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Hablot Knight Browne "Hark": Startled Horse and Alert Rider
Hablot Knight Browne, 1815–1882
"Hark": Startled Horse and Alert Rider
undated
Louis Philippe Boitard Dosing a Racehorse
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
Hablot Knight Browne The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
Hablot Knight Browne The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
Peter Tillemans A Match at Newmarket
Peter Tillemans, 1684–1734
A Match at Newmarket
undated
John Vanderbank "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
John Vanderbank "The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
Hablot Knight Browne "You're Not Going to Follow, Belle, Are You?"
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
Hablot Knight Browne The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
Paul Maze The Royal Horse Guards (The Blues)
Paul Maze, 1887–1979
The Royal Horse Guards (The Blues)
undated
James Ward Head of a Tiger
James Ward, 1769–1859
Head of a Tiger
undated
James Ward Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
James Ward Ralph John Lambton on His Hunter, "Undertaker"
James Ward, 1769–1859
Ralph John Lambton on His Hunter, "Undertaker"
ca. 1815
Hablot Knight Browne The Sporting Parson: "He Sheweth Them the Way They Should Go"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
James Ward Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
James Ward, 1769–1859
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
undated
James Ward Lady Londonderry's Dog
James Ward, 1769–1859
Lady Londonderry's Dog
undated
Hablot Knight Browne The Sporting Parson: "He Trieth a Little 'High Church' Style"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
James Ward A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
Paul Maze A Foot Guardsman carrying Regimental Colours
Paul Maze, 1887–1979
A Foot Guardsman carrying Regimental Colours
undated
James Ward Horse's Foreleg: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
James Ward, 1769–1859
Horse's Foreleg: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
Hablot Knight Browne The Sporting Parson: "He Then Goes in For Baptism"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
James Ward A Hog, Sleeping
James Ward, 1769–1859
A Hog, Sleeping
ca. 1807
James Ward Sheep-shearing
James Ward, 1769–1859
Sheep-shearing
undated
James Ward Arctic Dog, Facing Right
James Ward, 1769–1859
Arctic Dog, Facing Right
undated
James Ward Arctic Dog, Facing Left
James Ward, 1769–1859
Arctic Dog, Facing Left
undated
Hablot Knight Browne The Sporting Parson: "Next a Little Low Church"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Next a Little Low Church"
undated
Sir David Wilkie Two Riders Seen from Behind, Oct. 10, 1822
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
Benjamin West Rider Galloping to Left
Benjamin West, 1738–1820
Rider Galloping to Left
undated
Hablot Knight Browne The Sporting Parson: "He Sends Mother Eve's Apples Flying"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sends Mother Eve's Apples Flying"
undated
Sir Alfred J. Munnings The Artist at his Easel
Sir Alfred J. Munnings, 1878–1959
The Artist at his Easel
undated
John Wootton A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse...
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
John Wootton The Meet
John Wootton, 1682–1764
The Meet
undated
George Alken Releasing a Bag-Fox
George Alken, 1794–active 1837
Releasing a Bag-Fox
1821
Hablot Knight Browne The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
Henry Thomas Alken H. Grant on Horseback
Possibly Henry Thomas Alken, 1785–1851
H. Grant on Horseback
undated
Henry Thomas Alken A Whipper-In and a Couple of Hounds Running Hard in Open Country
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
George Alken Full Cry. 1821: Riders Taking a Wooden Fence
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
Henry Thomas Alken A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"
Henry Thomas Alken, 1785–1851
A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"
1821
Henry Thomas Alken Two Riders Exercising Horses at a Gallop
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
Henry Thomas Alken Two Riders and a Couple of Hounds Clearing a Wall
Henry Thomas Alken, 1785–1851
Two Riders and a Couple of Hounds Clearing a Wall
1845
Henry Thomas Alken Wild Duck Shooting
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
Henry Thomas Alken A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
Henry Thomas Alken, 1785–1851
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
Henry Thomas Alken Two Riders Taking a Double Fence
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
Henry Thomas Alken "Sporting Anecdotes:" Sketch for 'The Sporting Butcher'
Henry Thomas Alken, 1785–1851
"Sporting Anecdotes:" Sketch for 'The Sporting Butcher'
undated
Henry Thomas Alken Full Cry
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
Samuel Alken Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right...
Samuel Alken, 1756–1815
Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right..
undated
Samuel Alken Foxhunting: Rider and a Couple of Hounds Entering a Covert
Samuel Alken, 1756–1815
Foxhunting: Rider and a Couple of Hounds Entering a Covert
undated
Samuel Howitt Racing Scene
Samuel Howitt, 1756–1822
Racing Scene
1792
Edward Hull Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
Edward Hull, 1810–1877
Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
ca. 1835
C. Blake "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground
undated
James Ward A Young Boy with Dogs
James Ward, 1769–1859
A Young Boy with Dogs
ca. 1798
Thomas Rowlandson The Return from the Hunt
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
John Wootton Hounds in a Landscape
John Wootton, 1682–1764
Hounds in a Landscape
undated
James Seymour Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
Peter Tillemans Foxhunting: The Kill
Peter Tillemans, 1684–1734
Foxhunting: The Kill
undated
unknown artist Fish Market, Boulogne
unknown artist
Fish Market, Boulogne
undated
George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
Charles Hunt Road Riders or Funkers
Charles Hunt, 1803–1877
Road Riders or Funkers
1841
Samuel Middiman As You Like It: Act II, Scene I: Forest of Arden
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
Thomas Ryder Twelfth Night, Act III, Scene IV: Olivia's House
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
George Cruikshank Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
George Cruikshank Jack Sheppard and Blueskin in Mr. Woods Bedroom
Print made by George Cruikshank, 1792–1878
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
George Cruikshank The Name on the Beams
Print made by George Cruikshank, 1792–1878
The Name on the Beams
1839
Samuel Ireland Joiner's Hall
Samuel Ireland, 1744–1800
Joiner's Hall
between 1794 and 1800
George Cruikshank Lismahago's Retaliation
Print made by George Cruikshank, 1792–1878
Lismahago's Retaliation
undated
Samuel Ireland Dyer's Hall
Samuel Ireland, 1744–1800
Dyer's Hall
between 1794 and 1800
David Lucas Summer Afternoon, After a Shower
Print made by David Lucas, 1802–1881
Summer Afternoon, After a Shower
1831
John Spilsbury Elizabeth Countess of Ancrum
John Spilsbury, 1730–1795
Elizabeth Countess of Ancrum
James McArdell Lieutenant Colonel Henry Townshend
James McArdell, ca. 1729–1765
Lieutenant Colonel Henry Townshend
James McArdell John Lockhart Esqr., Late Commander, of His Majesty's Ship Tartar
James McArdell, ca. 1729–1765
John Lockhart Esqr., Late Commander, of His Majesty's Ship Tartar
Ernest Stephen Lumsden Jaipur Evening No. 2
Print made by Ernest Stephen Lumsden, 1883–1948
Jaipur Evening No. 2
1913
William Dickinson The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
John Dixon William Robertson, D.D.
Print made by John Dixon, ca. 1740–1811
William Robertson, D.D
1772
Richard Houston Elizabeth Countess of Northumberland, Baroness Percy, Lucy, Poynings, Fitzpain, Bryan, and Latimer
Richard Houston, ca. 1721–1775
Elizabeth Countess of Northumberland, Baroness Percy, Lucy, Poynings, Fitzpain, Bryan, and Latimer
1759
John Dixon Nelly O'Brien (Lady Mary O'Brien)
John Dixon, ca. 1740–1811
Nelly O'Brien (Lady Mary O'Brien)
1774
Ernest Stephen Lumsden Udaipur, Morning
Print made by Ernest Stephen Lumsden, 1883–1948
Udaipur, Morning
1913
Henry Macbeth-Raeburn Thames from Richmond
Henry Macbeth-Raeburn, 1860–1947
Thames from Richmond
David Robertson Lake Nemi
David Robertson, active 1926
Lake Nemi
Edward Goodall Caligula's Palace and Bridge, Bay of Baiæ
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1838-1854
John Cousen Folkestone
Print made by John Cousen, 1804–1880
Folkestone
1844-1867
James Tibbits Willmore Oberwesel
Print made by James Tibbits Willmore, 1800–1863
Oberwesel
1838-1854
William Miller Modern Italy
Print made by William Miller, 1796–1882
Modern Italy
1859
Thomas Rowlandson The Cobbler's Cure for a Scolding Wife
Thomas Rowlandson, 1756–1827
The Cobbler's Cure for a Scolding Wife
Thomas Rowlandson Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque
Thomas Rowlandson, 1756–1827
Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque
1813
John Cousen St. Agatha's Abbey
Print made by John Cousen, 1804–1880
St. Agatha's Abbey
1844-1867
Thomas Rowlandson A Picture of Misery
Thomas Rowlandson, 1756–1827
A Picture of Misery
Thomas Rowlandson Pass-Room Bridewell
Thomas Rowlandson, 1756–1827
Pass-Room Bridewell
1808
Thomas Rowlandson Miseries Personal
Thomas Rowlandson, 1756–1827
Miseries Personal
1807
unknown artist Map of Bridewell and it's Locality, A.D. 1666
unknown artist
Map of Bridewell and it's Locality, A.D. 1666
undated
Alexander Runciman Fingal Discovering Carbon Cargloss (small vers.)
Alexander Runciman, 1736–1785
Fingal Discovering Carbon Cargloss (small vers.)
Bartholomew Howlett N.W View of the Chapel and Part of the Great Stair-Case Leading to the Hall of Bridewell Hospital, London
Bartholomew Howlett, 1767–1827
N.W View of the Chapel and Part of the Great Stair-Case Leading to the Hall of Bridewell Hospital, London
1813
unknown artist The Prospect of Bridewell. 1755
unknown artist
The Prospect of Bridewell. 1755