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Date 1790

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1. The Bell Tower of Evesham

The Bell Tower of Evesham
Creator:
unknown artist
Date:
ca. 1795
Materials & Techniques:
Oil on panel
Dimensions:
21 x 62 inches (53.3 x 157.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. South Porch and Tower of an Unidentified Church

South Porch and Tower of an Unidentified Church
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1790 and 1795
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 5 inches (20.6 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Lorch on the Rhine

Lorch on the Rhine
Creator:
Charles Gore, 1729–1807
Date:
between 1790 and 1799
Materials & Techniques:
Watercolor over graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 21 3/8 inches (19.4 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Icklesham Church

Icklesham Church
Creator:
Imitator of Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 7/8 inches (16.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Half the Plan of Ceiling, St Stephen's Chapel

Half the Plan of Ceiling, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:
Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Impost moldings, St Stephen's Chapel

Impost moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Details of Imposts and Bases of Columns, St Stephen's Chapel

Details of Imposts and Bases of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Impost and Base of Columns, St Stephen's Chapel

Impost and Base of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
Creator:
Print made by John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Line engraving proof on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 7 3/8 × 5 5/16 inches (18.8 × 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

South View in the Entrance of Porch at West End of St. Stephen's Chapel West
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 10 13/16 inches (35.2 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Capitals, St Stephen's Chapel

Capitals, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 13/16 × 4 1/8 inches (14.8 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Springing of an Arch, St Stephen's Chapel

Springing of an Arch, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Great Marlow Church, Buckinghamshire

Great Marlow Church, Buckinghamshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 8 1/2 inches (13 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Christ Church, Canon's Garden, Oxford

Christ Church, Canon's Garden, Oxford
Creator:
William Alfred Delamotte, 1775–1863
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 14 3/4 inches (23.5 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Tom Tower, Christ Church, Oxford

Tom Tower, Christ Church, Oxford
Creator:
Dr. William Crotch, 1775–1847
Date:
undated
Materials & Techniques:
Gray wash over graphite; verso: graphite on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 14 3/4 x 10 7/8 inches (37.4 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Writtle Church, Essex

Writtle Church, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Rumburgh Priory Church, Suffolk, England

Rumburgh Priory Church, Suffolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Church of S. Domenico on the river Fibrenus

Church of S. Domenico on the river Fibrenus
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 21 1/8 inches (38.4 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection