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33901. Château de la Mailleraie

Château de la Mailleraie
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite, and scraping out; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33902. Vernon

Vernon
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and engraving; early engraver's proof on moderately thick, slighlty textured, cream wove paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33903. Vernon

Vernon
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (3) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33904. Château Gaillard, from the South

Château Gaillard, from the South
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 7/8 × 6 inches (22.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33905. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper mounted on cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33906. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and engraving, with white chalk, black ink, and scraping out; early touched engraver's proof on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 7 inches (14.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33907. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33908. View on the Seine, between Mantes and Vernon

View on the Seine, between Mantes and Vernon
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 9 inches (15.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33909. Château Gaillard, from the South

Château Gaillard, from the South
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 11 1/8 inches (41.9 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33910. View on the Seine, between Mantes and Vernon

View on the Seine, between Mantes and Vernon
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 10 5/8 inches (20.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33911. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33912. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and engraving; engraver's proof (1) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33913. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and engraving, with graphite and white chalk; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 6 3/4 inches (14.6 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33914. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; finished engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33915. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving, with graphite, white chalk, and chine collé; early touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 13 1/4 inches (22.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33916. The Temptation on the Mountain

The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33917. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33918. Skiddaw

Skiddaw
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite, white chalk and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33919. Craigmillar Castle

Craigmillar Castle
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 11 5/8 inches (37.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33920. Wolf's Hope

Wolf's Hope
Creator:
Print made by James H. Kernot, 1802–1858
Date:
1836
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33921. Col. Mannering, Hazlewood, and the Smugglers

Col. Mannering, Hazlewood, and the Smugglers
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 11 1/4 inches (23.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33922. Summer Eve, the Rainbow

Summer Eve, the Rainbow
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33923. Sinai's Thunder

Sinai's Thunder
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33924. Kelso

Kelso
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33925. A Flower Piece

A Flower Piece
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1779
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/16 x 9 7/16 inches (34.1 x 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33926. The Farmer's Boy

The Farmer's Boy
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 7 1/16 inches (21.8 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33927. Thomas Bewick; Restorer of the Art of Engraving on Wood; Born 1753,-Died 1828

Thomas Bewick; Restorer of the Art of Engraving on Wood; Born 1753,-Died 1828
Creator:
unknown artist
Date:
1829
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33928. Sir George Beaumont, Bart.

Sir George Beaumont, Bart.
Creator:
Print made by John Samuel Agar, ca. 1773–1858
Date:
1812
Materials & Techniques:
Crayon manner and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/4 x 13 1/8 inches (38.7 x 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33929. Henry Fuseli, Esq.

Henry Fuseli, Esq.
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 12 11/16 inches (46.4 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33930. Henry Fuseli, Esq. R. A.

Henry Fuseli, Esq. R. A.
Creator:
John Rogers, 1808–ca.1888
Date:
1834
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33931. Richard Grainger, Esqr.

Richard Grainger, Esqr.
Creator:
George H. Phillips, active 1819–1825
Date:
1840
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33932. John Greenwood

John Greenwood
Creator:
William Pether, ca. 1738–1821
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33933. John Greenhill

John Greenhill
Creator:
Print made by Alexander Bannerman, ca. 1730–1780
Date:
1762
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 4 7/8 inches (17.8 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33934. Fores's National Sports: Racing - The Run In

Fores's National Sports: Racing - The Run In
Creator:
John Harris, 1811–1865
Date:
1866
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33935. Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty

Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty
Creator:
William Pether, ca. 1738–1821
Date:
1789
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33936. The Housewife's Employment

The Housewife's Employment
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 10 3/16 inches (36.3 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33937. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
between 1769 and 1787
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33938. Lady Gertrude, Marchioness of Halifax

Lady Gertrude, Marchioness of Halifax
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 5 5/8 inches (15.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33939. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33940. Dr. John Fothergill

Dr. John Fothergill
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 x 6 7/16 inches (23.6 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33941. For Japanning, Plate 3

For Japanning, Plate 3
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 7/8 × 11 3/16 inches (20.1 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33942. Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.

Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 3/4 inches (26 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33943. For Japanning, Plate 4

For Japanning, Plate 4
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/8 × 10 7/8 inches (17.4 × 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33944. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

33945. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1797
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 15/16 x 10 7/8 inches (40.5 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33946. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

33947. For Japanning, Plate 6

For Japanning, Plate 6
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/8 × 10 7/8 inches (17.5 × 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33948. For Japanning, Plate 2

For Japanning, Plate 2
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 13/16 × 10 13/16 inches (17.3 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33949. For Japanning, Plate 5

For Japanning, Plate 5
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 × 10 9/16 inches (17.7 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33950. Plate 1

Plate 1
Creator:
Ian McKeever, born 1946
Date:
1993
Materials & Techniques:
Woodcut; second impression on 300gsm BFK Rives white wove paper
Dimensions:
Sheet: 35 × 27 inches (88.9 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Charles Booth-Clibborn

33951. Plate 10

Plate 10
Creator:
Ian McKeever, born 1946
Date:
1993
Materials & Techniques:
Woodcut on 300gsm BFK Rives white wove paper
Dimensions:
Sheet: 27 × 35 inches (68.6 × 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Charles Booth-Clibborn

33952. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

33953. Pair 2

Pair 2
Creator:
Therese Oulton, born 1953
Date:
1989
Materials & Techniques:
Lithograph on 250gsm Zerkall white wove paper
Dimensions:
Sheet: 29 3/4 × 22 1/4 inches (75.6 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Booth-Clibborn

33954. Untitled (Plate 3)

Untitled (Plate 3)
Creator:
Marc Quinn, born 1964
Date:
1995
Materials & Techniques:
Three color soft-ground etching on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 37 1/4 × 30 1/2 inches (94.6 × 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Charles Booth-Clibborn

33955. McLean's Scraps for Albums

McLean's Scraps for Albums
Creator:
McLean, active 1820s
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33956. Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33957. Caricature of the County Lancashire

Caricature of the County Lancashire
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 4 inches (17.8 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33958. The Golden D'Or

The Golden D'Or
Creator:
Ian Stephenson, 1934–2000
Date:
before 1980
Materials & Techniques:
Acrylic on paper
Dimensions:
Sheet: 10 7/8 x 7 1/4 inches (27.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Samuel and Gabrielle Lurie

33959. Caricatures of the counties of Devonshire and Gloucestershire

Caricatures of the counties of Devonshire and Gloucestershire
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33960. Snowballing

Snowballing
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 4 3/8 inches (9.2 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33961. Crinolines by the River

Crinolines by the River
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 3/8 inches (10.5 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33962. The Captain on Full Pay

The Captain on Full Pay
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33963. Highland Regiment in Camp

Highland Regiment in Camp
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/8 × 8 7/8 inches (41 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33964. Iron Bridge on the Outskirts of an Industrial Town

Iron Bridge on the Outskirts of an Industrial Town
Creator:
Thomas Charles Leeson Rowbotham, 1823–1875
Date:
1871
Materials & Techniques:
Watercolor, white gouache, pen and black ink, and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 23 5/8in. (26.4 x 60cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33965. Maid with a Mop

Maid with a Mop
Creator:
John Leech, 1817–1864
Date:
ca. 1862
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33966. Study for the Portrait of Hannah, Countess of Roseberry

Study for the Portrait of Hannah, Countess of Roseberry
Creator:
Frederic Leighton, 1830–1896
Date:
ca. 1880
Materials & Techniques:
Black chalk and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 8 1/4 × 5 1/2 inches (21 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33967. Marietta, Capri

Marietta, Capri
Creator:
Frederic Leighton, 1830–1896
Date:
1859
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 8 inches (27 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33968. Pot Valiant: Scene in a Tap-Room

Pot Valiant: Scene in a Tap-Room
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, smooth, blue wove paper
Dimensions:
Sheet: 9 x 6 15/16in. (22.9 x 17.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33969. Boarding a Train

Boarding a Train
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 3 1/8 inches (9.8 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

33970. Landscape with Ruined Castle on the Esk

Landscape with Ruined Castle on the Esk
Creator:
Richard Principle Leitch, 1844–1875
Date:
1874
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 15 3/4in. (26.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33971. The Reconciliation of the Montagues and the Capulets

The Reconciliation of the Montagues and the Capulets
Creator:
Frederic Leighton, 1830–1896
Date:
1854
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33972. Why, what's the matter with Tommy?

Why, what's the matter with Tommy?
Creator:
John Leech, 1817–1864
Date:
1852
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 4 3/4 inches (11.1 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

33973. Porta S. Giovanni, Rome

Porta S. Giovanni, Rome
Creator:
William Leighton Leitch, 1804–1883
Date:
1837
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 18in. (22.9 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33974. Mist on the Downs

Mist on the Downs
Creator:
William Leighton Leitch, 1804–1883
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 x 11 9/16in. (19.2 x 29.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33975. Two Studies of Buildings

Two Studies of Buildings
Creator:
Richard Principle Leitch, 1844–1875
Date:
1849
Materials & Techniques:
Graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 15/16 x 11 7/8in. (20.2 x 30.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33976. The Ascent of Vesuvius

The Ascent of Vesuvius
Creator:
Henry Tresham, 1751–1814
Date:
1785 to 1790
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33977. Castletown Harbour, Isle of Man

Castletown Harbour, Isle of Man
Creator:
William Leighton Leitch, 1804–1883
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 15/16 x 11 15/16in. (20.2 x 30.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33978. Study for the Portrait of a Lady

Study for the Portrait of a Lady
Creator:
Attributed to Sir Peter Lely, 1618–1680
Date:
undated
Materials & Techniques:
Black chalk, white chalk, red chalk and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 6 7/8 inches (22.9 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33979. Studies of Hands

Studies of Hands
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, black chalk and white chalk on moderately thick, rough wove paper
Dimensions:
Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33980. View of Arundel, Sussex

View of Arundel, Sussex
Creator:
Bernard Lens III, 1682–1740
Date:
ca. 1720
Materials & Techniques:
Gray wash and graphite on three joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 37 inches (40.6 × 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33981. Bust of a Woman Looking upwards to left

Bust of a Woman Looking upwards to left
Creator:
Bernard Lens III, 1682–1740
Date:
1703
Materials & Techniques:
Red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33982. View of the Seine

View of the Seine
Creator:
Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 21 inches (21.6 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33983. The Entrance to Wookey Hole, Somerset

The Entrance to Wookey Hole, Somerset
Creator:
Bernard Lens III, 1682–1740
Date:
ca. 1719
Materials & Techniques:
Gray wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33984. Figures Walking in a Landscape

Figures Walking in a Landscape
Creator:
Bernard Lens III, 1682–1740
Date:
undated
Materials & Techniques:
Gray wash, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 x 12 1/16in. (21.3 x 30.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33985. Figures on Bank of the Long Water, Hampton Court Palace

Figures on Bank of the Long Water, Hampton Court Palace
Creator:
Bernard Lens III, 1682–1740
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 13 5/16in. (22.1 x 33.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33986. Studies of Human Head with Canine Features

Studies of Human Head with Canine Features
Creator:
Peter Paul Lens, 1714–1750
Date:
1728
Materials & Techniques:
Graphite and pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33987. Victorious Hero Takes Occasion to Conclude Peace

Victorious Hero Takes Occasion to Conclude Peace
Creator:
Bernard Lens III, 1682–1740
Date:
1720
Materials & Techniques:
Watercolor and gouache heightened with gold on vellum
Dimensions:
Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33988. Visitors at a Ruined Abbey

Visitors at a Ruined Abbey
Creator:
Robert Leman, 1799–1863
Date:
undated
Materials & Techniques:
Black chalk and graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 13 1/4 × 17 5/8 inches (33.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33989. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33990. Horatio Walpole, Earl of Orford

Horatio Walpole, Earl of Orford
Creator:
Print made by T. Evans, active 19th century
Date:
ca. 1811
Materials & Techniques:
Stipple engraving on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lauren E. Brown

33991. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint on cream card
Dimensions:
Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33992. The Rocky Bank of a River

The Rocky Bank of a River
Creator:
John Ruskin, 1819–1900
Date:
ca. 1853
Materials & Techniques:
Pen and black ink, gray wash, graphite, and white gouache; verso: pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/8 x 18 5/8 inches (32.7 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33993. The Conversion of the Proconsul

The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33994. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33995. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:
Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33996. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33997. Regents Park

Regents Park
Creator:
George Harvey, 1800–1878
Date:
ca. 1875
Materials & Techniques:
Watercolor
Dimensions:
Image: 19 1/2 x 23 1/2 inches (49.5 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. & Mrs. Kent Lydecker in honor given in honor of Helen B. Lydecker and Eliot C. Nolen

33998. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33999. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34000. Sketchbook of Portrait Studies

Sketchbook of Portrait Studies
Creator:
Thomas Patch, 1725–1782
Date:
1760s
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper bound in carta fiorentina
Dimensions:
Sheet: 8 3/4 x 6 1/2 inches (22.2 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection