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Date 1745

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James Bruce Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
James Bruce, 1730–1794
Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
undated
James Bruce Sketches of architectural detail of temple at Baalbec
James Bruce, 1730–1794
Sketches of architectural detail of temple at Baalbec
undated
James Bruce Upright of the Niche at the Temple at Baalbec
James Bruce, 1730–1794
Upright of the Niche at the Temple at Baalbec
undated
James Bruce Order of the two courts of the Temple at Baalbec
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
James Bruce Measured drawing of section of pediments of temple Baalbec
James Bruce, 1730–1794
Measured drawing of section of pediments of temple Baalbec
undated
James Bruce Plan of the most entire temple at Baalbec
James Bruce, 1730–1794
Plan of the most entire temple at Baalbec
undated
James Bruce Elevation and plan of part of Temples at Baalbec
James Bruce, 1730–1794
Elevation and plan of part of Temples at Baalbec
undated
James Bruce Plan of the great temple of Baalbec and of Portico and Courts leading to it
James Bruce, 1730–1794
Plan of the great temple of Baalbec and of Portico and Courts leading to it
undated
James Bruce Plan of Temple at Baalbec
James Bruce, 1730–1794
Plan of Temple at Baalbec
undated
James Bruce Order of the Great Temple at Baalbec with descriptive notes attached
James Bruce, 1730–1794
Order of the Great Temple at Baalbec with descriptive notes attached
undated
James Bruce Plan of part of the temple at Baalbec
James Bruce, 1730–1794
Plan of part of the temple at Baalbec
undated
James Bruce Plan of the circular temple at Baalbec
James Bruce, 1730–1794
Plan of the circular temple at Baalbec
undated
James Bruce Back view of the same circular temple in its present state
James Bruce, 1730–1794
Back view of the same circular temple in its present state
undated
Augustin Heckel The Bridge, Walton on Thames
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
Giovanni Battista Borra Details of a Corinthian Temple on the Acropolis of Pergamon
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
Giovanni Battista Borra View of Ruins of the Asclepium at Pergamon
Giovanni Battista Borra, 1713–1770
View of Ruins of the Asclepium at Pergamon
ca. 1750
Giovanni Battista Borra The Basilica at Pergamon
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
Giovanni Battista Borra Frieze and Capitals (from Priene?)
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
John Sanderson Langley Park, Norfolk: Elevation of the South Front
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
Francis Swaine Ships Firing
Francis Swaine, 1730–1782
Ships Firing
undated
Francis Swaine Ships on a Calm Sea
Francis Swaine, 1730–1782
Ships on a Calm Sea
undated
Francis Swaine Hulks in the Medway
Francis Swaine, 1730–1782
Hulks in the Medway
undated
James Bruce Study of a Man in Profile
James Bruce, 1730–1794
Study of a Man in Profile
undated
Francis Swaine A Naval Squadron Lying at Spithead
Francis Swaine, 1730–1782
A Naval Squadron Lying at Spithead
between 1745 and 1783
John Simon Geffrey Chaucer, Edmund Spencer, William Shakespeare, Benjaminus Johnson
Print made by John Simon, 1675–1751
Geffrey Chaucer, Edmund Spencer, William Shakespeare, Benjaminus Johnson
ca. 1750
Jacobus Houbraken Sarah Dutchess of Marlborough
Print made by Jacobus Houbraken, 1698–1780
Sarah Dutchess of Marlborough
1745
Jacobus Houbraken Prince George of Denmark, Duke of Cumberland
Print made by Jacobus Houbraken, 1698–1780
Prince George of Denmark, Duke of Cumberland
1745
Jacobus Houbraken William, Duke of Gloucester
Print made by Jacobus Houbraken, 1698–1780
William, Duke of Gloucester
1745
Jean B. C. Chatelain A Perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a seat of Sr. Jeremy Sambrooke Bart.
Jean B. C. Chatelain, 1710–1771
A Perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a seat of Sr. Jeremy Sambrooke Bart
ca. 1750
James Seymour Seymour's Twelve Prints of Hunters & Running Horses, taken in Various Actions
James Seymour, 1702–1752
Seymour's Twelve Prints of Hunters & Running Horses, taken in Various Actions
ca. 1750
James Seymour Set of twelve: 4 Fox Huntings. 4 Stag Huntings. 4 Hare Huntings
James Seymour, 1702–1752
Set of twelve: 4 Fox Huntings. 4 Stag Huntings. 4 Hare Huntings
ca. 1750
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
L. Truchy Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...
L. Truchy, 1721–1764
Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the..
1745
L. Truchy Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.
L. Truchy, 1721–1764
Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot
1745
L. Truchy Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.
L. Truchy, 1721–1764
Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue
1745
L. Truchy Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...
L. Truchy, 1721–1764
Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..
1745
Alexander Bannerman Sir Toby Matthews
Alexander Bannerman, ca. 1730–1780
Sir Toby Matthews
undated
Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
Alexander Bannerman Murray
Alexander Bannerman, ca. 1730–1780
Murray
undated
Alexander Bannerman Warner Valliant, Vandrebanc, Francis Place, & William Lodge
Alexander Bannerman, ca. 1730–1780
Warner Valliant, Vandrebanc, Francis Place, & William Lodge
undated
Alexander Bannerman Edward Pierce, Senior & Junior
Alexander Bannerman, ca. 1730–1780
Edward Pierce, Senior & Junior
undated
Alexander Bannerman Warner Vailliant, Vandrebanc, Francis Place, & William Lodge
Alexander Bannerman, ca. 1730–1780
Warner Vailliant, Vandrebanc, Francis Place, & William Lodge
undated
Alexander Bannerman Talman, Sir Ralph Cole and Marco Ricci
Alexander Bannerman, ca. 1730–1780
Talman, Sir Ralph Cole and Marco Ricci
undated
Alexander Bannerman Talman, Sir Ralph Cole, and Marco Ricci
Alexander Bannerman, ca. 1730–1780
Talman, Sir Ralph Cole, and Marco Ricci
undated
Alexander Bannerman John Riley and Egbert Hemskirt
Alexander Bannerman, ca. 1730–1780
John Riley and Egbert Hemskirt
undated
Alexander Bannerman Peter Roestraten
Alexander Bannerman, ca. 1730–1780
Peter Roestraten
undated
Alexander Bannerman Henry Steenwyck
Alexander Bannerman, ca. 1730–1780
Henry Steenwyck
undated
Alexander Bannerman John van Belcamp and Geldorp
Alexander Bannerman, ca. 1730–1780
John van Belcamp and Geldorp
undated
George Vertue Dan John Lydgate of Bury Poet Laureate
Print made by George Vertue, 1684–1756
Dan John Lydgate of Bury Poet Laureate
ca. 1750
James Bruce Discopodium penninervium Hochst. : finished drawing
James Bruce, 1730–1794
Discopodium penninervium Hochst. : finished drawing
undated
Alexander Bannerman Boit. Baker.
Alexander Bannerman, ca. 1730–1780
Boit. Baker
undated
Alexander Bannerman Boit. Baker.
Alexander Bannerman, ca. 1730–1780
Boit. Baker
undated
Alexander Bannerman Cibber
Print made by Alexander Bannerman, ca. 1730–1780
Cibber
undated
Alexander Bannerman Cibber
Alexander Bannerman, ca. 1730–1780
Cibber
undated
Alexander Bannerman Dobson
Alexander Bannerman, ca. 1730–1780
Dobson
undated
Alexander Bannerman Simon Du Bois
Alexander Bannerman, ca. 1730–1780
Simon Du Bois
undated
Alexander Bannerman James Gibbs
Alexander Bannerman, ca. 1730–1780
James Gibbs
undated
Alexander Bannerman Major General Lambert
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
James Basire Dr. Johnson's Monument
James Basire, 1730–1802
Dr. Johnson's Monument
undated
James Bruce Studies of Warriors on Horseback and Horseheads
James Bruce, 1730–1794
Studies of Warriors on Horseback and Horseheads
undated
James Bruce 1 of 2 finished drawings of Arch at Hydra and a double page of details
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
Rev. William Gilpin Classical Landscape with Two Figures on Lake Shore
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
Rev. William Gilpin Landscape with Two Figures on a Road
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
Gerard Jean Baptiste Scotin Marriage à la Mode, Plate 1
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Marriage à la Mode, Plate 1
1745
Simon François Ravenet Marriage à la Mode, Plate 5
Print made by Simon François Ravenet, 1706–1774
Marriage à la Mode, Plate 5
1745
Simon François Ravenet Marriage à la Mode, Plate 4
Print made by Simon François Ravenet, 1706–1774
Marriage à la Mode, Plate 4
1745
Bernard Baron Marriage à la Mode, Plate 3
Print made by Bernard Baron, 1696–1762
Marriage à la Mode, Plate 3
1745
Rev. William Gilpin Classical Landscape with Ruin on Left, Two Figures on Right
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
Rev. William Gilpin Classical Landscape with Two Figures on Horseback at Right
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
Rev. William Gilpin A Rocky Landscape
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
Rev. William Gilpin Landscape with Two Horsemen on a Road
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
Rev. William Gilpin Two Figures on Shore with Mountain Rising Behind
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
Rev. William Gilpin Shipping Scene with Three Figures on shore
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
Rev. William Gilpin The Artist's Bookplate and Pen Inscription from a Drawing Album
Rev. William Gilpin, 1724–1804
The Artist's Bookplate and Pen Inscription from a Drawing Album
between 1745 and 1748
Rev. William Gilpin Landscape with Mountain in Center Distance
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
Rev. William Gilpin Landscape with a Ruined Castle
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
Rev. William Gilpin Landscape with a Ruined Castle on the Right
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
Rev. William Gilpin Landscape with Road in Foreground
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
Rev. William Gilpin Landscape with Castle on a Hill at Left
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
Rev. William Gilpin Rocky Landscape with Two Figures on a Path in the Center
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
Rev. William Gilpin Landscape with a Castle and a Bridge
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
Rev. William Gilpin Landscape with a Castle on a Hill at Right
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill at Right
between 1745 and 1748
Rev. William Gilpin Landscape with Four Figures
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
Rev. William Gilpin Hilly Landscape
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
Rev. William Gilpin Landscape with a Castle on a Hill in Center Distance
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
Rev. William Gilpin Landscape with Three Figures on a Road
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
Rev. William Gilpin Mountainous Landscape with a River
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
Rev. William Gilpin Mountainous Landscape with a Lake
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
Rev. William Gilpin Two Figures on a Road with Castle in Center Distance
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
Rev. William Gilpin Mountainous Landscape with River, Trees and Foliage in Foreground
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
Rev. William Gilpin Two Figures on a Road by a Lake
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
Rev. William Gilpin A Lake with Mountains Rising Beyond
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
Rev. William Gilpin Three Figures in a Hilly Landscape with Ruins, beyond
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
Rev. William Gilpin Landscape with Classical Building at Left
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748
Rev. William Gilpin Mountainous Landscape with Rocky Crag at Right
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
James Deacon Rocky Landscape with Classical Buildings
James Deacon, c. 1728–1750
Rocky Landscape with Classical Buildings
undated
Joseph Slater Robin Hood and Clarinda Hunting Deer
Joseph Slater, c. 1750– died after 1789
Robin Hood and Clarinda Hunting Deer
undated