A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
12105
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]
1735
12106
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
1735
12107
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
1735
12108
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
1735
12109
Peter Pasquin, active 1824–1826
One of a set of 6 (3): A Day's Journal of a Sponge
1824
12110
Peter Pasquin, active 1824–1826
One of a set of 6 (2): A Day's Journal of a Sponge
1824
12111
John Absolon, 1815–1895
Trees by a Pool
Undated
12112
Peter Pasquin, active 1824–1826
One of a set of 6 (4): A Day's Journal of a Sponge
1824
12113
Peter Pasquin, active 1824–1826
One of a set of 6 (5): A Day's Journal of a Sponge
1824
12114
Peter Pasquin, active 1824–1826
One of a set of 6 (6): A Day's Journal of a Sponge
1824
12115
Thomas Rowlandson, 1756–1827
Set of eight (3): Cries of London
1799
12116
Thomas Rowlandson, 1756–1827
Set of eight (5): Cries of London
1799
12117
Thomas Rowlandson, 1756–1827
Set of eight (4): Cries of London
1799
12118
Thomas Rowlandson, 1756–1827
Set of eight (5): Cries of London
1799
12119
Thomas Rowlandson, 1756–1827
Set of eight (6): Cries of London
1799
12120
Thomas Rowlandson, 1756–1827
Set of eight (2): Cries of London
1799
12121
Thomas Rowlandson, 1756–1827
Set of eight (7): Cries of London
1799
12122
Thomas Rowlandson, 1756–1827
Set of Sixteen: Outlines of Figure and Landscapes
1790-1792
12123
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
12124
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
12125
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
12126
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
12127
unknown artist
A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
1759
12128
Thomas Baxter, 1782–1821
My Father Feeding Ducks, Drawn by His Father
ca. 1805
12129
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
12130
William Alexander, 1767–1816
The Traveling Barge
undated
12131
Edward John Poynter, 1836–1919
Study for an Allegorical Figure of Religion
undated
12132
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
12133
George Chinnery, 1774–1852
A Garden in India
between 1803 and 1825
12134
Charles Ginner, 1878–1952
A Garden Path
undated
12135
Keith Vaughan, 1912–1977
Night Despatch Rider - Tea in a Café
1943
12136
Richard Westall, 1765–1836
Moses Striking the Rock (Numbers 20:11)
before 1835
12137
Sir John Everett Millais, 1829–1896
St. Agnes of Intercession
12138
Richard Westall, 1765–1836
Jonah Cast Into the Sea (Jonah 1:15)
before 1835
12139
Richard Westall, 1765–1836
Moses Bringing the Ten Commandments from Mount Sinai (Exodus 34:29)
before 1835
12140
Richard Westall, 1765–1836
Joshua and the Angel (Joshua 5:13)
before 1835
12141
Richard Westall, 1765–1836
Christ Appears to Mary Magdalene (John 20:13-14)
before 1836
12142
Richard Westall, 1765–1836
Elisha on His Death-Bed (II Kings 12:17)
before 1835
12143
Richard Westall, 1765–1836
The Annunciation (Luke 1:26)
before 1836
12144
Richard Westall, 1765–1836
The Birth of Christ (Luke 2:15)
before 1836
12145
Charles Collins, 1680–1744
A Pair of Stints
undated
12146
Richard Westall, 1765–1836
Christ Raising the Widow's Son (Luke 7:13-16)
before 1836
12147
Rivers, active 1799–1804
Rosamond
12148
Thomas Rothwell, ca. 1742–1807
Edwin and Matilda
12149
Thomas Rothwell, ca. 1742–1807
Wisdom Introducing Innocence to the Fine Arts
undated
12150
Joshua Cristall, 1768–1847
Tarbert Castle
undated
12151
Rivers, active 1799–1804
The Miser
12152
Thomas Rothwell, ca. 1742–1807
The Hermit of the Grove
12153
Thomas Rothwell, ca. 1742–1807
Hovel on the Hearth
12154
Thomas Tagg, died 1809
First Love; or, Maria's Monument
12155
Thomas Rothwell, ca. 1742–1807
Ferdinand and Isabel
12156
Thomas Cook, 1744–1818
Blackwell's Military Figures, Plate I, Pikemen
1809
12157
Charles Davidson, 1824–1902
Hoar Frost, Misty Morning: Glen Lyon
undated
12158
Print made by Francis Chesham, 1749–1806
Head & Limbs
1794
12159
Thomas Cook, 1744–1818
Polling at the Hustings
1808
12160
Thomas Cook, 1744–1818
Blackwell's Military Figures, Plate II, Halberd Men
1809
12161
Thomas Cook, 1744–1818
Analysis of Beauty
1808
12162
Thomas Cook, 1744–1818
Humours of Oxford, 1729
1807
12163
Thomas Cook, 1744–1818
Marriage a La Mode
1806
12164
Thomas Cook, 1744–1818
Frontispiece to the Artist's Catalogue, 1761
1807
12165
Thomas Cook, 1744–1818
France
1807
12166
Thomas Cook, 1744–1818
The Enraged Musician
1806
12167
Samuel Davis, 1760–1819
Castle at Dieppe, Normandy
undated
12168
George Cruikshank, 1792–1878
Henry perceiving Norris pick up Ann Boleyn's hankerchief at the jousts
12169
George Cruikshank, 1792–1878
Queen Jane & Lord Guilford Dudley brought back to the Tower through Traitors Gate
12170
George Cruikshank, 1792–1878
The Marriage of Randolph and Hilda
1842
12171
George Cruikshank, 1792–1878
The Miser discovering the loss of the mortgage-money
1842
12172
Thomas Cook, 1744–1818
Canvassing for Votes, Plate II
1807
12173
Thomas Cook, 1744–1818
Humours of an Election Entertainment
1809
12174
George Cruikshank, 1792–1878
The discovery of the mysterious packet
12175
George Cruikshank, 1792–1878
Tom, Jerry and Logic 'tasting' Wine..
1821
12176
George Cruikshank, 1792–1878
The Green Room at Drury Lane Theatre
12177
George Cruikshank, 1792–1878
Dispersion of the Jacobite Club, and death of Cordwell Firebras
1842
12178
George Cruikshank, 1792–1878
Outside of the Opera House at Night
12179
William Woollett, 1735–1785
The Spanish Pointer
1768
12180
George Cruikshank, 1792–1878
Jerry 'beat to a standstill!'
1821
12181
George Cruikshank, 1792–1878
Art of self defense
1821
12182
Samuel Davis, 1760–1819
Siccre Gully
undated
12183
George Cruikshank, 1792–1878
Ups and downs of life in London
1821
12184
George Cruikshank, 1792–1878
Life in London, Peep o'day Boys
1821
12185
George Cruikshank, 1792–1878
Tom, Jerry and Logic making the most of an evening..
1821
12186
George Cruikshank, 1792–1878
The 'ne plus ultra' of 'Life in London'..
1821
12187
George Cruikshank, 1792–1878
Cribb's Parlour
1821
12188
George Cruikshank, 1792–1878
Highest Life in London..
1821
12189
George Cruikshank, 1792–1878
A Whistling Shop..
1821
12190
George Cruikshank, 1792–1878
A 'Look In' at Tattersal's
1821
12191
George Cruikshank, 1792–1878
Tom & Jerry, Sporting their 'bits of blood'..
1820
12192
George Cruikshank, 1792–1878
Tom, Jerry and Logic backing Tommy the Sweep
1821
12193
George Cruikshank, 1792–1878
Fencing
1821
12194
George Cruikshank, 1792–1878
Tom & Jerry sporting their blunt..
1820
12195
George Cruikshank, 1792–1878
Tom & Jerry in Trouble after a Spree
1820
12196
Alfred Diston, active 1818–1829
View of Port Orotava, Tenerife, from El Limpio de Las Calaveras