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Creator:: Jonathan Hall
Date:: 1795
Materials & Techniques:: Colored, line engraving
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

44221. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44222. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44223. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44224. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44225. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44226. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44227. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44228. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44229. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44230. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44231. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44232. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44233. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44234. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44235. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44236. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44237. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44238. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44239. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44240. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44241. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44242. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44243. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44244. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44245. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44246. The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44247. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44248. The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44249. The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44250. The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44251. The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44252. As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44253. The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44254. As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44255. As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44256. No.2, Lympstone, Topsham, Exeter Cathedral & Country around Exeter

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44257. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44258. Twelve Etchings Album

Creator:: Rev. Edward Thomas Daniell, 1804–1842
Date:: 1882
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44259. The Sun. Monday, July 9, 1838. 11the Edition of Thursday, June 28, 1838, 4pp. folio. Coronation Edition printed in gold.

Creator:: unknown artist
Date:: 1838
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44260. Children in Rural Scenes

Creator:: Print made by J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44261. Hunting Scenes

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44262. Poster fro J. Brown & Co. Emperor Scotch Whisky

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44263. Illustrations for a French Book for Children

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44264. Red Cap

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44265. Eleven undivided sheets of proofs of various subjects pulled in monchroms of the key plates before colour printing.

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44266. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44267. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44268. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44269. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44270. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44271. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44272. The Village School

Creator:: J. M. Kronheim, 1810–1896
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44273. Shoreham

Creator:: William York MacGregor, 1855–1923
Date:: 1893
Materials & Techniques:: Pastel
Dimensions:: Sheet: 18 3/4 x 23 3/4in. (47.6 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Isabel S. Kurtz in memory of her father, Charles M. Kurtz

44274. From my Second Rooms

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44275. St. Helens, Abingdon

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44276. Stanton Harcourt

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44277. Pope's Tower, Staunton Harcourt

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44278. Godstowe Nunnery, North Oxford

Creator:: Augustus Hare, 1834–1903
Date:: 1853
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44279. Water-Eaton Manor, North Oxford

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44280. Tomb of Lord Camoys, Dorchester Abbey

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44281. [One from a] Volume of 46 Oxford Drawings

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44282. Cumnor, North Oxford

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44283. Brazenore Hall, Oxford (1567)

Creator:: Augustus Hare, 1834–1903
Date:: 1854
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44284. New College

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44285. St. Aldgate's, Oxford

Creator:: Augustus Hare, 1834–1903
Date:: 1854
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44286. Iffley Church, North Oxford

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44287. Iffley Church, North Oxford

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44288. A Rustic Toilet

Creator:: William Lee Hankey, 1869–1952
Date:: 1913
Materials & Techniques:: Etching and drypoint on thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 x 9 1/2 inches (29.5 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44289. Broad Street Oxford

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44290. High Street Oxford

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44291. View from Ratcliffe

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44292. High Street, Oxford

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44293. All-Souls Quad

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44294. New College

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44295. Schools Quad

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44296. New College Gate, Oxford

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44297. New College, Posterm Gate and Town Wall

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44298. New College Tower and Town Wall

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44299. Latimer's Pulpit, Magdelen

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44300. The Martyr's Tower, where Latimer and Ridley were Tortured

Creator:: Augustus Hare, 1834–1903
Date:: 1853 to 1857
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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44201. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

44202. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

44203. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

44204. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

44205. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

44206. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

44207. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

44208. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

44209. [One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations

44210. York Minister

44211. York Minister

44212. York Minister

44213. York Minister

44214. York Minister

44215. York Minister

44216. York Minister

44217. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44218. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44219. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44220. The Right Honorable Edward, Lord Hawke

44221. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44222. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44223. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44224. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44225. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44226. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44227. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44228. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44229. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44230. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44231. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44232. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44233. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44234. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44235. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44236. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44237. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44238. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44239. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44240. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44241. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44242. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44243. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44244. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44245. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44246. The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

44247. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

44248. The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)

44249. The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)

44250. The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)

44251. The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)

44252. As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)

44253. The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)

44254. As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)

44255. As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)

44256. No.2, Lympstone, Topsham, Exeter Cathedral & Country around Exeter

44257. Illustrations of the Travels of Lord Valentia: Two Volumes

44258. Twelve Etchings Album

44259. The Sun. Monday, July 9, 1838. 11the Edition of Thursday, June 28, 1838, 4pp. folio. Coronation Edition printed in gold.

44260. Children in Rural Scenes

44261. Hunting Scenes

44262. Poster fro J. Brown & Co. Emperor Scotch Whisky

44263. Illustrations for a French Book for Children

44264. Red Cap

44265. Eleven undivided sheets of proofs of various subjects pulled in monchroms of the key plates before colour printing.

44266. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

44267. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

44268. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

44269. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

44270. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

44271. Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing

44272. The Village School

44273. Shoreham

44274. From my Second Rooms

44275. St. Helens, Abingdon