View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
16
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
17
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
18
James Bruce, 1730–1794
Constantine
undated
19
James Bruce, 1730–1794
Figures in a Landscape
undated
20
James Bruce, 1730–1794
St. Michael Geesh
undated
21
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
22
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
23
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
24
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
25
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
26
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748
27
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
28
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
29
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
30
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
31
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
32
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
33
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
34
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
35
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
36
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
37
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
38
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
39
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
40
James Deacon, c. 1728–1750
Rocky Landscape with Classical Buildings
undated
41
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
42
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
43
James Adam, 1732–1794
Landscape with River and Figures
undated
44
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
45
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
46
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
47
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
48
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
49
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
50
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
51
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
52
Alexander Cozens, 1717–1786
Landscape with a Lake and Distant Mountain
ca. 1750
53
Alexander Cozens, 1717–1786
The Glade
ca. 1750
54
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
55
Francois Vivares, 1709–1780
A View of Hopping Mill, Ware
1745
56
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
57
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
58
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
59
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
60
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
61
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
62
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
63
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
64
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
65
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
66
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
67
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
68
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
69
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
70
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
71
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
72
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)