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Augustus Edwin John, 1878–1961

Dorelia

undated

James Gillray, 1756–1815

And The' - Tisick, - The Colic, Punch Cures The Gout

1799

James Gillray, 1756–1815

The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat

1796

Isaac Weld, 1774–1856

Studies of Roman Saddles

ca. 1818

James Gillray, 1756–1815

Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe

1796

James Gillray, 1756–1815

Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square

1796

Augustus Edwin John, 1878–1961

Study of Gwen John

ca. 1900

James Gillray, 1756–1815

Fashionable - Jockeyship

1796

Studio of Sir Jeffry Wyatville, 1766–1840

A Design for a Prison: Aerial Perspective

undated

James Gillray, 1756–1815

Glorious Reception of the Ambassador of Peace, on His Entry Into Paris

1796

Studio of Sir Jeffry Wyatville, 1766–1840

A Design for a Prison

ca. 1830

unknown artist

George III's Visit to Portsmouth

ca. 1794

unknown artist

Dalmally, Western Highlands, Scotland

1813

Augustus Edwin John, 1878–1961

Portrait Sketch of Paul Mellon, 1931 or 1932

undated

unknown artist

Steam Packet Victory off Margate

1821

James Gillray, 1756–1815

The Grand-Signior Retiring

1796

James Gillray, 1756–1815

Hint to Modern Sculptors, as an Ornament to a Future Square ---

1796

James Gillray, 1756–1815

Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon

1796

James Gillray, 1756–1815

Patience on a Monument

1791

unknown artist

the East Prospect of the Ruins of Furness Abbey in Lancashire

1727

James Gillray The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe.

James Gillray, 1756–1815

The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe

1792

James Gillray, 1756–1815

John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"

1796

John Young, 1755–1825

Chevy Chase

1813

Augustus Edwin John, 1878–1961

Portrait Sketch of Paul Mellon

1931 or 1932

unknown artist

A View of Windsor Castle

1813

John Young, 1755–1825

Chevy Chase

1813

Peltro W. Tomkins, 1760–1840

Three Actors in a Play

1785

John Young, 1755–1825

The Surrender of Callais

1815

Print made by Georges François Blondel, 1730–ca. 1791

A View of the Vestibule of St. Peter at Rome

1765 to 1767

Print made by Georges François Blondel, 1730–ca. 1791

A View of the Vestibule of St. Mary at Rome

1765 to 1767

John Young, 1755–1825

The Surrender of Callais

1815

Print made by Georges François Blondel, 1730–ca. 1791

A View of the Inside of the New Prison at Rome

1765 to 1767

James Gillray, 1756–1815

The - Battle Royal, or Who Wears the Breeches

1784

James Gillray, 1756–1815

A Sun Setting in a Fog, With The Old Hanover Hack Descending

1783

Print made by Georges François Blondel, 1730–ca. 1791

A View of the Temple of Bacchus at Rome

1765 to 1767

Gwen John, 1876–1939

Study of a Nun

between 1916 and 1918

Print made by Georges François Blondel, 1730–ca. 1791

A View of the Inside of a Church

1765 to 1767

Print made by Georges François Blondel, 1730–ca. 1791

A View of the Inside of a Sepulchrale Church

1765 to 1767

James Gillray, 1756–1815

A Witch, Upon a Mount's Edge - Vide: Fuzelli

1791

James Gillray, 1756–1815

A Natural Crop; - Alias - A Norfolk Dumpling

1791

Richard Bernard Godfrey, 1728–op.1794

Ships in Distress

1796

James Gillray, 1756–1815

Which is the Better Man or The Pot Calls the Kettle Blacka-e

1786

Spencer Frederick Gore, 1878–1914

Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape

1912

James Gillray, 1756–1815

The April Fool or The Follies of a Night ---

1786

Spencer Frederick Gore, 1878–1914

Cave of the Golden Calf: Study for Mural, Gentleman in Foreground

1912

Spencer Frederick Gore, 1878–1914

Cave of the Golden Calf: Study for Deer Hunting Mural

1912

Spencer Frederick Gore, 1878–1914

Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side

1912

James Gillray, 1756–1815

The Royal Academy

1786

James Gillray, 1756–1815

Gloria Mundi, or - The Devil Addressing the Sun

1782

James Gillray, 1756–1815

Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)

1782

Gwen John, 1876–1939

Rue Terre Neuve

ca. 1921

Print made by Henry Burn, active 1845

Bedford from the North

ca. 1840

James Scouler, 1741–1812

Portrait of Lady Menzies

1770

James Gillray, 1756–1815

Gloria Mundi, or The Devil Addressing the Sun

ca. 1782

James Gillray, 1756–1815

Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children

1782

Robert Pollard, 1755–1838

A North East View of the Tuesday Market Place of Lynn Regis

1797

Edward Duncan, 1803–1882

Launch of S. S. Forth at Leith

1842

Francesco Bartolozzi, 1728–1815

The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown

1786

Francesco Bartolozzi, 1728–1815

Certificate From The Royal Academy, Appointing John Opie, As An Academician

1788

Francis Jukes, 1747–1812

View of Jedburgh Abbey

1793

Gwen John, 1876–1939

Portrait of Marie Hamonet

between 1918 and 1919

John Goldar, 1729–1795

The Honey-moon from Modern Love III: Modern Love Pl. 2

1766

unknown artist

A Morning Frolic or the Transmutation of Sexes

undated

unknown artist

Kitty Coaxer driving Dupe, towards Rotten Row

1779

James Gillray, 1756–1815

Committee of Grievances and Apprehensions

1792

unknown artist

The Feathered Fair in a Fright

undated

unknown artist

The Manchester Hero, or Arts yieId to Arms

undated

James Gillray, 1756–1815

The Bubbles of Opposition

1788

James Gillray, 1756–1815

The Friendly Agent

1787

Gwen John, 1876–1939

Girl with Large Hat and Straw-Colored Hair

ca. 1910

James Gillray, 1756–1815

The Fall of the Wolsey of the Woolsack

1792

James Gillray, 1756–1815

A New Administration, or - The State Quacks Administring

1783

James Gillray, 1756–1815

Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?

1791

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Anthony Walker, 1726–1765

A View of the New Bridge Over the Thames at Walton in Surrey

1750

Gwen John, 1876–1939

Girl Sewing

between 1895 and 1898

Henry Papprill, 1816–d.after 1883

British Queen Steam Ship

1838

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

Print made by John Condé, 1765–1794

Melania

1792

James Gillray, 1756–1815

John Bull Triumphant

1780

James Gillray, 1756–1815

The Triumphant Britons

1780

John Pine, 1690–1756

The East View of the Royal College of Eton

1742

William S. Leney, 1769–1831

The Soldier's Wife

1793

James Gillray, 1756–1815

A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..

1780

Henry Papprill This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

Henry Papprill, 1816–d.after 1883

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

1842