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501. Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

502. Sketches of architectural detail of temple at Baalbec

Sketches of architectural detail of temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite; verso: pen and black ink on moderately thick, moderately textured, white laid paper
Dimensions:
Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

503. Upright of the Niche at the Temple at Baalbec

Upright of the Niche at the Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 × 15 3/4 inches (55.9 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

504. Order of the two courts of the Temple at Baalbec

Order of the two courts of the Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 10 inches (38.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

505. Measured drawing of section of pediments of temple Baalbec

Measured drawing of section of pediments of temple Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 15 1/4 inches (54.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

506. Plan of the most entire temple at Baalbec

Plan of the most entire temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 14 7/8 inches (54.6 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

507. Elevation and plan of part of Temples at Baalbec

Elevation and plan of part of Temples at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and ink and graphite on medium thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 15 inches (54.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

508. Plan of the great temple of Baalbec and of Portico and Courts leading to it

Plan of the great temple of Baalbec and of Portico and Courts leading to it
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 29 5/8 inches (54.3 × 75.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

509. Plan of Temple at Baalbec

Plan of Temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 × 21 1/2 inches (38.1 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

510. Order of the Great Temple at Baalbec with descriptive notes attached

Order of the Great Temple at Baalbec with descriptive notes attached
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 30 1/8 × 21 5/8 inches (76.5 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

511. Plan of part of the temple at Baalbec

Plan of part of the temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 15 × 21 1/4 inches (38.1 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

512. Plan of the circular temple at Baalbec

Plan of the circular temple at Baalbec
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 11 1/8 inches (33.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

513. Back view of the same circular temple in its present state

Back view of the same circular temple in its present state
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured,cream laid paper
Dimensions:
Sheet: 14 1/4 × 11 1/8 inches (36.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

514. The Bridge, Walton on Thames

The Bridge, Walton on Thames
Creator:
Augustin Heckel, 1690–1770
Date:
ca. 1750
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 15 3/8 inches (23.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

515. Details of a Corinthian Temple on the Acropolis of Pergamon

Details of a Corinthian Temple on the Acropolis of Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 13/16 inches (53.9 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

516. View of Ruins of the Asclepium at Pergamon

View of Ruins of the Asclepium at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

517. The Basilica at Pergamon

The Basilica at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

518. Frieze and Capitals (from Priene?)

Frieze and Capitals (from Priene?)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 x 15 inches (54.2 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

519. Langley Park, Norfolk: Elevation of the South Front

Langley Park, Norfolk: Elevation of the South Front
Creator:
John Sanderson, active 1730; died 1774
Date:
ca. 1750
Materials & Techniques:
Pen and black, brown and gray ink with gray and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 × 21 7/8 inches (37.3 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

520. Ships Firing

Ships Firing
Creator:
Francis Swaine, 1730–1782
Date:
undated
Materials & Techniques:
Gray wash and graphite with black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 10 3/8 inches (15.2 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

521. Ships on a Calm Sea

Ships on a Calm Sea
Creator:
Francis Swaine, 1730–1782
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 × 8 1/4 inches (14.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

522. Hulks in the Medway

Hulks in the Medway
Creator:
Francis Swaine, 1730–1782
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 12 1/4 inches (15.2 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

523. Study of a Man in Profile

Study of a Man in Profile
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 × 4 7/8 inches (14.9 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

524. A Naval Squadron Lying at Spithead

A Naval Squadron Lying at Spithead
Creator:
Francis Swaine, 1730–1782
Date:
between 1745 and 1783
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

525. Geffrey Chaucer, Edmund Spencer, William Shakespeare, Benjaminus Johnson

Geffrey Chaucer, Edmund Spencer, William Shakespeare, Benjaminus Johnson
Creator:
Print made by John Simon, 1675–1751
Date:
ca. 1750
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

526. Sarah Dutchess of Marlborough

Sarah Dutchess of Marlborough
Creator:
Print made by Jacobus Houbraken, 1698–1780
Date:
1745
Materials & Techniques:
Line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

527. Prince George of Denmark, Duke of Cumberland

Prince George of Denmark, Duke of Cumberland
Creator:
Print made by Jacobus Houbraken, 1698–1780
Date:
1745
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

528. William, Duke of Gloucester

William, Duke of Gloucester
Creator:
Print made by Jacobus Houbraken, 1698–1780
Date:
1745
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

529. A Perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a seat of Sr. Jeremy Sambrooke Bart.

A Perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a seat of Sr. Jeremy Sambrooke Bart.
Creator:
Jean B. C. Chatelain, 1710–1771
Date:
ca. 1750
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 9 5/8 x 17in. (24.4 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

530. Seymour's Twelve Prints of Hunters & Running Horses, taken in Various Actions

Seymour's Twelve Prints of Hunters & Running Horses, taken in Various Actions
Creator:
James Seymour, 1702–1752
Date:
ca. 1750
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 3/4 x 10 1/2in. (17.1 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

531. Set of twelve: 4 Fox Huntings. 4 Stag Huntings. 4 Hare Huntings

Set of twelve: 4 Fox Huntings. 4 Stag Huntings. 4 Hare Huntings
Creator:
James Seymour, 1702–1752
Date:
ca. 1750
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 6 7/8 x 10 5/8in. (17.5 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

532. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

533. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

534. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

535. Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...

Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

536. Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.

Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

537. Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.

Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

538. Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...

Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...
Creator:
L. Truchy, 1721–1764
Date:
1745
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

539. Sir Toby Matthews

Sir Toby Matthews
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/4 inches (30.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

540. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 21 1/4 inches (39 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

541. Murray

Murray
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 x 9 1/2 inches (31.1 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

542. Warner Valliant, Vandrebanc, Francis Place, & William Lodge

Warner Valliant, Vandrebanc, Francis Place, & William Lodge
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 5 3/4 inches (19.7 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

543. Edward Pierce, Senior & Junior

Edward Pierce, Senior & Junior
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

544. Warner Vailliant, Vandrebanc, Francis Place, & William Lodge

Warner Vailliant, Vandrebanc, Francis Place, & William Lodge
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

545. Talman, Sir Ralph Cole and Marco Ricci

Talman, Sir Ralph Cole and Marco Ricci
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 7 inches (22.5 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

546. Talman, Sir Ralph Cole, and Marco Ricci

Talman, Sir Ralph Cole, and Marco Ricci
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

547. John Riley and Egbert Hemskirt

John Riley and Egbert Hemskirt
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 8 inches (26.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

548. Peter Roestraten

Peter Roestraten
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

549. Henry Steenwyck

Henry Steenwyck
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 9 1/16 inches (29.8 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

550. John van Belcamp and Geldorp

John van Belcamp and Geldorp
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 1/8 inches (29.8 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

551. Dan John Lydgate of Bury Poet Laureate

Dan John Lydgate of Bury Poet Laureate
Creator:
Print made by George Vertue, 1684–1756
Date:
ca. 1750
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

552. Discopodium penninervium Hochst. : finished drawing

Discopodium penninervium Hochst. : finished drawing
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

553. Boit. Baker.

Boit. Baker.
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 inches (29.8 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

554. Boit. Baker.

Boit. Baker.
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 8 5/8 inches (28.6 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

555. Cibber

Cibber
Creator:
Print made by Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

556. Cibber

Cibber
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 7 3/4 inches (25.1 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

557. Dobson

Dobson
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

558. Simon Du Bois

Simon Du Bois
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/4 inches (30.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

559. James Gibbs

James Gibbs
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

560. Major General Lambert

Major General Lambert
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/8 inches (30.2 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

561. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

562. Dr. Johnson's Monument

Dr. Johnson's Monument
Creator:
James Basire, 1730–1802
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 3/4 x 5 1/2in. (22.2 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

563. Studies of Warriors on Horseback and Horseheads

Studies of Warriors on Horseback and Horseheads
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 × 14 3/8 inches (24.1 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

564. 1 of 2 finished drawings of Arch at Hydra and a double page of details

1 of 2 finished drawings of Arch at Hydra and a double page of details
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 31 5/8 × 20 3/4 inches (80.3 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

565. Classical Landscape with Two Figures on Lake Shore

Classical Landscape with Two Figures on Lake Shore
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 5/16 x 7 3/4 inches (13.5 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

566. Landscape with Two Figures on a Road

Landscape with Two Figures on a Road
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 7 3/16 inches (13 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

567. Marriage à la Mode, Plate 1

Marriage à la Mode, Plate 1
Creator:
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

568. Marriage à la Mode, Plate 5

Marriage à la Mode, Plate 5
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

569. Marriage à la Mode, Plate 4

Marriage à la Mode, Plate 4
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

570. Marriage à la Mode, Plate 3

Marriage à la Mode, Plate 3
Creator:
Print made by Bernard Baron, 1696–1762
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

571. Classical Landscape with Ruin on Left, Two Figures on Right

Classical Landscape with Ruin on Left, Two Figures on Right
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown wash, gray wash, pen and brown ink, and graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 5/16 x 7 1/2in. (13.5 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

572. Classical Landscape with Two Figures on Horseback at Right

Classical Landscape with Two Figures on Horseback at Right
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 3/8 x 7 3/8 inches (13.7 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

573. A Rocky Landscape

A Rocky Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 1/16 x 7 3/8 inches (12.9 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

574. Landscape with Two Horsemen on a Road

Landscape with Two Horsemen on a Road
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 5/16 x 7 1/2 inches (13.5 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

575. Two Figures on Shore with Mountain Rising Behind

Two Figures on Shore with Mountain Rising Behind
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 7/16 x 7 1/2in. (13.8 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

576. Shipping Scene with Three Figures on shore

Shipping Scene with Three Figures on shore
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown wash, gray wash, pen and brown ink, and graphite with some scraping on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 3/8 x 7 13/16 inches (13.7 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

577. The Artist's Bookplate and Pen Inscription from a Drawing Album

The Artist's Bookplate and Pen Inscription from a Drawing Album
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Etching (bookplate) with pen and brown ink (attached inscription) on thin, slightly textured, white wove paper (bookplate) and thin, moderately textured, cream laid paper (attached inscription)
Dimensions:
Sheet: 3 1/4 x 2 5/16 inches (8.3 x 5.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

578. Landscape with Mountain in Center Distance

Landscape with Mountain in Center Distance
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 1/4 x 7 1/2 inches (13.3 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

579. Landscape with a Ruined Castle

Landscape with a Ruined Castle
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash, gray ink, and graphite on moderately thick, moderately textured, cream wove paper, prepared with orange wash
Dimensions:
Sheet: 5 3/8 x 7 1/4 inches (13.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

580. Landscape with a Ruined Castle on the Right

Landscape with a Ruined Castle on the Right
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash, black ink, and graphite on moderately thick, moderately textured, beige laid paper, prepared with pink wash
Dimensions:
Sheet: 5 1/2 x 7 3/8in. (14 x 18.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

581. Landscape with Road in Foreground

Landscape with Road in Foreground
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and black ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 7 inches (13.7 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

582. Landscape with Castle on a Hill at Left

Landscape with Castle on a Hill at Left
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and black ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 7 1/8 inches (13.7 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

583. Rocky Landscape with Two Figures on a Path in the Center

Rocky Landscape with Two Figures on a Path in the Center
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash, brown wash, gray ink, and graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:
Sheet: 5 3/8 x 8 1/8in. (13.7 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

584. Landscape with a Castle and a Bridge

Landscape with a Castle and a Bridge
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash over graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:
Sheet: 5 7/16 x 7 5/16 inches (13.8 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

585. Landscape with a Castle on a Hill at Right

Landscape with a Castle on a Hill at Right
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash, gray ink, and graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:
Sheet: 5 1/2 x 7 5/16in. (14 x 18.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

586. Landscape with Four Figures

Landscape with Four Figures
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:
Sheet: 5 x 7 1/4in. (12.7 x 18.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

587. Hilly Landscape

Hilly Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:
Sheet: 5 x 7 1/8in. (12.7 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

588. Landscape with a Castle on a Hill in Center Distance

Landscape with a Castle on a Hill in Center Distance
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray and brown wash with pen and black ink, over graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:
Sheet: 5 5/16 x 7 3/8 inches (13.5 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

589. Landscape with Three Figures on a Road

Landscape with Three Figures on a Road
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray and brown wash with pen and black ink over graphite on medium, moderately textured, beige laid paper, prepared with orange wash
Dimensions:
Sheet: 4 15/16 x 7 1/4 inches (12.5 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

590. Mountainous Landscape with a River

Mountainous Landscape with a River
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:
Sheet: 4 3/4 x 7 3/8 inches (12.1 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

591. Mountainous Landscape with a Lake

Mountainous Landscape with a Lake
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and black ink over graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 5 3/8 x 7 1/4 inches (13.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

592. Two Figures on a Road with Castle in Center Distance

Two Figures on a Road with Castle in Center Distance
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray and brown wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:
Sheet: 5 x 7 5/8in. (12.7 x 19.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

593. Mountainous Landscape with River, Trees and Foliage in Foreground

Mountainous Landscape with River, Trees and Foliage in Foreground
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray and brown wash with pen and brown ink over graphite on medium, moderately thick, cream laid paper, prepared with orange wash
Dimensions:
Sheet: 4 15/16 x 7 3/8in. (12.5 x 18.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

594. Two Figures on a Road by a Lake

Two Figures on a Road by a Lake
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and brown ink over graphite on moderately thick, slightly textured, cream laid paper, prepared with orange wash
Dimensions:
Sheet: 4 11/16 x 7 3/8 inches (11.9 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

595. A Lake with Mountains Rising Beyond

A Lake with Mountains Rising Beyond
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper, prepared with orange wash
Dimensions:
Sheet: 4 5/8 x 7 3/8in. (11.7 x 18.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

596. Three Figures in a Hilly Landscape with Ruins, beyond

Three Figures in a Hilly Landscape with Ruins, beyond
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 6 3/4 inches (11.3 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

597. Landscape with Classical Building at Left

Landscape with Classical Building at Left
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash over graphite on moderately thick, moderately textured, cream laid paper, prepared with orange wash
Dimensions:
Sheet: 5 x 7 11/16in. (12.7 x 19.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

598. Mountainous Landscape with Rocky Crag at Right

Mountainous Landscape with Rocky Crag at Right
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:
Sheet: 4 15/16 x 17 1/8in. (12.5 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

599. Rocky Landscape with Classical Buildings

Rocky Landscape with Classical Buildings
Creator:
James Deacon, c. 1728–1750
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 9 1/8 inches (18.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

600. Robin Hood and Clarinda Hunting Deer

Robin Hood and Clarinda Hunting Deer
Creator:
Joseph Slater, c. 1750– died after 1789
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 3 7/8 inches (13.7 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection