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Pumpkin with a Stable-lad
Creator:
George Stubbs, 1724–1806
Date:
1774
Materials & Techniques:
beeswax and oil on panel
Dimensions:
32 3/8 × 39 7/8 inches (82.2 × 101.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Duke of Rutland's Bonny Black
Creator:
John Wootton, 1682–1764
Date:
ca. 1715
Materials & Techniques:
Oil on canvas
Dimensions:
30 x 48 1/2 inches (76.2 x 123.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Bay Horse Approached by a Stable-Lad with Food and a Halter
Creator:
George Garrard, 1760–1826
Date:
1789
Materials & Techniques:
Oil on canvas
Dimensions:
24 1/4 x 29 1/2 inches (61.6 x 74.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...
Creator:
Attributed to James Seymour, 1702–1752
Date:
ca. 1730
Materials & Techniques:
Oil on canvas
Dimensions:
12 x 14 inches (30.5 x 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton
Creator:
James Seymour, 1702–1752
Date:
1747
Materials & Techniques:
Oil on canvas
Dimensions:
24 1/2 x 29 1/4 inches (62.2 x 74.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
Creator:
Attributed to James Seymour, 1702–1752
Date:
ca. 1730
Materials & Techniques:
Oil on canvas
Dimensions:
12 x 14 inches (30.5 x 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view