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1. Jerusalem, Plate 77, "To the Christians...."

Jerusalem, Plate 77, "To the Christians...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Highbridge

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1927
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/16 x 10 3/8 inches (23.3 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Boy with a Box

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 8 7/16 inches (31.5 x 21.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. The Fair Alsatian

The Fair Alsatian

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 8 3/4 inches (29.5 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Six Snipe and four herons on two plates on one for 'A New Drawing Book..of various kinds of birds, Drawn from the Life by Francis Barlow', 1731 (1 of 9)

Six Snipe and four herons on two plates on one for 'A New Drawing Book..of various kinds of birds, Drawn from the Life by Francis Barlow', 1731 (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1731
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 5/16 x 7 1/4 inches (28.8 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. For Japaning, Where may be 200 Different Sorts

For Japaning, Where may be 200 Different Sorts

Creator:: Peter P. Benazech, 1767–1794
Date:: 1757
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper mounted on medium, textured, beige laid paper
Dimensions:: Mount: 9 7/16 x 14 inches (24 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Cavorting Putti with Classical Vase and Fountain

No cover image available

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, blacck ink and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 13 5/8 inches (22.9 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Dance to the Music of Time

No cover image available

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on medium, smooth, white wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

9. Aragonese String Makers

No cover image available

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/4 x 17 7/8 inches (32.4 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. Children Playing

No cover image available

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1774
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 3/16 x 14 7/16 inches (33.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund