Street Scene in Chorley, Lancashire, with a view of Chorley Hall
ca. 1795
Not on view
5
unknown artist
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
6
attributed to Joseph Mallord William Turner, 1775–1851
The Hurries, Coal Boats Loading, North Shields
ca. 1795
7
Joseph Mallord William Turner, 1775–1851
Waterfall of Lodore, Cumberland
undated
8
Joseph Mallord William Turner, 1775–1851
Cricket on the Goodwin Sands
undated
9
Joseph Mallord William Turner, 1775–1851
Windsor Castle and Park with Deer
undated
10
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
11
Sir George Howland Beaumont seventh Baronet, 1753–1827
Between Llangollen and Oswestry
1790
12
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
13
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
14
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
15
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
16
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
17
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
18
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
19
Frederick Calvert, ca. 1785–1845
Carisbrook Castle, Isle of Wight
undated
20
Frederick Calvert, ca. 1785–1845
Ryde, Isle of Wight
undated
21
Frederick Calvert, ca. 1785–1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
22
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
23
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
24
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
25
Edward Dayes, 1763–1804
Haweswater, Westmoreland
ca. 1795
26
William Alfred Delamotte, 1775–1863
Merton College, Oxford
undated
27
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
28
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
29
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
30
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
31
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
32
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
33
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
34
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
35
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
36
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
37
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
38
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
39
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
40
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
41
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
42
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
43
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
44
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
45
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
46
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
47
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
48
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
49
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
50
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
51
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
52
William Alfred Delamotte, 1775–1863
Christ Church, Canon's Garden, Oxford
undated
53
Dr. William Crotch, 1775–1847
Tom Tower, Christ Church, Oxford
undated
54
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
55
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
56
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
57
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
58
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
59
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
60
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
61
James Moore, 1762–1799
Leiston Abbey, Suffolk England
1790
62
James Moore, 1762–1799
Bungay Castle
1790
63
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
64
James Moore, 1762–1799
Leiston Abbey, Suffolk, England
1790
65
James Moore, 1762–1799
Mettingham Castle, Suffolk, England
1790
66
James Moore, 1762–1799
Wingfield Castle
1790
67
James Moore, 1762–1799
Castle Acre Priory, Norfolk, England
1790
68
James Moore, 1762–1799
Wingfield Castle
1790
69
James Moore, 1762–1799
Thetford Priory, Norfolk, England
1790
70
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
71
James Moore, 1762–1799
Binham Priory, Norfolk, England
1790
72
James Moore, 1762–1799
Refectory of Walsingham
1790
73
James Moore, 1762–1799
Ely Cathedral
1790
74
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
75
unknown artist
Gloucester Cathedral
ca. 1795
76
Rooke, Hayman, 1722–1806
Descriptions and sketches of some remarkable oaks, in the park at Welbeck, in the county of Nottingham
MDCCXC [1790]
77
Christie, Mr. (James), 1730–1803
A catalogue of a genuine capital and valuable collection of pictures, late the property of Isaac Jemineau, Esq; deceased
[1790]
78
Greenwood, John, 1727–1792
A catalogue of a collection of modern pictures & drawings, chiefly consisting of the works and property of Mr. Serres, Junior, marine painter to His Royal Highness the Duke of Clarence going to Italy
[1790]
79
A catalogue of the exhibition of stained glass by Mr. Pearson, painter to His Royal Highness the Prince of Wales