Warner Valliant, Vandrebanc, Francis Place, & William Lodge
undated
357
Alexander Bannerman, ca. 1730–1780
Edward Pierce, Senior & Junior
undated
358
Alexander Bannerman, ca. 1730–1780
Warner Vailliant, Vandrebanc, Francis Place, & William Lodge
undated
359
Alexander Bannerman, ca. 1730–1780
Talman, Sir Ralph Cole, and Marco Ricci
undated
360
Alexander Bannerman, ca. 1730–1780
John van Belcamp and Geldorp
undated
361
Alexander Bannerman, ca. 1730–1780
Anthony van Dyck
undated
362
Alexander Bannerman, ca. 1730–1780
James Gibbs
undated
363
Alexander Bannerman, ca. 1730–1780
William Faithorne
undated
364
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
365
Alexander Bannerman, ca. 1730–1780
Marc Garrard
undated
366
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
367
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
368
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
369
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
370
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
371
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748
372
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
373
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
374
Rev. William Gilpin, 1724–1804
The Artist's Bookplate and Pen Inscription from a Drawing Album
between 1745 and 1748
375
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
376
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
377
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
378
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
379
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
380
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
381
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
382
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
383
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
384
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
385
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
386
James Deacon, c. 1728–1750
Rocky Landscape with Classical Buildings
undated
387
Thomas Gainsborough, 1727–1788
A Milkmaid Climbing a Stile
ca. 1750
388
L. Truchy, 1721–1764
Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot
1745
389
L. Truchy, 1721–1764
Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..
1745
390
James Seymour, 1702–1752
Seymour's Twelve Prints of Hunters & Running Horses, taken in Various Actions
ca. 1750
391
James Seymour, 1702–1752
Set of twelve: 4 Fox Huntings. 4 Stag Huntings. 4 Hare Huntings
ca. 1750
392
James Seymour, 1702–1752
Set of twelve: 4 Fox Huntings. 4 Stag Huntings. 4 Hare Huntings