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The Body of Lucretia Exposed to the Romans
Creator:
James Jefferys, 1751–1784
Date:
between 1777 and 1778
Materials & Techniques:
Pen and black ink, pen and brown ink, gray wash and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 24 7/8 x 37 inches (63.2 x 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Waterfowl
Creator:
Print made by Robert Robinson, active 1674–1706
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 7 inches (23 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Illustration to Aesop's Fables: The Fox & the Crane
Creator:
Follower of Francis Barlow, 1622–1704
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 5 7/8 inches (12.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death on a Pale Horse
Creator:
John Hamilton Mortimer, 1740–1779
Date:
ca. 1775
Materials & Techniques:
Pen and black ink and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 24 5/8 x 18 1/2 inches (62.5 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Channel Sketchbook
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1845
Materials & Techniques:
Sketchbook bound in red calf with marbled end papers, comprising 88 leaves with 74 watercolors and 26 graphite sketches on medium, slightly textured, white wove paper
Dimensions:
Binding: 4 inches (10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hope Nursing Love
Creator:
Edward Fisher, 1722–1785
Date:
1771
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/8 inches (50.5 × 35.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bard Weaving Edwards Fate (Design 55)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man Hunting with a Pointed Staff and a Hound
Creator:
Francis Barlow, 1622–1704
Date:
ca. 1645-1650
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/8 × 6 inches (11.7 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Stage of Cruelty
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
Creator:
John Frederick Lewis, 1804–1876
Date:
1856
Materials & Techniques:
Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board
Dimensions:
Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apollo and Daphne
Creator:
Master of the Giants, active 1779
Date:
between 1770 and 1799
Materials & Techniques:
Pen and black ink with gray washes and graphite; verso: pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 x 21 inches (35.9 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)
Creator:
George Stubbs, 1724–1806
Date:
between 1795 and 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper, with a strip of same wove paper joined to bottom edge
Dimensions:
Sheet: 22 1/4 x 16 inches (56.5 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Place des Victoires, Paris
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1783
Materials & Techniques:
Watercolor in pen and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Seated Woman with a Book
Creator:
Philippe Mercier, 1691–1760
Date:
1725
Materials & Techniques:
Red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 7 7/8 inches (30.5 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Ingamells
Study of a Seated Woman
Creator:
Henry Fuseli, 1741–1825
Date:
1791
Materials & Techniques:
Watercolor, graphite, pen and gray ink, gray wash, gouache, and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 7/8 inches (30.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Head of a Woman, Study for The Bible Lesson
Creator:
formerly attributed to Paul Sandby, 1731–1809
Date:
ca. 1743
Materials & Techniques:
Graphite with red chalk and black chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 4 7/8 inches (16.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection