Monument of Francis Earl of Huntington, at Ashbly, taken in 1800
6308
Joseph Sympson, active 1725–died 1736
Coat of Arms of Thomas Farmer, Duke of Pomfret, alais Pontefract, Baron Lempster of Lempster
undated
6309
John Raphael Smith, 1752–1812
Joseph Warton, D.D. Master of Winchester College
1777
6310
George Vertue, 1684–1756
His Excellency Thomas Earl of Strafford
1714
6311
George Vertue, 1684–1756
King Henry VI
1732
6312
Robert Blyth, 1750–1784
Caius Marius Sitting on the Ruins of Carthage
1781
6313
Sir George Clausen, 1852–1944
Study for "Propping the Rick; a Stormy Day"
ca. 1911
6314
William Camden Edwards, 1777–1855
Study of a Head of a Man
6315
B. Pym, active 1793–1805
Henry James Pye, Esq
1801
6316
Jacob Hogg, active 1751
Canterbury Tales: The Sompnour Devil and the Old Woman (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
1787
6317
John Keyse Sherwin, c.1751–1790
Lancelot Brown Esq
ca. 1769
6318
James S. Storer, 1771–1853
Burnham Abbey, Bucks
6319
Print made by Charles Heath, 1785–1848
Thomas Gray
undated
6320
George Vertue, 1684–1756
King William the Conquerer
1745
6321
James S. Storer, 1771–1853
Eton College, Bucks
6322
John Le Keux, 1783–1846
Salisbury Cathedral Church. View of the North Aisle Looking West
6323
George Vertue, 1684–1756
Edward III, King of England and France
1732
6324
Print made by James Basire, 1730–1802
Mr. Thomas Gray
ca. 1771
6325
Jacob Hogg, active 1751
Canterbury Tales: Three Gamblers and Time (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
1787
6326
John Keyse Sherwin, c.1751–1790
Canterbury Tales: January and May (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
6327
George Vertue, 1684–1756
Richard III, King of England
1732
6328
Print made by George Vertue, 1684–1756
King Henry VII and Elizabeth of York, Queen of England
6329
Jacob Hogg, active 1751
Canterbury Tales: The Frere and Thomas (Notes to number 77-78 of Catalogue Mortimer Exhibition 1968)
1787
6330
George Vertue, 1684–1756
Edward I, King of England, Lord of Ireland and Duke of Aquitaine
undated
6331
William Holl II, 1807–1871
Adam Smith
6332
George Vertue, 1684–1756
Edward Prince of Wales and Aquitaine, Duke of Cornwall
undated
6333
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
6334
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)
6335
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 4) Richard II, from Richard II, Act III, Scene 2 (Catalogue Mortimer Exhibition 1968 - Number 79)
1775
6336
John Hamilton Mortimer, 1740–1779
Edgar, from King Lear, Act III, Scene iii
6337
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
6338
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 5) Beatrice, from Much Ado About Nothing, Act 1, Scene 2 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)
6339
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
6340
Edward Scriven, 1775–1841
Mary Queen of Scots
6341
Edward Scriven, 1775–1841
Sir Frederick William Herschel
ca.1830
6342
Print made by George F. Schmidt, 1712–1775
Felice Salimbeni
1751
6343
John Hamilton Mortimer, 1740–1779
Ophelia, from Hamlet, Act IV, Scene 7
1775
6344
Giovanni Battista Cipriani, 1727–1785
John Milton
6345
Michael Challenger, born 1939
To My Constant Visitors
1972
6346
George Dawe, 1781–1829
Francis Blomefield A.M. F.S.A
1805
6347
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
6348
John Hamilton Mortimer, 1740–1779
Twelve etchings from Shakespeare: 10) York, from Henry IV, Part 2, Act V, Scene 4 (Catalogue Mortimer Exhibition 1968 - number 79)
6349
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
6350
Charles Howard Hodges, 1764–1837
Rev. Thomas Warton
1784
6351
Print made by Robert Blyth, 1750–1784
The Captive
1781
6352
John Hamilton Mortimer, 1740–1779
Nature and Genius introducing Garrick to the Temple of Shakespeare (Catalogue Mortimer Exhibition 1968 - number 83)
6353
unknown artist
Don Quixote (Note to number 81 of Catalogue Mortimer Exhibition 1968)
6354
unknown artist
Birthplace of John Gibson R.A. Near Conway, North Wales
undated
6355
Robert Blyth, 1750–1784
Don Quixote in the Sable Mountains (See number 81 of Catalogue Mortimer Exhibition 1968)
1782
6356
Print made by Frank Auerbach, 1931-2024
Lucian Freud
1981
6357
unknown artist
A Cavalier
undated
6358
Charleton Nesbit, 1775–1838
Prospectus for the largest engraving on wood ever attempted
6359
John Hamilton Mortimer, 1740–1779
Tragedy
1778
6360
Print made by Samuel Cousins, 1801–1887
Robert Burns
1830
6361
unknown artist
West View of the Ruins of Gleaston Castle, Gleaston, Aldingham, Lancashire, and The Castle or Tower of Dalton, Dalton-in-Furness, Dalton Town with Newton, Lancashire
1805
6362
unknown artist
Two Greyhounds Chasing a Hare
undated
6363
unknown artist
Court Dress of the Duchess of Orleans and a Spanish Lady 1690, n.d
undated
6364
William James Muller, 1812–1845
Near the Caravan Bridge, Smyrna
1843
6365
Henry Ninham, 1793–1874
Bridge and Mill
1875
6366
John Buckler FSA, 1770–1851
Title page for: Drawings of Droitwich and its Environs
undated
6367
Henry Ninham, 1793–1874
At Hellesdon
1831
6368
Henry Ninham, 1793–1874
The Old Mill - Composition
6369
Henry Ninham, 1793–1874
Cottage and River Scene
6370
unknown artist
North West View of Richmond, (from Eastby Abbey)
1812
6371
Henry Ninham, 1793–1874
On Charing Cross, Norwich
1842
6372
Joseph Constantine Stadler, active 1780–1812
The Pump Room at Bath
1801
6373
Thomas Rowlandson, 1756–1827
Undertakers Regaling
1801
6374
attributed to John Russell, 1745–1806
Portrait of a Gent Called Edmund Burke
undated
6375
Henry Ninham, 1793–1874
View at Sherrignham, Norfolk
1830
6376
Print made by Samuel William Reynolds, 1773–1835
Death of Captain Alexander Hood
1798
6377
Print made by George Dawe, 1781–1829
James Northcote, Esqr. R. A
1803
6378
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
6379
Sir Hubert von Herkomer, 1849–1914
Old Man
undated
6380
Print made by Henry Kingsbury, active 1750–1780
Samuel, Lord Hood
1783
6381
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
6382
Print made by William Ward, 1766–1826
A Young Lady Encouraging the Low Comedian
1787
6383
Charles Mosley, c.1720–c.1770
An Exact Perspective View of Dunmow, late the priory in the County of Essex, with a Prepresentation fo the Ceremony, & Procession in that mannor, on Thursday the 20 of June 1751
6384
Print made by Francis Legat, 1755–1809
King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
1790
6385
Robert Havell, 1769–1832
Peckwater Quadrangle, Christ Church, Oxford
6386
George Bernard O'Neill, 1828–1917
Group inspecting boy's Drawing
6387
Spencer Frederick Gore, 1878–1914
Study for "On the Sands"
1910
6388
Spencer Frederick Gore, 1878–1914
The Alhambra Theatre, "On the Sands"
1910
6389
after Henry William Brewer, 1836–1903
Aldgate A.D. 1531
undated
6390
Isaac Taylor, 1759–1829
The Murder of David Rizzio on the 9th of March 1566
1803
6391
Samuel William Reynolds, 1773–1835
Louisa Catherine, Marchioness of Sligo
6392
Benjamin Cole, 1697–1783
The Navy Office in Broad Street
undated
6393
unknown artist
Georgina, Lady Leicester
6394
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
6395
Thomas Ryder, 1746–1810
The Murder of James First, King of Scotland
1792
6396
John Buckler FSA, 1770–1851
Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr