Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
between 1773 and 1774
Not on view
5
Thomas Stringer, 1722–1790
Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings
1773
Not on view
6
John Hamilton Mortimer, 1740–1779
West Gate of Pevensey Castle, Sussex
between 1773 and 1774
Not on view
7
Thomas Jones, 1742–1803
An Imaginary Landscape with a Traveller and Figures Overlooking the Bay of Baiae
1773
Not on view
8
Richard Wilson, 1713/4–1782
Cicero's Villa and the Gulf of Pozzuoli
1773 to 1780
Not on view
9
Daniel Stringer, 1754–1806
Self-portrait
mid-1770s
Not on view
10
Francis Wheatley, 1747–1801
The Browne Family
ca. 1778
Not on view
11
George Barret, ca. 1728/32–1784
River Landscape
1773
Not on view
12
Benjamin West, 1738–1820
The Artist and His Son Raphael
1773
Not on view
13
Thomas Gainsborough, 1727–1788
Mountain Valley with Figures and Distant Village
between 1773 and 1777
Not on view
14
Thomas Jones, 1742–1803
An Imaginary Coast Scene, with the Temple of Venus at Baiae
1773
Not on view
15
Francis Wheatley, 1747–1801
The Oliver and Ward Families
ca. 1778
Not on view
16
Francis Wheatley, 1747–1801
Portrait of an Unknown Man
ca. 1778
Not on view
17
Edward Alcock, active 1750–ca. 1778
Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
ca. 1778
Not on view
18
George Romney, 1734–1802
Horseman of Montecavallo
between 1773 and 1774
19
George Romney, 1734–1802
Manuscript Notes
1773
20
George Romney, 1734–1802
Manuscript Notes
1773
21
George Romney, 1734–1802
Manuscript Notes
1773
22
George Romney, 1734–1802
Manuscript Notes
1773
23
George Romney, 1734–1802
Manuscript Notes
1773
24
George Romney, 1734–1802
Manuscript Notes
1773
25
George Romney, 1734–1802
Manuscript Notes
1773
26
George Romney, 1734–1802
Manuscript Notes
1773
27
George Romney, 1734–1802
Manuscript Notes
1773
28
George Romney, 1734–1802
Manuscript Notes
1773
29
George Romney, 1734–1802
Manuscript Notes
1773
30
Print made by James Bretherton, ca. 1730–1806
The Damnation of Obadiah
1773
31
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
32
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
33
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
34
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
35
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
36
Print made by Charles Cameron, 1742–1812
Two Studies of a Shell-Shaped Vessel Supported by Three Dolphins and Two Studies of a Hand Holding a Vase
1773
37
Attributed to John Sanders, 1768–1826
Torquay from the Paignton Road
undated
38
John Hoppner, 1758–1810
A Rocky Bank
undated
39
John Hoppner, 1758–1810
Study of a Seated Woman
undated
40
unknown artist
Shylock turn'd MacBeth..
1773
41
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
42
Thomas Hearne, 1744–1817
Edinburgh
ca. 1778
43
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
44
Sparrow, active 1773–1787
Herstmonceux Castle, Sussex Pl. IV
undated
45
Attributed to James Miller, active 1773–1814
A Christening at the Vatican with Swiss Papal Guard, etc
undated
46
Alexander Nasmyth, 1758–1840
Edinburgh
undated
47
John Smart, 1741–1811
Portrait of a Gentleman
1773
48
John Smart, 1741–1811
Portrait of a Lady
1773
49
Thomas Barber, ca. 1768–1843
Capel House Enfield Outer Suburb - North
undated
50
John Hoppner, 1758–1810
Young Child with Lap-Dog
undated
51
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
52
Ozias Humphry, 1742–1810
Samuel Johnson
1773
53
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
54
Sir Richard Colt Hoare, 1758–1838
The Isola Farnese
undated
55
Samuel Hieronymus Grimm, 1733–1794
Rocky Landscape with Peasants and Cattle
1773
56
attributed to John Hoppner, 1758–1810
Half-Length Study of a Seated Woman
undated
57
John Hoppner, 1758–1810
Study of a Massive Rock
undated
58
Sir Richard Colt Hoare, 1758–1838
Ardea di Cesarini
undated
59
Sir Richard Colt Hoare, 1758–1838
View of Nettuno
undated
60
Samuel Hieronymus Grimm, 1733–1794
At Mortlake
1773
61
Print made by unknown artist
The Pursuit of the French after the Victory at Ramellies
undated
62
Print made by unknown artist
The Battle of Taniers, Part Second
undated
63
Print made by unknown artist
The Battle of Blenheim MDCCIV, Part the Second
undated
64
Print made by unknown artist
The Battle of Ramillies MDCCVI
undated
65
James Basire, 1730–1802
Two Views of the Monument of John Tradescant in the Church of St. Mary
1773
66
Attributed to Sir William Beechey, 1753–1839
Portrait of a Man
undated
67
Print made by unknown artist
The Battle of Blenheim
undated
68
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Sal Pietro
1773
69
Sir Richard Colt Hoare, 1758–1838
One from a volume of 66 in "Views Drawn from Nature in the Neighborhood of Rome and Abruzzo etc. by Sir Richard Colt Hoare Bart. In the Years 1786 to 1790"
between 1773 and 1838
70
Print made by unknown artist
The Political Dancing Bear
1773
71
Print made by unknown artist
The Mother and the Child
1773
72
John Collet, ca. 1725–1780
A Lady of Fashion with Black Shawl and Red Shoes
ca. 1778
73
John Robert Cozens, 1752–1797
Galleria di Sopra, Albano
ca. 1778
74
Published by Matthew Darly, active 1754–1778
Mr. Sharp and Mr. Blunt
1773
75
Print made by unknown artist
The Last Drop
1773
76
Published by Mary Darly, active 1762 –1772
The Antiquarian
1773
77
Print made by Alexander Runciman, 1736–1785
Mourning the Death of Germanicus
1773
78
Wm. Shakespear at the Age of 40
1773
79
Francesco Bartolozzi, 1728–1815
Vede di Mezzo il Fiume un Cavaliero..
1773
80
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
81
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
82
Francesco Bartolozzi, 1728–1815
Lo Corse ad Abbracciare, e a Sargli Sesta..
1773
83
Francesco Bartolozzi, 1728–1815
In Quel Momento il Monte, e il Piano Scosse..
1773
84
Francesco Bartolozzi, 1728–1815
Angelica, e Medoro in Varj Modi..
1773
85
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
86
Francesco Bartolozzi, 1728–1815
Stava Ella Nel Sepolcro; e Quivi Attrita..
1773
87
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
88
Thomas Watson, 1743–1781
Mrs. Frances Ann Crewe as 'St. Genevieve'
1773
89
James Watson, 1740–1790
Her Royal Highness Anne, Dutchess of Cumberland
1773
90
Print made by James Watson, 1740–1790
Earl and Countess of Pembroke and Son
1773
91
Print made by John Hall, 1739–1797
David Garrick, Esq
1773
92
Print made by James Basire, 1730–1802
Benjamin Hoadly, D. D., Bishop of Winchester, Aged LXXX
1773
93
Print made by Thomas Watson, 1743–1781
The Honourable Mrs. Parker
1773
94
Print made by James Watson, 1740–1790
Right Hon. Augustus Hervey
1773
95
Print made by Richard Earlom, 1743–1822
James Stuart, Duke of Richmond
1773
96
Print made by John Dixon, ca. 1740–1811
The Old Beau in an Extasy
1773
97
Print made by Francis E. Adams, active ca.1760–1775