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Reverend Edward Fowler, Lord Bishop of Gloucester
Creator:
John Smith, the mezzotinter, 1652–1743
Date:
1717
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/16 × 11 9/16 inches (38.3 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Schooling Horses: Three Studies on a Page
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 5/16 × 13 5/16 inches (23.7 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 10 1/8 × 11 3/4 inches (25.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Red chalk, with graphite; verso: graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/2 × 9 5/16 inches (19.1 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketches of a Hare, Horse, Stag, Man and Woman
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 11 1/4 × 9 11/16 inches (28.6 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
1717
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Plate: 14 × 10 inches (35.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund