Print made by John Faber the Younger, ca. 1695–1756
A Venetian Courtesan
1739
4
Print made by John Baptist Jackson, 1701–1780
The Entombment
1739
5
Jacobus Houbraken, 1698–1780
Sir Walter Ralegh
1739
6
William Henry Toms, ca. 1700–ca. 1750
The Southeast Prospect of the King Henry the VII's Chapel at Westminster
1739
7
William Henry Toms, ca. 1700–ca. 1750
St. Brigit alias St. Brides Church
1739
8
William Henry Toms, ca. 1700–ca. 1750
Guild Hall
1739
9
John Faber the Younger, ca. 1695–1756
Alexander Pope
ca. 1744
10
John Faber the Younger, ca. 1695–1756
Her Most Excellent Majesty, Queen Caroline
1739
11
Print made by Thomas Chambars, ca. 1724–1789
Richard Boyle, Earl of Burlington
undated
12
Print made by John Faber the Younger, ca. 1695–1756
A School of Boys
1739
13
Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
14
Print made by John Faber the Younger, ca. 1695–1756
A School of Girls
1739
15
Print made by John Faber the Younger, ca. 1695–1756
Cupid in the Character of Bacchus
1739
16
Print made by John Faber the Younger, ca. 1695–1756
A School of Girls
1739
17
Print made by John Faber the Younger, ca. 1695–1756
Lady with Glass
1739
18
Print made by Nathaniel Parr, active 1742–1751
A Prospect of the Palace of Chantilli
1739
19
Print made by Giles King, active 1732–1746
A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin
ca. 1744
20
Print made by J. Carwitham, active 1720–1740
A South-West View of the City of New York in North America
1739
21
Print made by Thomas Bowles III, ca. 1712–1767
The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour
undated
22
Print made by Carington Bowles, 1724–1793
The Aelian Bridge and Castle of St. Angelo, with part of the City of Rome
undated
23
unknown artist
Areley Hall
1739
24
Print made by Thomas Chambars, ca. 1724–1789
George Vertue, Engraver
undated
25
Print made by Thomas Chambars, ca. 1724–1789
George Vertue, Engraver
undated
26
Print made by Thomas Chambars, ca. 1724–1789
Henry Cornelius Vroom
undated
27
Print made by Thomas Chambars, ca. 1724–1789
Robert Walker
undated
28
Print made by Thomas Chambars, ca. 1724–1789
John Baptiste Monnoyer
undated
29
Print made by Thomas Chambars, ca. 1724–1789
Peter Oliver
undated
30
Print made by Thomas Chambars, ca. 1724–1789
John Sybrecht
undated
31
Print made by Thomas Chambars, ca. 1724–1789
Abraham Vanderdort
undated
32
Print made by Thomas Chambars, ca. 1724–1789
William van der Velde, Junior
undated
33
Print made by Thomas Chambars, ca. 1724–1789
Paul Van Somer
undated
34
Print made by Thomas Chambars, ca. 1724–1789
Nicholas Laniere
undated
35
Print made by Thomas Chambars, ca. 1724–1789
Sir Godfrey Kneller and John Zackary Kneller
undated
36
Print made by Thomas Chambars, ca. 1724–1789
Sir John Medina
undated
37
Print made by Thomas Chambars, ca. 1724–1789
Sir John Medina
undated
38
Print made by Thomas Chambars, ca. 1724–1789
Horatio Gentileschi and Edward Mascall
undated
39
Print made by Thomas Chambars, ca. 1724–1789
Sir Antonio More
undated
40
Print made by Thomas Chambars, ca. 1724–1789
John Baptiste Monnoyer
undated
41
Print made by Thomas Chambars, ca. 1724–1789
Sir Antonio More
undated
42
Print made by Thomas Chambars, ca. 1724–1789
Claude la Fevre and Mr. John Hayls
undated
43
Print made by Thomas Chambars, ca. 1724–1789
Nicholas Hilliard
undated
44
Print made by Thomas Chambars, ca. 1724–1789
William Hogarth
undated
45
Print made by Thomas Chambars, ca. 1724–1789
Gerard Honthorst
undated
46
Print made by Thomas Chambars, ca. 1724–1789
Cornelius Ketel
undated
47
Jacobus Houbraken, 1698–1780
Frederick Duke of Schomberg
1739
48
Jacobus Houbraken, 1698–1780
Frederick, Duke of Schonberg
1739
49
Jacobus Houbraken, 1698–1780
Thomas Cromwell, Earl of Essex
1739
50
George Vertue, 1684–1756
View of the Interior Court of the Royal Exchange
1739
51
Nathaniel Buck, active 1727–1753
The North West Prospect of Greenwich in the County of Kent
1739
52
Nathaniel Buck, active 1727–1753
The North Prospect of Woolwich in the County of Kent
1739
53
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
54
Theodore Wilkens, c. 1690–1748
Figures by a Ruined Temple on a Rocky Promontory
1739
55
Peter Paul Lens, 1714–1750
Bernard Lens III (1682-1740)
1739
56
Print made by Jacobus Houbraken, 1698–1780
Frederick Duke of Schonberg
1739
57
Print made by George Vertue, 1684–1756
William Cavendish of Newcastle
1739
58
Print made by Jacobus Houbraken, 1698–1780
Charles Lord Talbot, Lord High Chancellor
1739
59
Print made by Jacobus Houbraken, 1698–1780
William Lord Russel
1739
60
Print made by Jacobus Houbraken, 1698–1780
Lieutenant General John Lambert
1739
61
Print made by Jacobus Houbraken, 1698–1780
Henry Bennet Earl of Arlington
1739
62
Print made by Jacobus Houbraken, 1698–1780
John Russell, first Earl of Bedford
1739
63
Print made by Jacobus Houbraken, 1698–1780
Henry Bennet, Earl of Arlington
1739
64
Print made by Jacobus Houbraken, 1698–1780
Thomas Cromwell, Earl of Essex
1739
65
Joseph Sympson, active 1725–died 1736
A Dark Grey Hunter upon full Chace
1739
66
Print made by Arthur Pond, ca. 1705–1758
Caricature of Baron Stosch and Marcantonio Sabbatini
1739
67
Print made by Thomas Chambars, ca. 1724–1789
Sir Balthazar Gerbier
undated
68
Print made by Arthur Pond, ca. 1705–1758
Self-portrait of Arthur Pond
1739
69
Print made by Thomas Chambars, ca. 1724–1789
Cornelius Polenburg
undated
70
Print made by Arthur Pond, ca. 1705–1758
Self-portrait of Arthur Pond
1739
71
Print made by Thomas Chambars, ca. 1724–1789
Sebastian Ricci
undated
72
Print made by Thomas Chambars, ca. 1724–1789
Lewis Francis Roubiliac
undated
73
Print made by Thomas Chambars, ca. 1724–1789
Michael Rysbrack
undated
74
Print made by Thomas Chambars, ca. 1724–1789
Lewis Francis Roubiliac
undated
75
Print made by Thomas Chambars, ca. 1724–1789
Sir Peter Paul Rubens
undated
76
Print made by Thomas Chambars, ca. 1724–1789
Enoch Seeman
undated
77
Print made by Thomas Chambars, ca. 1724–1789
Enoch Seeman
undated
78
Print made by Thomas Chambars, ca. 1724–1789
Nicholas Stone Sr. and Nicholas Stone Jr
undated
79
Print made by Thomas Chambars, ca. 1724–1789
Peter Tillemans
undated
80
Print made by Thomas Chambars, ca. 1724–1789
Sir John Vanbrugh
undated
81
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
82
Print made by George Vertue, 1684–1756
William Cavendish, Duke of Newcastle
1739
83
Print made by unknown artist
Pascal Paoli, General of the Corsicans
undated
84
Jacobus Houbraken, 1698–1780
Sr. Walter Ralegh
1739
85
Print made by Thomas Chambars, ca. 1724–1789
Francesco Cleyn
undated
86
Print made by Thomas Chambars, ca. 1724–1789
Horatio Gentileschi and Edward Mascall
undated
87
Print made by Thomas Chambars, ca. 1724–1789
Samuel Cooper
undated
88
Print made by Thomas Chambars, ca. 1724–1789
Sir Balthazar Gerbier
undated
89
Print made by Thomas Chambars, ca. 1724–1789
Grinling Gibbons
undated
90
Print made by Thomas Chambars, ca. 1724–1789
Edward Courtney, Earl of Devonshire
undated
91
unknown artist
Cumberland Landscape
undated
92
Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
undated
93
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
undated
94
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
undated
95
Rev. William Gilpin, 1724–1804
Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
undated
96
Rev. William Gilpin, 1724–1804
The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)
undated
97
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 24)
undated
98
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 25)
undated
99
Rev. William Gilpin, 1724–1804
A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
undated
100
Rev. William Gilpin, 1724–1804
The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)