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Date 1785
Remove constraint Date: 1785Period 18th century
Remove constraint Period: 18th centurySubject Terms feathers
Remove constraint Subject Terms: feathersSearch Results
- Date:
- 1785 to 1790
- Materials & Techniques:
- Oil on canvas
- Dimensions:
- 35 1/2 x 27 1/2 inches (90.2 x 69.9 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- On View:
- Not on view
- Date:
- 1785
- Materials & Techniques:
- Oil on copper
- Dimensions:
- 19 x 14 inches (48.3 x 35.6 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- On View:
- Not on view
3. Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
- Date:
- 1785
- Materials & Techniques:
- Stipple engraving, line engraving and etching on moderately thick, moderately textured, cream laid paper
- Dimensions:
- Sheet: 9 15/16 × 13 1/8 inches (25.2 × 33.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- ca. 1790
- Materials & Techniques:
- Watercolor, pen and gray ink, red ink, black ink, brown ink, gum arabic, graphite, and white gouache on moderately thick, slightly textured, beige wove paper, mounted on medium, moderately textured, beige laid paper
- Dimensions:
- Sheet: 22 1/8 × 16 13/16 inches (56.2 × 42.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund

- Date:
- 1785
- Materials & Techniques:
- Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 15 13/16 × 13 1/2 inches (40.1 × 34.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1785
- Materials & Techniques:
- Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 17 3/8 x 12 13/16 inches (44.1 x 32.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund