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Date 1754

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Subject Terms leisure

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John Orde, His Wife, Anne Orde (née Marr), His Eldest Son, William, and an Unnamed Servant
Creator:
Arthur Devis, 1712–1787
Date:
between 1754 and 1756
Materials & Techniques:
Oil on canvas
Dimensions:
37 x 37 7/8 inches (94 x 96.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Men Playing Backgammon
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 11/16 x 8 9/16 inches (29.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Rejouissances pour le Retour de l'Enfant Prodigue
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint with etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 5/16 x 18 1/4 inches (36.3 x 46.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Le jeu de dames
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint with etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 9 13/16 inches (39.4 x 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Le jeu de domino
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint with etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 11/16 x 9 3/4 inches (39.9 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Men Playing Cards
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint with etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 8 7/16 inches (29.2 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund