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Date 1765

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Subject Terms horse (animal)

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How to Ride without a Bridle
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 7 1/8in. (22.2 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carter Filling his Pipe
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor and crayon on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 15 1/4 inches (29.2 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Broken Pipe
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Salute
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 8 3/4 inches (25.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 6 5/8 inches (20.5 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Ride Without a Bridle
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Hand-colored etching on thick beige card
Dimensions:
Sheet: 12 1/2 x 9 5/8 inches (31.7 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection