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West Side of Ludlow Castle
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, gouache, and scratching out on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 5/8 × 29 1/8 inches (54.9 × 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House, Ireland: Lady's Room Ceiling
Creator:
Robert Adam, 1728–1792
Date:
1772
Materials & Techniques:
Graphic, watercolor with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 22 3/16 inches (44.1 x 56.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Holy Man Seated Near Plinth Under a Tree
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 x 13 1/2in. (34.3 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Snowdon, Gwynedd, Wales
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on very thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 3/8 × 24 inches (44.1 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Old Mosque at Rajemahl [Rajmahal]
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/8 × 26 1/8 inches (44.1 × 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doctor Blowbladder Discovering the Perpetual Motion
Creator:
Print made by unknown artist
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 × 11 1/4 inches (44.1 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund