The Devastations occasioned by the Rioters of London Firing the New Goal of Newgate and burning Mr. Akerman's furniture & c. June 6, 1780
1780
2
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
3
Charles Reuben Ryley, 1752–1798
Putti Dancing to the Pipe and Tambourine
1780
4
Charles Reuben Ryley, 1752–1798
Monster with Maiden
1780
5
Robert Blyth, 1750–1784
Fisherman
1780
6
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
7
Robert Blyth, 1750–1784
Rustick Dance
1780
8
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
9
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
10
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
11
Charles Reuben Ryley, 1752–1798
Two Women at Toilette
1780
12
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
13
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
14
James Fittler, 1758–1835
View of the Encampment in the Museum Gardens, August 1780
1780
15
Francis Chesham, 1749–1806
View of the Encampment in Hyde Park, from Marshal Sac's Tent
1780
16
unknown artist
The Old Boat Public House, Cromer Street, Judd Street
1780
17
unknown artist
The Three Hats Public-house and other Old House, Islington
1780
18
William Watts, 1752–1851
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
1780
19
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
20
John Raphael Smith, 1752–1812
The Fruit Barrow
1780
21
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
22
unknown artist
The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob
1780
23
Henry Roberts, ca. 1710–1790
An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
1780
24
Thomas Bowles III, ca. 1712–1767
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
25
Print made by Thomas Bowles III, ca. 1712–1767
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
26
Print made by Thomas Bowles III, ca. 1712–1767
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
27
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of Venice
between 1780 and 1815
28
Print made by Thomas Bowles III, ca. 1712–1767
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
29
Print made by Francis Patton, active 1740–1770
The City of Dresden
between 1780 and 1815
30
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
31
unknown artist
A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
32
Print made by Thomas Bowles III, ca. 1712–1767
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
33
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
34
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
35
Francesco Bartolozzi, 1728–1815
Three Putti And A Goat
ca.1785
36
Francesco Bartolozzi, 1728–1815
Three Cupids With Bows & Arrows, And Two Doves
ca.1785
37
Francesco Bartolozzi, 1728–1815
Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
ca.1785
38
Francesco Bartolozzi, 1728–1815
Sir Henry Clinton, K.B
1780
39
Francesco Bartolozzi, 1728–1815
Vide Howard On Prisons
1780
40
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Medallion Of Composer. G.F. Handel
ca.1785
41
Francesco Bartolozzi, 1728–1815
Miniature Of Elizabeth Farren, Countess Of Derby
ca.1785
42
Francesco Bartolozzi, 1728–1815
Group Of Four Children
ca.1785
43
Francesco Bartolozzi, 1728–1815
Lavinia, The Milk Maid
ca.1785
44
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
45
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
46
unknown artist
Procession of the Protestant Association to Westminster
1780
47
Francesco Bartolozzi, 1728–1815
Che L'uom Trae Dal Sepolgro E A Morte Fura
c.1780
48
Francesco Bartolozzi, 1728–1815
Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
1780
49
Francesco Bartolozzi, 1728–1815
Socrates
1780
50
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
51
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
52
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
53
Francesco Bartolozzi, 1728–1815
Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
1780
54
Francesco Bartolozzi, 1728–1815
Cipriani's Daughter
ca.1785
55
Francesco Bartolozzi, 1728–1815
Time and Beauty
1780
56
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
57
Francesco Bartolozzi, 1728–1815
Diana of Ephesus Being Unveiled by Cupid and Mercury
ca.1785
58
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
ca.1785
59
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
60
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
61
Print made by unknown artist
James Northcote
between 1780 and 1820
62
unknown artist
A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
1780
63
William Watts, 1752–1851
The Lodge, in Richmond Park, the residence of Phillip Medows, Esquire, West Suburb
1780
64
Print made by James Basire, 1730–1802
Entree Royalle de la Reyne Mere du Royenes-Christien dans la Ville de Londres
1780
65
Print made by James Basire, 1730–1802
Entree Royalle de la Reyne Mere du Royenes-Christien dans la Ville de Londres
1780
66
unknown artist
The Whore of Babylons Caravan with a Cargo of Popish Blessings
1780
67
Thomas Colley, active 1780s
The English Lion Dismember'd
1780
68
James Gillray, 1756–1815
National Discourse
1780
69
unknown artist
[ man with a candle ]
178-?
70
Print made by John Chapman, act. 1772–1778
Collection of Prints by Notable Dilettanti
ca. 1785
71
Print made by James Basire, 1730–1802
The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I
1780
72
Print made by James Basire, 1730–1802
The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II
1780
73
Print made by James Basire, 1730–1802
The North Front of the Monument of King Sebert, Plate IV
1780
74
Print made by James Basire, 1730–1802
The Under Vaulting of one Side of the Canopy of the Monument of Aveline, Coutess of Lancaster, Plate III
1780
75
Print made by James Basire, 1730–1802
Heads & Ornaments on the North Side of the Monument of King Sebert, Plate VI
1780
76
Print made by James Basire, 1730–1802
The Monument of Ann of Cleves, Fourth Wife of King Henry VIII, Plate VII
1780
77
unknown artist
Windsor Castle from the Black Road [page not numbered] (Volume Three)
1780
78
unknown artist
South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
1780
79
Francesco Bartolozzi, 1728–1815
Hope Nursing Love (Fan)
1780
80
Francesco Bartolozzi, 1728–1815
Fan Mount: Hope Nursing Love
1780
81
Francesco Bartolozzi, 1728–1815
Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion
1780
82
unknown artist
Bishop Bonner's House, formerly in Lambeth Marsh in 1780
1780
83
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mrs. Grassi
1780
84
Lewis, James, 1750 or 1751–1820
Original designs in architecture
MDCCLXXX [1780]-1797
85
Priestley, Joseph, 1733–1804
A familiar introduction to the theory and practice of perspective
1780
86
Warton, Thomas, 1728–1790
The Winchester guide, or, A description of the antiquities and curiosities of the ancient city
1780
87
Rocque, John, -1762
An exact copy of a map of the city and harbour of Dublin
1780]
88
[Claude glass]
[ca. 1780?]
89
[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]
[ca. 1780]
90
Semple, George, 1700?-1782?
Hibernia's free trade, or, A plan for the general improvement of Ireland
1780
91
Chariot, C.-L. (Claude-Louis)
Catalogue d'une belle collection de tableaux originaux de grands maitres des trois écoles
1780
92
Description des tableaux, et des piéces de sculpture, que renferme la gallerie de Son Altesse François Joseph,
1780
93
Cervantes Saavedra, Miguel de, 1547–1616
El ingenioso hidalgo Don Quixote de la Mancha
1780
94
Green, Valentine, 1739–1813
Sir Joshua Reynolds, Knight
[1780]
95
St. John, Paulet, Sir, 1704–1780
Every man his own farrier
1780
96
Exhibition of models of the most elegant buildings in Europe
[ca. 1780]
97
Irwin, Eyles, 1751?-1817
A series of adventures in the course of a voyage up the Red-Sea, on the coasts of Arabia and Egypt
1780
98
Marshall, R
Four engraved sheets representing painting, poetry, sculpture, and architecture
ca. 1780
99
Donaldson, J. (John), 1737–1801
The elements of beauty.
1780
100
[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]