Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43749
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43750
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43751
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43752
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43753
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43754
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43755
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43756
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43757
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43758
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43759
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43760
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43761
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43762
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43763
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
43764
Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
undated
43765
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
undated
43766
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
undated
43767
Rev. William Gilpin, 1724–1804
Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
undated
43768
Rev. William Gilpin, 1724–1804
The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)
undated
43769
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 24)
undated
43770
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 25)
undated
43771
Rev. William Gilpin, 1724–1804
A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
undated
43772
Rev. William Gilpin, 1724–1804
The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
undated
43773
Rev. William Gilpin, 1724–1804
The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
undated
43774
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43775
Rev. William Gilpin, 1724–1804
The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
undated
43776
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43777
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43778
Rev. William Gilpin, 1724–1804
Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
undated
43779
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43780
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43781
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43782
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
43783
unknown artist
Alexander Hood, 1st Viscount Bridport
43784
unknown artist
No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's
1815-1816
43785
unknown artist
No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon
1815-1816
43786
unknown artist
No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth
1815-1816
43787
unknown artist
No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon
1815-1816
43788
unknown artist
No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns
1815-1816
43789
unknown artist
No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth
1815-1816
43790
unknown artist
No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks
1815-1816
43791
unknown artist
No.9, The Milk House, Warren, etc. Returning to Exmouth
1815-1816
43792
unknown artist
No.12, Part of the Warren, Dr. Drury's, etc
1815-1816
43793
unknown artist
No.15, The Windmill, Parker's Warehouse with Powderham in the Distance
1815-1816
43794
unknown artist
No.11, The Rocks Going towards Salterton
1815-1816
43795
unknown artist
No.14, The Beacon, Taken from the Windmill
1815-1816
43796
unknown artist
No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields
1815-1816
43797
unknown artist
No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth
1815-1816
43798
unknown artist
No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth
1815-1816
43799
unknown artist
No.18, Berry Head, etc., Taken at Dawlish
1815-1816
43800
unknown artist
No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish