator:: William Dickinson, 1746–1823
Date:: 1774
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 3/8 × 11 inches (39 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1602. Lake Nemi

Creator:: David Robertson, active 1926
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 14 x 10 1/2 inches (35.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1603. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1859
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1604. Rietz, near Saumur

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1605. Between Clairmont and Mauves

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1606. Lambing Time

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 x 6 13/16 inches (12.8 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1607. Rabbits (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 inches (10.5 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1608. Christmas (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 1/16 inches (11 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1609. A-Hunting We Will Go

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 5 3/16 inches (12.6 x 13.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1610. Frost and Snow (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1611. Frost and Snow

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 6 5/8 inches (20.8 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1612. A View of the Falls of the Passaic . . .

Creator:: Print made by Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Colored etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

1613. Sea Road into Seaford

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1925
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1614. Harbor Scene

Creator:: Robert Charles Goff, 1837–1922
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/16 x 8 1/8 inches (29 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1615. Free Natives of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1780
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/8 × 8 1/4 inches (30.2 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1616. A Cudgelling Match between English and French Negroes in the Island of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 13 7/8 inches (29.5 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1617. View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 13 9/16 inches (16.8 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1618. Penzance, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1619. Dudley Priory in Worcestershire, Plate 2

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1620. The Royal Palace of Windsor

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1621. Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/4 × 16 1/4 inches (26 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1622. A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin

Creator:: Print made by Giles King, active 1732–1746
Date:: ca. 1744
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1623. A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

Creator:: Print made by James Mason, 1710–1783
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1624. Water Fall at Powers Court

Creator:: Giles King, active 1732–1746
Date:: 1744
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1625. A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

Creator:: Giles King, active 1732–1746
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1626. Up and Over

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 13/16 × 13 15/16 inches (24.9 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1627. The Junction of the Severn and the Wye with Chepstow in the Distance

Creator:: David Cox, 1783–1859
Date:: 1830
Materials & Techniques:: Watercolor with stopping out, scraping out, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 31 x 42 inches (78.7 x 106.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1628. Grouse Shooting: The Right Sort

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and red ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 13/16 inches (21.6 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1629. Grouse Shooting: The Wrong Sort

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1630. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1631. The Leicestershire Hunt - A Struggle for the Start

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1632. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1633. The Leicestershire Hunt - The Death

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 1/2 inches (23.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1634. Taking a Fence Side-Saddle

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouahce and pen with black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 10 3/4 inches (37 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1635. The Quorn towards Ashby de la Zouch, Leicestershire

Creator:: Lionel Edwards, 1878–1966
Date:: 1919
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and black chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 19 7/8 × 25 7/16 inches (50.5 × 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1636. Newmarket - Pulling Up

Creator:: Lionel Edwards, 1878–1966
Date:: 1933
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1637. Supported by a Bramble

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1638. The Kill

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1639. A View of Florence from the Convent of Capuchins at Montugi

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1640. A River in Ceylon

Creator:: George Chinnery, 1774–1852
Date:: between 1803 and 1825
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, wove paper
Dimensions:: Sheet: 5 5/8 × 10 3/8 inches (14.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1641. Building a Hayrick

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 1/8 inches (13.3 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1642. The City of Breslau

Creator:: Print made by unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1643. Landscape Near Newmarket, Suffolk

Creator:: Possibly Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1812
Materials & Techniques:: Watercolor with gold gilded border on sheet and white goache border line on mount on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 2 x 5 15/16 inches (5.1 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1644. A Cricket Match of the Royal Marine Artillery, London

Creator:: Walter Paris, 1842–1906
Date:: 1888
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly texture, beige wove paper
Dimensions:: Sheet: 13 3/8 × 21 1/4 inches (34 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1645. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

Creator:: Charles Claude Pyne, 1802–1878
Date:: 1872
Materials & Techniques:: Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1646. Westminster Abbey and St. Paul's from Battersea Fields

Creator:: Nathaniel Smith, 1740–1787
Date:: undated
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1647. Farmyard and Horses

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/4 × 3 5/16 inches (8.3 × 8.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1648. Hunting Scene: The Meet

Creator:: possibly John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 13/16 inches (10.3 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1649. Windsor Castle from the South

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, graphite pen and brown ink, black ink, and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 19 3/4 inches (30.5 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1650. The Cornfield

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 11 11/16 × 17 1/4 inches (29.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1651. Threshing Corn

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1845-1849
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 11 3/8 x 17 5/8 inches (28.9 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1652. The Castle on the Hill

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 18 5/8 inches (34.9 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1653. Windsor Park Paling

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Black chalk, and white chalk on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 5/16 × 20 3/8 inches (31.3 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1654. Harvest Time

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 7 x 20 5/8 inches (17.8 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1655. The Admiralty Building from Whitehall

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1782
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 1/4 inches (18.4 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1656. Open Landscape with Cathedral in Distance

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 22 inches (13.3 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1657. Encampment at Maestricht

Creator:: Thomas Sandby, 1721–1798
Date:: 1747
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 2 1/2 × 16 1/16 inches (6.4 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1658. Study near Harlech Castle

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 13 1/2 inches (19.7 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1659. Vauxhall Stairs, from Millbank, July 5, 1797

Creator:: Francis Towne, 1740–1816
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 9/16 × 11 inches (24.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1660. The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

Creator:: Print made by unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1661. Pond with Willow Tree and Ducks

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, gray wove paper
Dimensions:: Mount: 11 3/8 × 15 1/2 inches (28.9 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1662. A Yorkshire Farm

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/16 × 12 1/4 inches (21.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1663. Langworth

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1785
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 8 inches (21.6 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1664. An Old Cabin on the Bank of a River

Creator:: attributed to John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Black chalk, white chalk and graphite on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 9 3/8 × 15 1/16 inches (23.8 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1665. A Military Encampment in Hyde Park

Creator:: James Malton, 1761–1803
Date:: 1785
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 7/16 inches (21 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1666. Tree Study (Autumn Foliage)

Creator:: attributed to John Linnell, 1792–1882
Date:: ca. 1828
Materials & Techniques:: Gouache and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 7/8 x 12 1/8 inches (25.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1667. Old Olive Tree

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 5 inches (15.2 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1668. A Stag Hunt

Creator:: John Wootton, 1682–1764
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 8 1/2 inches (19.1 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1669. The Gipsy Encampment

Creator:: Print made by Samuel David Colkett, 1806–1863
Date:: 1822
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 × 8 1/2 inches (13.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1670. River Scene, Aldercar

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: ca. 1837
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 x 8 inches (8.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1671. The Meteor of August 18, 1783, as seen from the East Angle of the North Terrace, Windsor Castle

Creator:: Paul Sandby, 1731–1809
Date:: 1783
Materials & Techniques:: Watercolor on medium, moderately textured, cream laid apper
Dimensions:: Sheet: 12 1/2 x 19 inches (31.8 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1672. The Hayfield, Norfolk

Creator:: Edward Brian Seago, 1910–1974
Date:: undated
Materials & Techniques:: Graphite and watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 12 5/8 × 13 5/8 inches (32.1 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1673. Buckingham House, St. James' Park

Creator:: Print made by John Burnet, 1784–1868
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1674. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)

Creator:: James Ward, 1769–1859
Date:: 1820
Materials & Techniques:: Graphite and black and white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 22 3/4 inches (34.6 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1675. View of Lichfield, The Birth Place of Dr. Samuel Johnson

Creator:: Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 × 9 5/16 inches (15.9 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1676. Tooting Church

Creator:: Print made by George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 × 5 1/8 inches (11.2 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1677. Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 7/16 inches (13.7 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1678. Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

Creator:: Print made by unknown artist
Date:: ca. 1840
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 9 3/16 inches (14.6 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1679. Knowle Park, the Seat of the Earl of Plymouth

Creator:: John Graham, 1754–1817
Date:: 1837
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 3/16 inches (14.9 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1680. Hawes Bridge near Kendal

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 16 5/8 inches (33.2 x 42.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1681. Man Chopping Wood

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: 1737
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 9/16 x 8 3/4 inches (14.1 x 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1682. Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1683. Four dogs, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1684. Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1685. Cottage at Northfleet, Kent

Creator:: David Cox, 1783–1859
Date:: ca. 1810
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 x 3 7/8 inches (8.3 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1686. Study of Trees

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper mounted on medium, rough, beige wove paper
Dimensions:: Mount: 3 13/16 x 9 9/16 inches (9.7 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1687. Trees on a Knoll by a Stream

Creator:: John Varley, 1778–1842
Date:: ca. 1830
Materials & Techniques:: Brown wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 3/4 x 5 9/16 inches (9.5 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1688. Ships on a River with Buildings in the Distance

Creator:: John Varley, 1778–1842
Date:: ca. 1830
Materials & Techniques:: Brown wash on moderately thick, slightly textured, cream wove paper mounted on medium, rough, gray wove paper
Dimensions:: Mount: 11 7/16 x 9 7/16 inches (29.1 x 23.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1689. Sketch of English Country Churches

Creator:: John Piper, 1903–1992
Date:: ca. 1950
Materials & Techniques:: Pen and black ink with white gouache on medium, smooth, cream wove paper, mounted to moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 6 5/8 × 8 5/8 inches (16.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1690. Selborne Church

Creator:: John Piper, 1903–1992
Date:: 1961
Materials & Techniques:: Gray wash with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 15 3/8 × 9 3/4 inches (39.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1691. A Fort Near Montmartre

Creator:: Augustus William Reeve, active 1831–1888
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 8 7/8 inches (10.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1692. Mater Purissima

Creator:: Print made by Henry Bonnart, 1642–1711
Date:: undated
Materials & Techniques:: Etching, drypoint, and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 4 7/16 inches (16.8 × 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1693. Trees and Cottages at the Bend of a River

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Brown wash on medium, slightly textured, cream laid paper mounted on medium, rough, beige wove paper
Dimensions:: Mount: 4 1/2 x 9 5/8 inches (11.4 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1694. Rue Terre Neuve, Meudon

Creator:: Gwen John, 1876–1939
Date:: between 1920 and 1925
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 9 5/8 inches (31.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1695. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1696. Salmon Leap at Leixlip

Creator:: Giles King, active 1732–1746
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1697. Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Gouache on medium, slightly textured, cream wove paper mounted on stretched canvas
Dimensions:: Sheet: 12 1/8 × 20 inches (30.8 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1698. Epsom

Creator:: unknown artist
Date:: 1896
Materials & Techniques:: Watercolor with graphite and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 3 1/2 × 6 1/4 inches (8.9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1699. Horse Fair in East Anglia

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1899
Materials & Techniques:: Watercolor and gouache, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 13 5/8 x 20 5/8 inches (34.6 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1700. Donkey Beside a Tree, Hampstead

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, smooth, beige wove paper
Dimensions:: Contemporary drawn border: 4 7/16 × 5 1/2 inches (11.3 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1601. The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

1602. Lake Nemi

1603. Modern Italy

1604. Rietz, near Saumur

1605. Between Clairmont and Mauves

1606. Lambing Time

1607. Rabbits (tail piece)

1608. Christmas (tail piece)

1609. A-Hunting We Will Go

1610. Frost and Snow (tail piece)

1611. Frost and Snow

1612. A View of the Falls of the Passaic . . .

1613. Sea Road into Seaford

1614. Harbor Scene

1615. Free Natives of Dominica

1616. A Cudgelling Match between English and French Negroes in the Island of Dominica

1617. View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold

1618. Penzance, Cornwall

1619. Dudley Priory in Worcestershire, Plate 2

1620. The Royal Palace of Windsor

1621. Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

1622. A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin

1623. A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

1624. Water Fall at Powers Court

1625. A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

1626. Up and Over

1627. The Junction of the Severn and the Wye with Chepstow in the Distance

1628. Grouse Shooting: The Right Sort

1629. Grouse Shooting: The Wrong Sort

1630. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

1631. The Leicestershire Hunt - A Struggle for the Start

1632. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

1633. The Leicestershire Hunt - The Death

1634. Taking a Fence Side-Saddle

1635. The Quorn towards Ashby de la Zouch, Leicestershire

1636. Newmarket - Pulling Up

1637. Supported by a Bramble

1638. The Kill

1639. A View of Florence from the Convent of Capuchins at Montugi

1640. A River in Ceylon

1641. Building a Hayrick

1642. The City of Breslau

1643. Landscape Near Newmarket, Suffolk

1644. A Cricket Match of the Royal Marine Artillery, London

1645. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

1646. Westminster Abbey and St. Paul's from Battersea Fields

1647. Farmyard and Horses

1648. Hunting Scene: The Meet

1649. Windsor Castle from the South

1650. The Cornfield

1651. Threshing Corn

1652. The Castle on the Hill

1653. Windsor Park Paling

1654. Harvest Time

1655. The Admiralty Building from Whitehall

1656. Open Landscape with Cathedral in Distance

1657. Encampment at Maestricht

1658. Study near Harlech Castle

1659. Vauxhall Stairs, from Millbank, July 5, 1797

1660. The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

1661. Pond with Willow Tree and Ducks

1662. A Yorkshire Farm

1663. Langworth

1664. An Old Cabin on the Bank of a River

1665. A Military Encampment in Hyde Park

1666. Tree Study (Autumn Foliage)

1667. Old Olive Tree

1668. A Stag Hunt

1669. The Gipsy Encampment

1670. River Scene, Aldercar

1671. The Meteor of August 18, 1783, as seen from the East Angle of the North Terrace, Windsor Castle

1672. The Hayfield, Norfolk

1673. Buckingham House, St. James' Park

1674. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)