Print made by Theodore Henry Adolphus Fielding, 1781–1851
The Enterprize Steam Vessel, passing through Madras Roads
1825
15706
John William Waterhouse, 1849–1917
Head of a Woman
1896
15707
Print made by Sir Frank Short, 1857–1945
Putney
1894
15708
Robert Havell, 1769–1832
H.M.S. Sloop "Bonne Citoyenne" taking the French Frigate...
1810
15709
Walter West, 1860–1933
The Patchwork Quilt (Various lithographs from 'The Studio' journal)
1895
15710
Charles John Watson, 1846–1927
Flera S. Marino
1893
15711
Thomas Webster, 1800–1886
Autolycus' Song - A Winter's Tale, Act 4, Scene 2 and 3 songs
1853
15712
Robert Charles Goff, 1837–1922
Harbor Scene
undated
15713
William Frederick Wells, 1762–1836
A View of The New County Infirmary and part of the Town of Northampton
c.1770
15714
Jackson Simpson, 1893–1963
Wet Sand
15715
Print made by Robert Anning Bell, 1863–1933
Woman with a Tambourine
undated
15716
Print made by Alexander George Fraser, 1786–1865
A Highland Interior
undated
15717
Print made by Norman Garstin, 1855–1926
Head of a Woman
undated
15718
John Hamilton Mortimer, 1740–1779
Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15719
Jackson Simpson, 1893–1963
Kelchuin Castle Loch Awe
15720
John Hamilton Mortimer, 1740–1779
Salvator Rosa (no.2 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15721
William Woollett, 1735–1785
The Death of General Wolfe
1776
15722
Anker Smith, 1759–1819
Dr. Samuel Johnson
1808
15723
Print made by Alexander George Fraser, 1786–1865
A Seated Man Drinking
undated
15724
Print made by Valentine Green, 1739–1813
Peter and John Going to the Sepulchre
1784
15725
Print made by Nathaniel Sparks, 1880–1957
Guildhall, London
1910
15726
Print made by William Sharp, 1749–1824
Alfred the Great Dividing His Loaf with the Pilgrim
1782
15727
William Sharp, 1749–1824
King Lear: Act III, Scene IV
1793
15728
Print made by Valentine Green, 1739–1813
The Three Marys Going to the Sepulchre
1784
15729
John Hamilton Mortimer, 1740–1779
Gerard de Lairesse (no.3 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15730
Print made by Charles Heath, 1785–1848
Our Saviour healing the sick in the Temple
1812
15731
Print made by James Basire, 1730–1802
Pylades and Orestes
1771
15732
Print made by John Hall, 1739–1797
Venus relating to Adonis the Story of Hippomenes and Atlanta
1769
15733
William Sharp, 1749–1824
The Witch of En-Dor
1788
15734
Print made by John Hall, 1739–1797
Pyrrhus when a Child
1769
15735
William Ward, 1766–1826
Catharine of Aragon Pleading Her Own Cause Before King Henry the Eighth
1794
15736
Charles Knight, 1743–c.1826
Hay Makers in a Storm
1798
15737
John Hamilton Mortimer, 1740–1779
Banditti taking his post (no.4 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15738
Print made by Nathaniel Sparks, 1880–1957
Glasgow Bridge
ca. 1911
15739
John Hamilton Mortimer, 1740–1779
Banditti on the lookout (no.5 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15740
Robert Thew, 1758–1802
King Henry the Eighth: Act IV Scene II: Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc
1798
15741
John Hamilton Mortimer, 1740–1779
Reposa (no.6 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15742
Edward Scriven, 1775–1841
Telemachus relating his Adventures to Calypso
1810
15743
John Hamilton Mortimer, 1740–1779
Successful Monster (no.7 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15744
John Eginton, active 1763–1800
The Affectionate Daughter
1792
15745
Edward Scriven, 1775–1841
Telemachus and Mentor Discovered by Calypso
1810
15746
Nathaniel Sparks, 1880–1957
Shakespeare's Church from the Meads
undated
15747
John Hamilton Mortimer, 1740–1779
Jealous Monster (no.8 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15748
John Hamilton Mortimer, 1740–1779
Captain of Banditti sending out a party (no.10 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15749
John Hamilton Mortimer, 1740–1779
Musical Monster (no.11 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15750
John Hamilton Mortimer, 1740–1779
Enraged Monster (no.9 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15751
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
15752
Print made by Edward Goodall, 1795–1870
An Old Oak
1834
15753
Print made by Edward Goodall, 1795–1870
Captivity
1834
15754
Print made by Edward Goodall, 1795–1870
Shipbuilding (An Old Oak Dead)
1833
15755
H. Stone, c.1870–active 1920
An Old Canal, Copenhagen
15756
Print made by Charles Howard Hodges, 1764–1837
The Amorous Sportsman
1786
15757
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
15758
George Siegmund Facius, 1750–1804
All's Well that Ends Well
1794
15759
Print made by William T. Annis, active 1798–1811
Returned from Market
1803
15760
Print made by William T. Annis, active 1798–1811
At Market
1803
15761
William Nutter, 1754–1802
The Benevolent Cottager
1788
15762
William Nutter, 1754–1802
The Benevolent Cottager
1788
15763
Print made by Henry Kingsbury, active 1750–1780
Anthony Webster as Comus
1781
15764
Print made by Edward Goodall, 1795–1870
Valombre
1834
15765
John Hamilton Mortimer, 1740–1779
Elegy (no.15 from Fifteen Etching dedicated to Sir Joshua Reynolds)
1778
15766
John Hamilton Mortimer, 1740–1779
Tragedy (no.13 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15767
John Hamilton Mortimer, 1740–1779
Comedy (no.12 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
15768
Francesco Bartolozzi, 1728–1815
The Deserted Village
1795
15769
Print made by Anthony Cardon, 1772–1813
Credulity
1796
15770
John Hamilton Mortimer, 1740–1779
Pastoral (no.14 from Fifteen Etching dedicated to Sir Joshua Reynolds)
1778
15771
Joseph Haynes, 1760–1829
Six Banditti with Dog (no.1 of 10)
1780
15772
Joseph Haynes, 1760–1829
Bandit with old man and young woman (no.2 of 10)
1780
15773
Print made by William Ward, 1766–1826
The Disaster
1789
15774
John Murphy, ca. 1748–1820
The Departure from Brighton
1796
15775
John Murphy, ca. 1748–1820
The Encampment at Brighton
1797
15776
John Yeatherd, active 1795–1796
Evening Return from the Fair
15777
Charles Turner, 1774–1857
Going out Milking
1800
15778
Joseph Haynes, 1760–1829
Monster (no.5 of 10)
1750
15779
Charles Turner, 1774–1857
The Return from Milking
1800
15780
Luigi Schiavonetti, 1765–1810
The Father's Admonition
1801
15781
Valentine Green, 1739–1813
Henry Grattan
1782
15782
Joseph Haynes, 1760–1829
Woman warding off Monster (no.4 of 10)
1780
15783
Joseph Haynes, 1760–1829
Banditti and Women (no.6 of 10)
1780
15784
John Whessell, 1760–ca. 1823
The Woodman's Return
1797
15785
Joseph Haynes, 1760–1829
Banditti at market (no.2 of 10)
1780
15786
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
15787
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
15788
Print made by Edward Goodall, 1795–1870
The Alps at Daybreak
1834
15789
Joseph Haynes, 1760–1829
Banditti (no.7 of 10)
1780
15790
John Whessell, 1760–ca. 1823
The Itinerant Potters
1797
15791
Print made by Juan Alais, 1790–1848
Juvenile Opposition
1804
15792
Print made by William Miller, 1796–1882
Loch Lomond
1834
15793
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
15794
unknown artist
Dining Hall
undated
15795
John Doyle ('H.B.'), 1797–1868
Vacation Amusements: Pheasant Shooting (Number I)
1840
15796
John Doyle ('H.B.'), 1797–1868
Breaking up for the Vacation
1840
15797
Published by William Holland, 1757–1815
Good News from Madras
1791
15798
John Hamilton Mortimer, 1740–1779
Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
1776
15799
unknown artist
The True State of the Junction; or Men of Abilities Call'd For