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Date 1770
Remove constraint Date: 1770Period 18th century-19th century
Remove constraint Period: 18th century-19th centurySearch Results
1
- Study for Telemachus
- undated
2
- A Study for the Wellington Monument
- undated
3
- Sketch of Classical Figures in Action
- undated
4
- Relief Design for a Silver Salt Cellar
- undated
5
- Study for Illustration - A Princess with her Attendants
- undated
6
- Chinese Flower Seller
- undated
7
- Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
- undated
8
- Tree Study
- undated
9
- Back of Naked Figure
- undated
10
- Charity Children and Little Vagabonds
- undated
11
- Seated Girl by an Urn
- undated
12
- Girl, Full Length, Facing Right
- undated
13
- Girl, Full Length, Facing Front
- undated
14
- Illustration to the Virtuous Orphan
- undated
15
- A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
- undated
16
- Frieze of a Medieval Wedding
- undated
17
- Solicitude: A Man Supporting a Fainting Woman
- undated
18
- Study of Trees
- undated
19
- For the Triumph of Britannia
- undated
20
- Classical Figures Drawing
- undated
21
- Study for the Wellington Shield
- undated
22
- Twenty Young Girls in a Group Walking to the Left
- undated
23
- Chinese Youth Weaving
- undated
24
- Memoranda
- undated
25
- John Flaxman
- undated
26
- Dr. Johnson
- undated
27
- Study of a Gentleman, called Dr. Johnson
- undated
28
- Dr. Johnson
- undated
29
- Two Women Talking to a Man at a Counter
- undated
30
- The Morn, All Beauteous to Behold, from Aeschylus, The Persians
- undated
31
- Two Women and a Child
- undated
32
- Study of Three Lampstands
- undated
33
- The Reverend Anthony Stephen Mathew
- undated
34
- Prometheus
- undated
35
- Back View of a Woman with Child Looking Over Her Shoulder
- undated
36
- Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
- undated
37
- Woman Carrying a Child in Her Arms
- undated
38
- To Phoebus at His Birth, From Aeschylus, Furies
- undated
39
- A Tiger, Full-Length, in Profile, Walking Towards Right
- undated
![Thomas Stothard June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)](https://media.collections.yale.edu/thumbnail/ycba/de8c44cf-d537-4631-b1ea-c9a0bdfd4121)
40
- June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
- undated
41
- January 1st: "of all the birds on bush or tree" (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54)
- undated
![Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)](https://media.collections.yale.edu/thumbnail/ycba/48b1ec09-041e-4bcd-b9e2-3707f3363a7e)
42
- February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
- undated
43
- May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
- undated
![Thomas Stothard August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)](https://media.collections.yale.edu/thumbnail/ycba/62eb7eb2-0cc1-44eb-b049-334872524376)
44
- August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
- undated
45
- November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
- undated
46
- December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
- undated
47
- Anglers Packing Up
- undated
48
- Bottom Fishing Near Totten Mill
- undated
![Thomas Stothard July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)](https://media.collections.yale.edu/thumbnail/ycba/0ae9084f-1996-47c0-b330-55951080ff4b)
49
- July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)
- undated
![Thomas Stothard April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)](https://media.collections.yale.edu/thumbnail/ycba/f8db807a-6d7f-48bc-910a-9b7ddb6f96f0)
50
- April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
- undated
51
- October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
- undated
52
- Fly Fishing
- undated
53
- Punt Fishing in the Thames
- undated
54
- Illustrations for 'Gil Blas', plate II
- undated
55
- Sheet of Figure Studies for The Odyssey
- undated
56
- The Judgement of Paris
- undated
57
- A Girl Giving a Key to a Cavalier
- undated
58
- The Club
- undated
59
- Sir Roger de Coverly
- undated
60
- Miss Haffey
- undated
61
- Francis Drake Esqr
- undated
62
- Trees in the Villa Negroni Planted by M. Angelo
- undated
63
- Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
- undated
64
- The Adoration of the Magi, a Design for Bas Relief
- undated
65
- Untitled
- undated
66
- Chinese Youth (balancing a jar held aloft)
- undated
67
- Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)
- undated
68
- British, Neoclassical frame
- late 18th to early 19th century
69
- British, Neoclassical frame
- late 18th to early 19th century
70
- British, Neoclassical frame
- late 18th to early 19th century
71
- British, 'Carlo Maratta' frame
- late 18th to early 19th century
72
- British Provincial 'Carlo Maratta' frame
- late 18th to early 19th century
73
- British Neoclassical frame
- late 18th to early 19th century
74
- British, Neoclassical frame
- late 18th to early 19th century
75
- British, Neoclassical frame
- late 18th to early 19th century
76
- British, 'Carlo Maratta' - NeoClassical variant frame
- late 18th to early 19th century
77
- British, Louis XIV style frame
- late 18th to early 19th century
78
- British, Régence style frame
- late 18th to early 19th century
79
- British, 'Carlo Maratta' frame
- late 18th to early 19th century
80
- British, Neoclassical frame
- late 18th to early 19th century
81
- British, Neoclassical frame
- late 18th to early 19th century
82
- British, Neoclassical frame
- late 18th to early 19th century
83
- British, 'Carlo Maratta' frame
- late 18th to early 19th century
84
- British, Neoclassical, 'Morland' frame
- late 18th to early 19th century
85
- British, Neoclassical frame
- late 18th to early 19th century
86
- British, Neoclassical frame
- late 18th to early 19th century
87
- French, Neoclassical frame
- late 18th to early 19th century
88
- British, Neoclassical frame
- late 18th to early 19th century
89
- British, Neoclassical frame
- late 18th to early 19th century
90
- British, Neoclassical frame
- late 18th to early 19th century
91
- British Neoclassical frame
- late 18th to early 19th century
92
- British Neoclassical frame
- late 18th to early 19th century
93
- British Baroque frame
- late 18th to early 19th century
94
- British, Neoclassical frame
- late 18th to early 19th century
95
- British, Neoclassical frame
- late 18th century to early 19th century
96
- British, 'Carlo Maratta' frame
- late 18th to early 19th century
97
- British, Neoclassical frame
- late 18th to early 19th century
98
- British 'Carlo Maratta' - Neoclassical variant frame
- late 18th to early 19th century
99
- British, Neoclassical frame
- late 18th to early 19th century
100
- British Neoclassical frame
- late 18th to early 19th century