Print made by John Smith, the mezzotinter, 1652–1743
Abraham Hondius Pictor
1689
36905
Print made by William Daniell, 1769–1837
Thomas Hardwick
between 1802 and 1814
36906
Print made by Edward Fisher, 1722–1785
Nathaniel Hone
between 1758 and 1782
36907
Thomas Rowlandson, 1756–1827
Heads: Fancynina
1800
36908
John Young, 1755–1825
Christ giving sight to the blind
1816
36909
Sir David Wilkie, 1785–1841
Benjamin Robert Haydon
36910
Thomas Rowlandson, 1756–1827
Heads: Epicurum
1800
36911
Thomas Rowlandson, 1756–1827
Heads: Publicorum
1800
36912
Thomas Rowlandson, 1756–1827
Heads: Physicorum
1800
36913
Thomas Rowlandson, 1756–1827
Heads: Allegora
1800
36914
Thomas Rowlandson, 1756–1827
Heads: Flora
1800
36915
Thomas Rowlandson, 1756–1827
Heads: Virginia
1800
36916
Thomas Rowlandson, 1756–1827
Heads: Hazardorum
1800
36917
Thomas Rowlandson, 1756–1827
Heads: Penserosa
1800
36918
Thomas Rowlandson, 1756–1827
Heads: Barberorum
1800
36919
Thomas Rowlandson, 1756–1827
Heads: Billingsgatina
1800
36920
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
36921
Thomas Rowlandson, 1756–1827
Heads: Nunina
1800
36922
Thomas Rowlandson, 1756–1827
Heads: Battleorum
1800
36923
Charles Denton, active 1853
Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy
1853
36924
Charles Denton, active 1853
Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy
1853
36925
Charles Denton, active 1853
Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy
1853
36926
Print made by Jan van Somer, ca. 1645–after 1699
Man and Woman Drinking
undated
36927
James Gillray, 1756–1815
Hounds Throwing-Off
1800
36928
James Gillray, 1756–1815
Hounds in Finding
1800
36929
James Gillray, 1756–1815
Coming-In at the Death
1800
36930
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
36931
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
36932
John Harris, 1811–1865
Coaching: The Early Delivery
1863
36933
John Harris, 1811–1865
Fore's Stable Scenes: The Hunting Stud
1846
36934
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
36935
John Harris, 1811–1865
Coaching: The Right Sort
1863
36936
Joseph Grozer, ca. 1755–1798
Evening or the Sportsman's Return
1795
36937
John Harris, 1811–1865
Fore's Stable Scenes: The Team
1846
36938
John Harris, 1811–1865
Fore's Stable Scenes: Thorough Breds
1846
36939
John Harris, 1811–1865
Fores's National Sports: Racing - A False Start
1866
36940
John Harris, 1811–1865
Coaching: The Last Change Down
1863
36941
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?
1837
36942
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start
1837
36943
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style
1837
36944
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling
1837
36945
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
36946
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
36947
Thomas Shotter Boys, 1803–1874
Brussels from the Paris Road
1831
36948
John Harris, 1811–1865
Fores's National Sports: Racing - Returning to Weigh
1866
36949
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
36950
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
36951
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
36952
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte, Italy
ca. 1790
36953
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
36954
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
36955
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
36956
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
36957
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
36958
Frederick Tatham, 1805–1878
Mr. William Williams
ca. 1830
36959
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
36960
Frederick Tatham, 1805–1878
William William's Second Wife
ca. 1830
36961
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
36962
Richard James Lane, 1800–1872
Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
1830
36963
Richard James Lane, 1800–1872
Sir Thomas Lawrence
1830
36964
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
36965
Print made by Alphonse Legros, 1837–1911
Alphonse Legros
undated
36966
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
36967
unknown artist
Thomas Lawrence, Late President of the Royal Academy
36968
Print made by John Faber the Younger, ca. 1695–1756
Sir Godfrey Kneller
1735
36969
Print made by Richard Earlom, 1743–1822
James McArdell
1771
36970
Print made by Charles Baugniet, 1814–1886
Daniel Maclise
1857
36971
Print made by John Faber the Younger, ca. 1695–1756
Philippe Mercier
1735
36972
William Sharp, 1749–1824
Thomas Paine
1793
36973
Peter DeWint, 1784–1849
Castle above a River, Woodcutters in the Foreground
ca. 1820
36974
Print made by John Faber the Younger, ca. 1695–1756
A Girl Spinning Thread
undated
36975
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
36976
Print made by John Faber the Younger, ca. 1695–1756
The Swain's Amusement
between 1748 and 1756
36977
Wenceslaus Hollar, 1607–1677
An Elephant and a Camel
1663
36978
Wenceslaus Hollar, 1607–1677
Portrait of Inigo Jones
1655
36979
Bernard Lens II, 1659–1725
A Triton holding a Fish
1700
36980
Thomas Worlidge, 1700–1766
Portrait of Sir Edward Astley
1762
36981
Print made by John Faber the Younger, ca. 1695–1756
Young Male Shearing a Sheep
undated
36982
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Haymarket
Between 1775 and 1800
36983
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Covent Garden
Between 1775 and 1800
36984
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Sal Pietro
1773
36985
Francesco Bartolozzi, 1728–1815
Fonrose
1798
36986
Francesco Bartolozzi, 1728–1815
Concert Ticket: Professional Concert, 1789, First Night, Hanover Square