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1. Study of the Lamentation on the Dead Christ

Study of the Lamentation on the Dead Christ
Creator:
Benjamin West, 1738–1820
Date:
ca. 1785
Materials & Techniques:
Oil on paper on panel
Dimensions:
11 1/2 x 9 1/4 inches (29.2 x 23.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Halfway House, Sadler's Wells

Halfway House, Sadler's Wells
Creator:
Paul Sandby, 1731–1809
Date:
1780
Materials & Techniques:
Gouache, watercolor, pen and black ink with varnish on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 11 inches (26.7 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A View of Rotterdam, and the River Maese with Variety of Shipping

A View of Rotterdam, and the River Maese with Variety of Shipping
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Creator:
Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Sophia, Honour, and the Chambermaid

Sophia, Honour, and the Chambermaid
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

6. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1785
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

Views in the Levant: Corner of a Stone Building with Palm Tree at Right
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection