British Gentlemen at Sir Horace Mann's Home in Florence
between 1763 and 1765
Not on view
3
Joseph Wright of Derby, 1734–1797
Philosopher Giving a Lecture on the Orrery
ca. 1768
Not on view
4
John Singleton Copley, 1738–1815
General Thomas Gage
ca. 1768
Not on view
5
Arthur Devis, 1712–1787
Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
1763
Not on view
6
Sir Joshua Reynolds, 1723–1792
Charles Carroll of Carrollton
1763
Not on view
7
Sir Joshua Reynolds, 1723–1792
Sir Jeffery Amherst
ca. 1768
Not on view
8
John Runciman, 1744–1768
Mary and Joseph Outside the Inn
1763 to 1768
Not on view
9
Hugh Barron, 1745–1791
A Man, Probably a Self-Portrait
ca. 1768
Not on view
10
Gavin Hamilton, 1723–1798
The Death of Lucretia
1763 to 1767
Not on view
11
Anne Seymour Damer, 1748–1828
Caroline Conway, Lady Aylesbury
18th century-19th century
Not on view
12
William Hogarth, 1697–1764
John Wilkes, Esq
1763
13
William Hogarth, 1697–1764
The Bruiser
1763
14
Butler Clowes, active 1768, died 1782
The Hen Peckt Husband
ca. 1768
15
Print made by James Watson, 1740–1790
Lady Almeria Carpenter
ca. 1768
16
Print made by Giuseppe Marchi, ca. 1735–1808
Miss Cholmondeley
ca. 1768
17
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
18
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
19
Print made by Joseph Collyer, 1748–1827
David Hume
undated
20
Print made by Angelica Kauffmann, 1741–1807
Bust of an Old Man Reading
1763
21
Print made by Angelica Kauffmann, 1741–1807
Mother Holding a Child with an Apple
1763
22
Richard Gough, 1735–1809
Roman Tower in Hound's Ditch, 28 April 1763
1763
23
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
24
Print made by unknown artist
Miss Eyebright
between 1763 and 1779
25
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
26
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
27
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
28
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
29
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
30
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
31
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
32
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
33
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
34
Print made by John Greenwood, 1727–1792
Venus and Cupid
ca. 1768
35
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
36
Thomas Malton the Younger, 1748–1804
Horse Guards, Whitehall
undated
37
Thomas Malton the Younger, 1748–1804
East India House
undated
38
Thomas Malton the Younger, 1748–1804
The Sessions House, Junction of Farringdon and Clerkenwell Roads
undated
39
Thomas Malton the Younger, 1748–1804
The Admiralty
undated
40
Thomas Malton the Younger, 1748–1804
St. Martin-in-the-Fields, Interior
undated
41
Thomas Malton the Younger, 1748–1804
Banqueting House, Whitehall
undated
42
Pierre Charles Canot, ca. 1710–1777
View of the City of New York: A South East View of the City of New York in North America
1763
43
Francesco Bartolozzi, 1728–1815
Saint Francis of Assisi
1763
44
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
45
Francesco Bartolozzi, 1728–1815
Marcus Furius Camillus Liberating Rome From Brennus
1763
46
Print made by Francesco Bartolozzi, 1728–1815
Gerolamo Tartarotti
1763
47
unknown artist
A View of the Royal Palace of Hampton Court
1763
48
Antoine de Marcenay de Ghuy, 1724–1811
A la Memoire de l'Illustre Vandike, Peintre de la Nature
1763
49
Henry Fletcher, 1729–active 1750
A View of Stocks Market
1763
50
Edward Fisher, 1722–1785
The Honorable Augustus Hervey, Captain in his Majesty's Navy
1763
51
Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
52
Francesco Bartolozzi, 1728–1815
Narcissus
1763
53
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1763
54
Francesco Bartolozzi, 1728–1815
Camillus Rescuing Rome From Brennus
1763
55
George Vertue, 1684–1756
The Savoy Hospital in the Strand the Chapel of the Hospital
1763
56
Joseph Wright of Derby, 1734–1797
Portrait of a Man
ca. 1768
57
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
58
James Bruce, 1730–1794
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
ca. 1768
59
James Bruce, 1730–1794
Jerboa
ca. 1768
60
James Bruce, 1730–1794
Dik-dik
ca. 1768
61
James Bruce, 1730–1794
Vulture
ca. 1768
62
James Bruce, 1730–1794
Bee Cuckoo
ca. 1768
63
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
64
James Bruce, 1730–1794
Sagittarius serpentarius (Secretary Bird)
ca. 1768
65
James Bruce, 1730–1794
Gypaetus barbatus (Bearded Vulture)
ca. 1768
66
John Fisher, Bishop of Salisbury, 1748–1825
The Thames with Sion House
undated
67
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
68
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
69
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
70
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
71
James Bruce, 1730–1794
Elevation and Plan of Arch at Makther
ca. 1768
72
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
73
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
74
James Bruce, 1730–1794
Details of Temple Above Spring at Zaghouan
ca. 1768
75
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
76
James Bruce, 1730–1794
Entrance Gate Zaghouan
ca. 1768
77
James Bruce, 1730–1794
Temple Above Spring at Zaghouan
ca. 1768
78
James Bruce, 1730–1794
Ruins of Temples at Saltronza
ca. 1768
79
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
80
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
81
James Bruce, 1730–1794
Sketch of Temple Ruins
ca. 1768
82
James Bruce, 1730–1794
Drawing of Temple Ruins and Figures
ca. 1768
83
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
84
James Bruce, 1730–1794
Madoqua (Dik-dik)
ca. 1768
85
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
86
Paul Sandby, 1731–1809
Capriccio with Edinburgh Castle and Arthur's Seat
before 1773
87
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
88
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
89
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
90
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
91
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
92
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
93
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
94
James Gwin, 1700–1769
Troisieme Position du Salut
1763
95
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
96
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
97
James Gwin, 1700–1769
Seconde Position du Salut
1763
98
James Gwin, 1700–1769
Premiere Position du Salut
1763
99
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
100
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes