A Rake's Progress, Plate VII: In Fleet Street Prison
1735
23
William Hogarth, 1697–1764
A Rake's Progress, Plate VI: He Gambles
1735
24
William Hogarth, 1697–1764
A Rake's Progress, Plate VIII: In Bedlam
1735
25
John Boydell, 1720–1804
East Prospect of Elizabeth Castle in Jersy
undated
26
Thomas Smith of Derby, ca. 1720–1767
Town and Lake of Lugano
undated
27
Francis Hayman, 1707/8–1776
Flying the Kite
ca. 1740
28
Thomas Smith of Derby, ca. 1720–1767
Convent of Vallombrosa
undated
29
unknown artist
Study of a Seated Woman Holding a Fan
ca. 1740
30
Hubert-François Gravelot, 1699–1773
Study of a Seated Lady
ca. 1740
31
Jacob van Schley, 1715–1779
The Monument of King Henry III, in Westminster Abbey
1735
32
William Henry Toms, ca. 1700–ca. 1750
The East Prospect of the Church of St. Leonard, Shoreditch
1735
33
William Henry Toms, ca. 1700–ca. 1750
Bow Church
ca. 1740
34
John Faber the Younger, ca. 1695–1756
Sir Godfrey Kneller
1735
35
Print made by John Faber the Younger, ca. 1695–1756
Philippe Mercier
1735
36
Samuel Buck, 1696–1779
The South-East View of Rochester Castle
1735
37
Hubert-François Gravelot, 1699–1773
Drawing for a Frontispiece: "The Toast"
1735
38
Giovanni Piranesi, 1720–1778
Giardino Colonna nel clivo del Quirinale
undated
39
Giovanni Piranesi, 1720–1778
Palazzo Pontificio sul Quirinale
undated
40
Print made by Arthur Pond, ca. 1705–1758
Profile of an Unidentified Man
1735
41
Arthur Pond, ca. 1705–1758
Philosopher Seated under a Tree
1735
42
Arthur Pond, ca. 1705–1758
Man Seated on a Rock
1735
43
Print made by George Knapton, 1698–1778
The Tomb of Cecilia Metella
1735
44
Jacobus Houbraken, 1698–1780
Thomas Howard, Duke of Norfolk
1735
45
Print made by unknown artist
Edward Montague Lord Kimbolton
ca. 1740
46
Marcellus Laroon the Younger, 1679–1772
Night Walkers Brought before a Justice of the Peace
ca. 1740
47
Print made by Jacobus Houbraken, 1698–1780
Thomas Howard, Duke of Norfolk
1735
48
Print made by Jacobus Houbraken, 1698–1780
Sidney Godolphin, first Earl of Godolphin
ca. 1740
49
Arthur Pond, ca. 1705–1758
The Virgin and Child Seated with St Joseph
1735
50
Arthur Pond, ca. 1705–1758
Untitled: Virgin Mary with angel and child
1735
51
Print made by Arthur Pond, ca. 1705–1758
Mucius Scaevola Burning his Hand
1735
52
Print made by Arthur Pond, ca. 1705–1758
The Adoration of the Magi
1735
53
Print made by Arthur Pond, ca. 1705–1758
Cavalry Advancing to the Charge
1735
54
George Knapton, 1698–1778
Untitled: Desert Scene
1735
55
Arthur Pond, ca. 1705–1758
Untitled: Nativity scene
1735
56
George Knapton, 1698–1778
Untitled: Landscape with deer
1735
57
George Knapton, 1698–1778
Untitled: Landscape
1735
58
unknown artist
Handbill advertising Highgate Races
1735
59
Print made by Jean B. C. Chatelain, 1710–1771
A Prospect of the Royal House at Richmond
ca. 1740
60
Nathaniel Buck, active 1727–1753
The North East View of Eltham Palace in the County of Kent
1735
61
Print made by G de Köning, active ca. 1740
A Greek Lady - Une Dame Greque
ca. 1740
62
Giuseppe Marchi, ca. 1735–1808
Miss Hester Frances Cholmondeley
undated
63
Print made by George Vertue, 1684–1756
Sir Matthew Hale
1735
64
James Wilson, c.1735–c.1786
Mrs. Frances Abington (née Barton)
undated
65
L. Truchy, 1721–1764
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
1735
66
Print made by James Wilson, c.1735–c.1786
The Fair Nun Unmasked
undated
67
Samuel Buck, 1696–1779
The South-west View of Battle Abbey in the County of Sussex
1735
68
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
1735
69
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
1735
70
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
1735
71
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]
1735
72
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
73
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
74
unknown artist
Francis Atterbury, Bishop of Rochester & Dean of Westminster
1735-1751
75
George Vertue, 1684–1756
Philip II King of Spain
1735
76
William Henry Toms, ca. 1700–ca. 1750
Christ's Hospital
ca. 1740
77
unknown artist
Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
ca. 1740
78
William Henry Toms, ca. 1700–ca. 1750
The Monument
ca. 1740
79
unknown artist
A.S.E. Prospect of St. Leonard Shorditch in Middlesex
1735
80
unknown artist
A.S.W. Prospect of St. Leonard Shoreditch in Middlesex
1735
81
unknown artist
An East Prospect of St. Leonard Shoreditch in Middlesex
1735
82
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
83
Engelbrecht, Martin, 1684–1756
Album of Rococo ornamental designs of gardens, flora and fauna, games and pastimes, costume, chinoiserie, hermits and grottoes, occupations, cities and villages, saints and martyrs, and biblical scenes
circa 1735-1750
84
Tomlinson, Kellom
The art of dancing explained by reading and figures