The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
16
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
17
Sir Richard Colt Hoare, 1758–1838
Convento del Carmine, at Isola di Sora
1790
18
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
19
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
20
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico on the river Fibrenus
1790
21
Frederick Calvert, ca. 1785–ca. 1845
Carisbrook Castle, Isle of Wight
undated
22
Thomas Malton, 1726–1801
Principal Front of the Bank of England
1790
23
Thomas Malton, 1726–1801
Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
1790
24
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
25
James Moore, 1762–1799
Unidentified Castle
undated
26
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
27
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
28
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
29
Gangaram Chintaman Navgire Tambat, active 1790s
Deepmals, or Light Pillars from Various Temples in Pune
undated
30
Attributed to William Alfred Delamotte, 1775–1863
Richmond Bridge
undated
31
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
32
Imitator of Thomas Girtin, 1775–1802
Icklesham Church
undated
33
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
34
unknown artist
Gloucester Cathedral
ca. 1795
35
Henry Phillip Hope, active 1799–1818
Vue: Constantinople
undated
36
Sir Richard Colt Hoare, 1758–1838
Convent at Valmontone. November 1790
1790
37
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
38
Charles Heathcote Tatham, 1772–1842
Design for a Monument to the Duke of Wellington
undated
39
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
40
Sir Richard Westmacott, 1775–1856
Interior of Lancaster House
undated
41
Charles Heathcote Tatham, 1772–1842
Design for a Bookcase
undated
42
John Thirtle, 1777–1839
Binham Priory
undated
43
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
44
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
45
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
46
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
47
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
48
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
49
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
50
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
51
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
52
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
53
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
54
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
55
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
56
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
57
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
58
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
59
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
60
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
61
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
62
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
63
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
64
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
65
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
66
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
67
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
68
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
69
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
70
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
71
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
72
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
73
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
74
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
75
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
76
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
77
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel