<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Search Results

George Romney Major Thomas Pearson and the Brahman
George Romney, 1734–1802
Major Thomas Pearson and the Brahman
undated
George Romney Major Thomas Pearson and the Brahman
George Romney, 1734–1802
Major Thomas Pearson and the Brahman
undated
George Romney Head of a Woman
George Romney, 1734–1802
Head of a Woman
undated
George Romney Head of a Youth
George Romney, 1734–1802
Head of a Youth
undated
George Romney Standing Male Nude
George Romney, 1734–1802
Standing Male Nude
undated
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
George Romney Head of Apollo
George Romney, 1734–1802
Head of Apollo
undated
George Romney Standing Figure and Seated Figure
George Romney, 1734–1802
Standing Figure and Seated Figure
undated
George Romney Execution of Mary Stuart
George Romney, 1734–1802
Execution of Mary Stuart
undated
George Romney Two Sketches: Seated Male Nude, Rear View; Standing Figure, Gesticulating
George Romney, 1734–1802
Two Sketches: Seated Male Nude, Rear View; Standing Figure, Gesticulating
undated
George Romney Two Sketches of a Half-Kneeling Figure
George Romney, 1734–1802
Two Sketches of a Half-Kneeling Figure
undated
George Romney Possibly an Abduction Scene
George Romney, 1734–1802
Possibly an Abduction Scene
undated
George Romney Two Sketches of a Seated Male Nude, Rear View
George Romney, 1734–1802
Two Sketches of a Seated Male Nude, Rear View
undated
George Romney The Three Graces and Fiends Deriding Christ for "The Temptation of Christ"
George Romney, 1734–1802
The Three Graces and Fiends Deriding Christ for "The Temptation of Christ"
undated
George Romney Two Sketches of a Female Figure
George Romney, 1734–1802
Two Sketches of a Female Figure
undated
George Romney Group of Figures, with a Flying Figure Above
George Romney, 1734–1802
Group of Figures, with a Flying Figure Above
undated
George Romney Possibly a Group of Figures with Flying Figures
George Romney, 1734–1802
Possibly a Group of Figures with Flying Figures
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
ca. 1796
George Romney Demon Ruler and Subjects: "The Miserable Effects of War on John Bull..."
George Romney, 1734–1802
Demon Ruler and Subjects: "The Miserable Effects of War on John Bull..."
undated
George Romney Possibly One Reclining Figure and One Dancing Figure
George Romney, 1734–1802
Possibly One Reclining Figure and One Dancing Figure
undated
George Romney Refugee Group
George Romney, 1734–1802
Refugee Group
undated
George Romney Figure Study 1
George Romney, 1734–1802
Figure Study 1
undated
George Romney Figure Study 7
George Romney, 1734–1802
Figure Study 7
undated
George Romney Figure Composition Study 5
George Romney, 1734–1802
Figure Composition Study 5
undated
George Romney Figure Composition Study 7
George Romney, 1734–1802
Figure Composition Study 7
undated
George Romney Figure Study 8
George Romney, 1734–1802
Figure Study 8
undated
George Romney Male Head 1
George Romney, 1734–1802
Male Head 1
undated
George Romney Figure Composition Study 2
George Romney, 1734–1802
Figure Composition Study 2
undated
George Romney Figure Composition Study 3
George Romney, 1734–1802
Figure Composition Study 3
undated
George Romney Figure Composition Study 4
George Romney, 1734–1802
Figure Composition Study 4
1793
George Romney Figure Composition Study 6
George Romney, 1734–1802
Figure Composition Study 6
undated
George Romney Figure Composition Study 8
George Romney, 1734–1802
Figure Composition Study 8
undated
George Romney Figure Composition Study 9
George Romney, 1734–1802
Figure Composition Study 9
undated
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake The Book of Thel
William Blake, 1757–1827
The Book of Thel
1789
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job - Wrapper
William Blake, 1757–1827
Illustrations of the Book of Job - Wrapper
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job: Title Page
William Blake, 1757–1827
Illustrations of the Book of Job: Title Page
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of Imitation of Eclogue I, Page 17
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Illustrations of Imitation of Eclogue I, Page 18
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Epicurus
William Blake, 1757–1827
Epicurus
1821
William Blake Theocritus
William Blake, 1757–1827
Theocritus
1821
William Blake Octavius Augustus Cæsar
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
William Blake From Antique Coins
William Blake, 1757–1827
From Antique Coins
1821
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Imitation of Eclogue I, Page 15
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
William Blake Illustrations of Imitation of Eclogue I, Page 14
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827
Caius Julius Cæsar
1821
William Blake The Death of Juliet
Print made by William Blake, 1757–1827
The Death of Juliet
1799
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake Romeo and Juliet, Act IV, Scene V
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
William Blake Europe. A Prophecy, 1793 (printed 1795)
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake Rev. John Caspar Lavater (1787-1801)
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater (1787-1801)
1800
William Blake Chaucer's Canterbury Pilgrims
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake Abraham and Isaac
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake Landscape with Spire
William Blake, 1757–1827
Landscape with Spire
ca. 1801
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake Albion Compelling the Four Zoas to Their Proper Tasks
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
William Blake Copy of the Laocoön, for Rees's Cyclopædia
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815