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1. Figure Study 1

Figure Study 1
Creator:
George Romney, 1734–1802
Date:
early 1790s
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 x 1 3/4 inches (10.2 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Figure Study 4

Figure Study 4
Creator:
George Romney, 1734–1802
Date:
early 1790s
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 x 1 3/4 inches (10.2 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Figure Study 6

Figure Study 6
Creator:
George Romney, 1734–1802
Date:
1790s
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 x 3 1/4 inches (10.2 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Man with a Blue Cloth over his Legs

Man with a Blue Cloth over his Legs
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
between 1790 and 1796
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Richmond Bridge

Richmond Bridge
Creator:
Attributed to William Alfred Delamotte, 1775–1863
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor, graphite and white gouache on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 3 7/8 × 6 1/4 inches (9.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Vue de la Porte aux Lions a Constantinople

No cover image available
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 3 3/4 × 7 7/8 inches (9.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection