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1. Chairing the Members, Plate IV

Chairing the Members, Plate IV
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Bench

The Bench
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving on wove paper
Dimensions:
Sheet: 12 3/8 x 8 1/4in. (31.4 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Polling, Plate III

The Polling, Plate III
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/8 x 22 1/8in. (44.1 x 56.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The South View of the Abbey and Dormitory in Westminster

The South View of the Abbey and Dormitory in Westminster
Creator:
unknown artist
Date:
1758
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

5. Nathaniel Hone

Nathaniel Hone
Creator:
Edward Fisher, 1722–1785
Date:
between 1758 and 1782
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 13/16 × 9 5/16 inches (32.6 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. [Horse-racing] Set of six: 1.The Cullen Arabian &c.

[Horse-racing] Set of six: 1.The Cullen Arabian &c.
Creator:
William Elliot, active 1774, died 1792
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana

"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/16 × 22 9/16 inches (43.6 × 57.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Scenographia Americana: Untitled view (perhaps of Boston?)

Scenographia Americana: Untitled view (perhaps of Boston?)
Creator:
unknown artist
Date:
1758-1760
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/4 × 22 1/16 inches (38.7 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Scenographia Americana: A View of Bethlem, the Great Moravian Settlement in the Province of Pennsylvania

Scenographia Americana: A View of Bethlem, the Great Moravian Settlement in the Province of Pennsylvania
Creator:
Paul Sandby, 1731–1809
Date:
1758-1760
Materials & Techniques:
Engraving
Dimensions:
Plate: 14 3/8 × 20 7/8 inches (36.5 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Scenographia Americana: A View of the City of the Havana, taken from the Road near Colonel Howe's Battery

Scenographia Americana: A View of the City of the Havana, taken from the Road near Colonel Howe's Battery
Creator:
Edward Rooker, 1724–1774
Date:
1758-1760
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. [Horse-racing] Set of six: 2. Brood Mares with their Foles

[Horse-racing] Set of six: 2. Brood Mares with their Foles
Creator:
William Elliot, active 1774, died 1792
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. [Horse-racing] Set of six: 5. Bridling, Sadling, Breaking, & Training

[Horse-racing] Set of six: 5. Bridling, Sadling, Breaking, & Training
Creator:
William Elliot, active 1774, died 1792
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. [Horse-racing] Set of six: 3. Catching the Colts

[Horse-racing] Set of six: 3. Catching the Colts
Creator:
William Elliot, active 1774, died 1792
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. [Horse-racing] Set of six: 4. Subduing Shoeing, the Cavison and Pillar

[Horse-racing] Set of six: 4. Subduing Shoeing, the Cavison and Pillar
Creator:
William Elliot, active 1774, died 1792
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. [Horse-racing] Set of six: 6. 'Finish'd Horses / Match'em & Trajan Runing at New-market'

[Horse-racing] Set of six: 6. 'Finish'd Horses / Match'em & Trajan Runing at New-market'
Creator:
William Elliot, active 1774, died 1792
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Scenographia Americana: A Southwest View of the City of New York, in North America

Scenographia Americana: A Southwest View of the City of New York, in North America
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Colored engraving
Dimensions:
Plate: 20 5/8 inches (52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by Coplestone Warre Bampfylde, 1719–1791
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by Coplestone Warre Bampfylde, 1719–1791
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Solitude

Solitude
Creator:
Thomas Smith of Derby, ca. 1720–1767
Date:
1758
Materials & Techniques:
Etching and engraving
Dimensions:
Sheet: 11 x 15 3/8in. (27.9 x 39.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The South East View of Hampstead Church

The South East View of Hampstead Church
Creator:
unknown artist
Date:
1758
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Samuel Waddington, Painter

Samuel Waddington, Painter
Creator:
Samuel Waddington
Date:
1758
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Summer

Summer
Creator:
Print made by John Simon, 1675–1755
Date:
1758
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Spring

Spring
Creator:
Print made by John Simon, 1675–1755
Date:
1758
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/16 × 14 1/2 inches (26.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. Winter

Winter
Creator:
Print made by John Simon, 1675–1755
Date:
1758
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 14 1/4 inches (26.4 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. Autumn

Autumn
Creator:
Print made by John Simon, 1675–1755
Date:
1758
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/16 × 14 1/16 inches (26.5 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. Barbara Palmer (née Villiers) Countess of Castlemaine

Barbara Palmer (née Villiers) Countess of Castlemaine
Creator:
Thomas Watson, 1743–1781
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 11/16 × 13 1/16 inches (42.4 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Morning

Morning
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. Evening

Evening
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 10 1/4 inches (36.2 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. Noon

Noon
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. Night

Night
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. Morning

Morning
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. The Magicians Marching off After the Success of their Incantations

The Magicians Marching off After the Success of their Incantations
Creator:
Edward Rooker, 1724–1774
Date:
ca. 1763
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Creator:
Edward Rooker, 1724–1774
Date:
ca. 1763
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Honorable Edward Boscawen, Admiral of the Blue Squadron of His Majesty's Fleet and One of the Lords Commissioners of the Admiralty

The Honorable Edward Boscawen, Admiral of the Blue Squadron of His Majesty's Fleet and One of the Lords Commissioners of the Admiralty
Creator:
James McArdell, ca. 1729–1765
Date:
1758
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 24 1/4 x 13 1/2in. (61.6 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

35. Honorable Mrs. John Barrington

Honorable Mrs. John Barrington
Creator:
unknown artist
Date:
1758
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 7/8 × 4 7/16 inches (14.9 × 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Honorable Mrs. John Barrington

Honorable Mrs. John Barrington
Creator:
Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/8 × 9 3/16 inches (33.3 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A View of London Bridge with ye Ruins of ye Temporary Bridge after the Fire of 11th April 1758

A View of London Bridge with ye Ruins of ye Temporary Bridge after the Fire of 11th April 1758
Creator:
Anthony Walker, 1726–1765
Date:
1758
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 11 x 16 1/2in. (27.9 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Melancholy Prospect of London Bridge South West, April 12th, 1758

The Melancholy Prospect of London Bridge South West, April 12th, 1758
Creator:
unknown artist
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 1/4 x 12in. (18.4 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Charles Watson Esq., Vice-Admiral of the White

Charles Watson Esq., Vice-Admiral of the White
Creator:
Edward Fisher, 1722–1785
Date:
between 1758 and 1782
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 16 7/8 x 12 3/8 inches (42.8 x 31.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Scenographia Americana: An East View of Port Royal in the Island of Guadaloupe

No cover image available
Creator:
Peter Mazell, active 1761–1797
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Scenographia Americana: A View of Louisburg in North America, taken near the Light House when that City was besieged in 1758

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Scenographia Americana: A View at the Entrance of the Harbour of the Havana, taken from within the Wrecks

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Scenographia Americana: A South West View of Port Royal in the Island of Guadaloupe

No cover image available
Creator:
Peter P. Benazech, 1767–1794
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Scenographia Americana: A South East View of the City of New York in North America

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Colored engraving
Dimensions:
Sheet: 14 1/4 × 20 7/8 inches (36.2 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Scenographia Americana: A View of Hudson's River of the Entrance of what is called the Topan Sea

No cover image available
Creator:
Peter P. Benazech, 1767–1794
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Scenographia Americana: A View of the Falls on the Passaick, or second River, in the Province of New Jersey

No cover image available
Creator:
Paul Sandby, 1731–1809
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Scenographia Americana: A Design to represent the beginning and completion of an American Settlement or Farm

No cover image available
Creator:
James Peak, 1703–1782
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Scenographia Americana: A View from the Harbour & City of the Havana, taken from the Hill near the Road, Between La Regla & Guanavacoa

No cover image available
Creator:
William Elliot, active 1774, died 1792
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Scenographia Americana: A View of the Franciscan Church & Convent in the City of Havana, taken from the Alcade's House in Granby Square

No cover image available
Creator:
Edward Rooker, 1724–1774
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Scenographia Americana: A View of the Harbour and City of the Havana, taken from Jesu Del Monte

No cover image available
Creator:
Thomas Morris, born 1771
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Scenographia Americana: A View of the Market - Place in the City of the Havana

No cover image available
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1758-1760
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Encampment in the Museum Garden

No cover image available
Creator:
Paul Sandby, 1731–1809
Date:
1758
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. North and East View of St. Cross' Hospital

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Church of St. Cross' Hospital

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. West End of the Chapel

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. St. Giles Church, Colchester

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Dunmow Church

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. West End of St. Osyth's Church

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Back Front of ye Same [Rye House]

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Wimbowin Minster

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Bust of Demosthenes

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Allegorical Study

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Church with a Fence

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Banbury Church

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. North side of Christ Church Hampshire

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Buckingham Church, Castle Hill

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Arch at Litchfield, Domus Choris...

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Unidentified Ruin of a Church

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. The Abbot's Inn now Ye George and The Red Lion Inn, Glaston (on one plate)

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Queen Cross

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. North side of St. Peter's, Northampton

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. The Rye House

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Hospitom St. Crucis...

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Entrance from ye Street

No cover image available
Creator:
Richard Gough, 1735–1809
Date:
ca. 1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Edmond Malone, Esqr.

No cover image available
Creator:
Charles Knight, 1743–c.1826
Date:
undated
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 5 1/16 inches (17 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Charles Spencer, 3rd Duke of Marlborough

No cover image available
Creator:
Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 13 × 8 7/8 inches (33 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Charles Spencer, 3rd Duke of Marlborough

No cover image available
Creator:
Richard Houston, ca. 1721–1775
Date:
1758
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 9 1/16 inches (33 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Frances Brooke, Lady Whitmore

No cover image available
Creator:
Print made by Thomas Watson, 1743–1781
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 × 13 5/8 inches (43.2 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

79. Two fishermen on river bank. House on opposite bank beside three arched bridge with cross on top.

No cover image available
Creator:
Francois Vivares, 1709–1780
Date:
1758
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection