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Date 1755

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Work Type intaglio print

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Subject Terms animal art

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The Portraiture of Lamprey
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Childers, the Fleetest Horse that Ever Run at Newmarket
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Portraiture of Dormouse
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Portraiture of the Famous Horse Old Partner
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Portrature of Sedbury
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Portraiture of Crab, Late the Property of the Right Honorable Earl of Portmore
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection