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Date 1776

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101. View of Baron Hill, Anglesey, Wales

View of Baron Hill, Anglesey, Wales
Creator:
Moses Griffith, 1747–1819
Date:
1776
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/16 x 17 1/2in. (25.9 x 44.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Study of the Artist's Mother Sewing

Study of the Artist's Mother Sewing
Creator:
Ozias Humphry, 1742–1810
Date:
ca. 1776
Materials & Techniques:
Pen and brown ink on medium, slightly textured cream wove paper
Dimensions:
Sheet: 6 × 4 1/2 inches (15.2 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)

Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)
Creator:
James Malton, 1761–1803
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/16 × 7 7/8 inches (13.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. View of Perth from Moncrieffe Hill

View of Perth from Moncrieffe Hill
Creator:
Dominic M. Serres, c.1761–1804
Date:
undated
Materials & Techniques:
Gray wash and graphite; verso: graphite sketch of the town only on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/16 × 13 1/4 inches (23.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

105. River Landscape with Cattle Watering

River Landscape with Cattle Watering
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 14 13/16in. (27.3 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. A Country Church Amongst Hills

A Country Church Amongst Hills
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Gouache on moderately thick, moderately textured, laid paper mounted on linen
Dimensions:
Sheet: 11 5/8 x 15 3/4in. (29.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. A View of Rome Taken from the Pincio

A View of Rome Taken from the Pincio
Creator:
William Pars, 1742–1782
Date:
1776
Materials & Techniques:
Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Robert, first Baron Clive of Plassey

Robert, first Baron Clive of Plassey
Creator:
John Smart, 1741–1811
Date:
1776
Materials & Techniques:
Gouache and watercolor on ivory
Dimensions:
Image: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Man Seated on a Rock

Man Seated on a Rock
Creator:
Mather Brown, 1761–1831
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and oil paint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 3/4 × 6 5/8 inches (22.2 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. A Page Boy in Blue with a Red Shield

A Page Boy in Blue with a Red Shield
Creator:
Mather Brown, 1761–1831
Date:
undated
Materials & Techniques:
Pen and black ink, gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 × 5 inches (17.8 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Choir and Orchestra (A Choral Band)

Choir and Orchestra (A Choral Band)
Creator:
John Hamilton Mortimer, 1740–1779
Date:
1776
Materials & Techniques:
Pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 11 1/8 inches (21 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Literary Characters Assembled Around the Medallion of Shakespeare

Literary Characters Assembled Around the Medallion of Shakespeare
Creator:
John Hamilton Mortimer, 1740–1779
Date:
1776
Materials & Techniques:
Pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 11 1/4 inches (21 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Day - Landscape with Rapids and Cattle

Day - Landscape with Rapids and Cattle
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream laid paper mounted to card
Dimensions:
Sheet: 10 3/8 × 15 1/8 inches (26.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Night - River Landscape with a Ruined Abbey

Night - River Landscape with a Ruined Abbey
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper mounted to thick, cream card
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Evening - Landscape with a Ruined Castle

Evening - Landscape with a Ruined Castle
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Morning - River Scene with Figures near a Cottage

Morning - River Scene with Figures near a Cottage
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. A View of the Prince's House at Kew

A View of the Prince's House at Kew
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 9/16 × 10 1/16 inches (19.2 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

118. N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton

N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 1/8 inches (19.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

119. Edgar's Tower at Worcester

Edgar's Tower at Worcester
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. The Welch Bridge at Shrewsbury

The Welch Bridge at Shrewsbury
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1776
Materials & Techniques:
Etching and line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 1/16 inches (19.4 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

122. Edwinsford, the Seat of R. Banks Hodgkinson Esqr.

Edwinsford, the Seat of R. Banks Hodgkinson Esqr.
Creator:
Print made by William Watts, 1752–1851
Date:
1776
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 9 7/8 inches (18.7 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

123. Lady Gertrude, Marchioness of Halifax

Lady Gertrude, Marchioness of Halifax
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 5 5/8 inches (15.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:
Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. The Blessed Effects of Venality

The Blessed Effects of Venality
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

131. An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross

An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

132. Caricature of Matthew Darly

Caricature of Matthew Darly
Creator:
Print made by Matthew Darly, active 1754–1778
Date:
1776
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 13/16 × 4 inches (12.3 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Lady Gertrude, Marchioness of Halifax

Lady Gertrude, Marchioness of Halifax
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving on medium, smooth, cream laid paper
Dimensions:
Sheet: 6 7/8 × 6 1/4 inches (17.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Shakespeare

Shakespeare
Creator:
Thomas Cook, 1744–1818
Date:
1776
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 10 1/2 x 8 1/8in. (26.7 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

136. Isola Madre, Lago Maggiore

Isola Madre, Lago Maggiore
Creator:
John Warwick Smith, 1749–1831
Date:
ca. 1781
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream laid paper, laid down on original mount
Dimensions:
Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Portrait of a Divine Called Reverend John Wesley

Portrait of a Divine Called Reverend John Wesley
Creator:
John Downman, 1750–1824
Date:
ca. 1781
Materials & Techniques:
Black and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Mount: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. A View of Tivoli Looking Towards Rome

A View of Tivoli Looking Towards Rome
Creator:
John Warwick Smith, 1749–1831
Date:
ca. 1781
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 20 1/2 x 32 inches (52.1 x 81.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Interlaken

Interlaken
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, brown wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Between Chamonix and Martigny

Between Chamonix and Martigny
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Pen and black ink, watercolor, graphite, gray wash and brown wash on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:
Mount: 12 15/16 x 17 11/16 inches (32.8 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. The Falls of the Reichenbach

The Falls of the Reichenbach
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Pen and black ink with gray wash and green wash on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 5/8 x 7 1/8 inches (24.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Upon the Aare between Unterseen and the Lake of Brientz

Upon the Aare between Unterseen and the Lake of Brientz
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, blue wash, gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. The Lake of Geneva from the Canton of Berne

The Lake of Geneva from the Canton of Berne
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, gray wash, brown wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 14 inches (24.1 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. The Apparition of the Armed Head: Macbeth

The Apparition of the Armed Head: Macbeth
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Lear and Cordelia

Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Ferdinand and Ariel

Ferdinand and Ariel
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Ophelia's Death

Ophelia's Death
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:
Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Lear and Cordelia

Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:
Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Antigonus Disposing of Perdita

Antigonus Disposing of Perdita
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:
Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Kennington Common

Kennington Common
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1776
Materials & Techniques:
Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Lydia

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 15/16 × 13 1/8 inches (30.3 × 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

153. Agrippina

No cover image available
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 × 28 1/2 inches (54 × 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

154. The Horse Race at Rome During the Carnival

No cover image available
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:
Mount: 15 3/8 x 22 5/16 inches (39.1 x 56.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Bacchus

No cover image available
Creator:
John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/4 × 17 3/4 inches (60.3 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Miss Harriet Powell

No cover image available
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Marchioness of Wharton

No cover image available
Creator:
Richard Earlom, 1743–1822
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 11 3/8in. (40.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Stallion and Mare

No cover image available
Creator:
George Townly Stubbs, 1748–1815
Date:
1776
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 18 3/4 x 22 3/4in. (47.6 x 57.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Master Wynn in the Character of St. John

No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 17 13/16 inches (34.6 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

160. Lydia

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/2 x 13 3/4 inches (31.8 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

161. Design for a Doorway

No cover image available
Creator:
John Yenn, 1750–1821
Date:
ca. 1781
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 20 7/8 × 15 inches (53 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend

No cover image available
Creator:
Thomas Watson, 1743–1781
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/4 × 27 1/8 inches (56.5 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Miss Shuttle-Cock / Ladies like Shuttlecocks are now array'd, The tail is Cork'd & feather'd is the Head.

No cover image available
Creator:
unknown artist
Date:
1776
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 5/8 x 14in. (24.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Erasistratus, the Physician, discovers the love of Antiochus for Sratonice

No cover image available
Creator:
Valentine Green, 1739–1813
Date:
1776
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. The Entrance of Warwick Castle from the Lower Court

No cover image available
Creator:
Paul Sandby, 1731–1809
Date:
1776
Materials & Techniques:
Aquatint, printed in brown ink
Dimensions:
Sheet: 12 5/8 x 17 3/4in. (32.1 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Warwick Castle from the Lodge Hill

No cover image available
Creator:
Paul Sandby, 1731–1809
Date:
1776
Materials & Techniques:
Sepia
Dimensions:
Sheet: 11 3/4 x 17 3/4in. (29.8 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. View near Sheffield

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Trinity Church, Sheffield

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. South View of the Manor near Sheffield

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. West View of Sheffield Manor

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. View of Heaton Mill, near Newcastle

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. View of Chinsura from the River

No cover image available
Creator:
William Hodges, 1744–1797
Date:
ca. 1781
Materials & Techniques:
Gray wash, pen and black/grey wash and graphite on laid paper, laid down on 19th century wash mount
Dimensions:
Sheet: 19 7/16 x 26 1/2in. (49.4 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Roche Abbey, near Sandbeck

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Design for a Doorway

No cover image available
Creator:
John Yenn, 1750–1821
Date:
ca. 1781
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 21 × 11 3/4 inches (53.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Landscape with Cattle

No cover image available
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 3 3/8 inches (24.1 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

176. Temple of Peace

No cover image available
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Circus of Caracalla

No cover image available
Creator:
Print made by Edward Rooker, 1724–1774
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Baths of Dioclesian

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Torre Delle Grotte near Naples

No cover image available
Creator:
Print made by William Hodges, 1744–1797
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Banks of the Tiber

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Temple of Romulus and Remus

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Bridge of Augustus at Rimini

No cover image available
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. In the Strada Nomentana

No cover image available
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Pompey's Bridge at Terni

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. In the Villa Adriana

No cover image available
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Villa of Mæcenus at Tivoli

No cover image available
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Castle of Ischia

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Campi Phlegraei : observations on the volcanos of the Two Sicilies, as they have been communicated to the Royal Society of London / by Sir William Hamilton, K.B. F.R.S., His Britannic Majesty's Envoy Extraordinary, and Plenipotentiary at the Court of Naples ; to which, in order to convey the most precise idea of each remark, a new and accurate map is annexed, with 54 plates illuminated from drawings taken and colour'd after nature, under inspection of the author, by the editor, Mr. Peter Fabris = Observations sur les volcans des Deux Siciles, telles qu' elles ont été communiquées à la Société royale de Londres / par le chevalier Hamilton ... auxquelles pour donner une idée plus précise de chaque observation, on a ajouté une carte nouvelle & très exacte avec 54 planches enluminées d'après les desseins faits & coloriés sur la nature même, sous l'inspection de l'auteur, par l'éditeur le sieur Pierre Fabris.

Campi Phlegraei : observations on the volcanos of the Two Sicilies, as they have been communicated to the Royal Society of London / by Sir William Hamilton, K.B. F.R.S., His Britannic Majesty's Envoy Extraordinary, and Plenipotentiary at the Court of Naples ; to which, in order to convey the most precise idea of each remark, a new and accurate map is annexed, with 54 plates illuminated from drawings taken and colour'd after nature, under inspection of the author, by the editor, Mr. Peter Fabris = Observations sur les volcans des Deux Siciles, telles qu' elles ont été communiquées à la Société royale de Londres / par le chevalier Hamilton ... auxquelles pour donner une idée plus précise de chaque observation, on a ajouté une carte nouvelle & très exacte avec 54 planches enluminées d'après les desseins faits & coloriés sur la nature même, sous l'inspection de l'auteur, par l'éditeur le sieur Pierre Fabris.
Creator:
Hamilton, William, Sir, 1730–1803
Date:
MDCCLXXVI [1776]
Physical Description:
2 volumes : color illustrations (engravings), 1 color map (engraving) ; 47 cm (fol.)
Collection:
Rare Books and Manuscripts

189. An Act more effectually to prevent the stealing of deer, and to repeal several former statutes made for the like purpose.

No cover image available
Creator:
Great Britain
Date:
1776
Physical Description:
[2], 839-854 p. ; 30 cm.
Collection:
Rare Books and Manuscripts

190. An abstract of the act of Parliament made in the fourteenth year of the reign of His present Majesty, King George III. intitled, An act for the further and better regulation of buildings and party-walls, and for the more effectually preventing mischief by fire, within the cities of London and Westminster ... Calculated for the use of builders, and workmen in general.

No cover image available
Creator:
Matthews, John, 1748–
Date:
1776
Physical Description:
viii, 76, [12] p. 3 fold. plates. 20 cm.
Collection:
Rare Books and Manuscripts

191. Taylor & Skinner's Survey and maps of the roads of North Britain or Scotland / George Taylor, Andrew Skinner.

No cover image available
Creator:
Taylor, George (Geographer), active 1778
Date:
1776
Physical Description:
1 atlas ([3], 61 p., 1 folded leaf of plates) : 62 maps ; 22 x 53 cm. folded to 22 x 15 cm.
Collection:
Rare Books and Manuscripts

192. A new display of the beauties of England, or, A description of the most elegant or magnificent public edifices, royal palaces, noblemen's and gentlemen's seats, and other curiosities, natural or artificial, in different parts of the kingdom.

No cover image available
Date:
1776
Physical Description:
2 v. : ill. ; 22 cm. (8vo)
Collection:
Rare Books and Manuscripts

193. A new treatise on the method of breeding, breaking, and training, horses / by William Ward ...

No cover image available
Creator:
Ward, William, active 1776
Date:
1776
Physical Description:
xvi, 200 p. : 4 fold. pl. (incl. front.) ; 23 cm.
Collection:
Rare Books and Manuscripts

194. Travels through Italy, in the years 1771 and 1772 : described in a series of letters to Baron Born, on the natural history, particularly the mountains and volcanoes of that country / by John James Ferber ... ; translated from the German ; with explanatory notes, and a preface on the present state and future improvement of mineralogy by R. E. Raspe.

No cover image available
Creator:
Ferber, Johann Jakob, 1743–1790
Date:
1776
Physical Description:
xxxiii, [1], 377, [2] p. ; 22 cm.
Collection:
Rare Books and Manuscripts

195. De anima brutorum commentaria.

No cover image available
Creator:
Soldini, Francesco Maria
Date:
anno MDCCLXXVI [1776]
Physical Description:
[10], 256 p., [8] leaves of plates : ill. ; 22 cm.
Collection:
Rare Books and Manuscripts

196. [Selections from a new book of landskips].

No cover image available
Date:
[1776]
Physical Description:
[16] leaves, [9] leaves of plates : chiefly ill. ; 23 cm.
Collection:
Rare Books and Manuscripts

197. An election ball : in poetical letters from Mr. Inkle, at Bath, to his wife at Glocester : with a poetical address to John Miller, Esq. at Batheaston villa / by the Author of the New Bath guide.

No cover image available
Creator:
Anstey, Christopher, 1724–1805
Date:
1776
Physical Description:
64 p. : ill. ; 24 cm.
Collection:
Rare Books and Manuscripts

198. Le antiche camere delle terme di Tito e le loro pitture restituite al pubblico da Ludovico Mirri Romano, delineate, incise, dipinte, col prospetto, pianta inferiore e superiore e loro spaccati, descritte dall' abate Giuseppe Carletti Romano ...

No cover image available
Creator:
Carletti, Giuseppe
Date:
1776
Physical Description:
xcvi, [4] p. 32 cm. & atlas of 61 plates (8 fold.) 65 x 77 cm.
Collection:
Rare Books and Manuscripts

199. Journal dédié a Monsieur frere du roi : table generale des journaux anciens et modernes, contenant les jugemens des jounalistes sur les principaux ouvrages en tout genre : suivie d'observations impartiales, & de planches en taille-douce ou en colour : par un société de gens de lettres.

No cover image available
Physical Description:
v. ; 18 cm
Collection:
Rare Books and Manuscripts

200. A catalogue of pictures, composed and painted chiefly by the most admired masters of the Roman, Florentine, Parman, Bolognese, Venetian, Flemish, and French schools : in which many of the most capital are illustrated by descriptions and critial remarks / humbly offered to the impartial examination of the public by Robert Foulis.

No cover image available
Creator:
Foulis, Robert, 1707–1776
Date:
1776
Physical Description:
3 v. in 1 ; 16 cm.
Collection:
Rare Books and Manuscripts