Date: 1790 - YCBA Collections Search Search Results

301. The Poet

Creator:: John Augustus Atkinson, 1775–1831
Date:: undated
Materials & Techniques:: Watercolor; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 7 5/8 inches (25.4 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter

Creator:: John Augustus Atkinson, 1775–1831
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 14 1/4 inches (22.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. John Howard, Esq. Visiting and Relieving the Miseries of a Prison

Creator:: Print made by Jacob Hogg, active 1751
Date:: 1790
Materials & Techniques:: Etching and engraving on medium, moderately textured, cream wove paper
Dimensions:: Plate: 19 1/2 × 24 1/4 inches (49.5 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

304. Gloucester Cathedral

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 10 inches (20.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. St. James's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1790
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/16 × 22 inches (48.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck

Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck

Creator:: John Flaxman, 1755–1826
Date:: ca. 1795
Materials & Techniques:: Album of pen and ink sketches on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 3/8in. (26.7 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Vue: Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 15/16 × 10 1/2 inches (17.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Femme Greque

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 5 3/8 × 3 1/4 inches (13.7 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Convent at Valmontone. November 1790

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 x 22 5/8 inches (41.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

Creator:: Thomas Hope, 1769–1831
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Washerwomen

Creator:: Paul Sandby, 1731–1809
Date:: between 1790 and 1805
Materials & Techniques:: Graphite and brown wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 2 7/8 x 7 5/8 inches (7.3 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Lady Grace Burnaby

Creator:: George Engleheart, 1753–1829
Date:: 1790
Materials & Techniques:: Watercolor and gouache on ivory
Dimensions:: Image: 2 1/8 x 1 5/8 inches (5.4 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. A Lady of the Blunt Family

Creator:: George Engleheart, 1753–1829
Date:: ca. 1795
Materials & Techniques:: Watercolor and gouache on ivory
Dimensions:: Image: 3 1/2 x 2 7/8 inches (8.9 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Design for a Monument to the Duke of Wellington

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on slightly textured, medium, white wove paper and slightly textured, medium, brown laid paper
Dimensions:: Sheet: 5 1/2 × 12 3/4 inches (14 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Sarsden House and Gardens, Oxfordshire: Bird's-eye View

Creator:: Humphry Repton, 1752–1818
Date:: ca. 1795
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 12 7/8 inches (24.1 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Interior of Lancaster House

Creator:: Sir Richard Westmacott, 1775–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately thick, slightly texture, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 inches (36.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Design for a Bookcase

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: undated
Materials & Techniques:: Gray wash, watercolor, pen and ink over graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 12 3/16 inches (28.3 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Binham Priory

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Graphite and brown wash on moderately textured, moderately thick, brown laid paper
Dimensions:: Sheet: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Abbot's Kitchen, Glastonbury

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: ca. 1795
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. The Chapel of the Greyfriars Monastery, Winchester

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 1/8 inches (22.9 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. London Bridge and The Monument

Creator:: Francis Nicholson, 1753–1844
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 3/8 inches (29.5 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Hercules Resting

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: undated
Materials & Techniques:: Black chalk with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 11 1/2in. (22.2 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. On the Road Between Salerno and Eboli

Creator:: Monro School
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 x 12 1/4 inches (21.3 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Fanali di Villa Franca

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 × 7 7/16 inches (12.5 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Near Sterzing, Tyrol

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 9 1/8 inches (16.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Great Marlow Church, Buckinghamshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 8 1/2 inches (13 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground

Creator:: William Anderson, 1757–1837
Date:: 1790
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

328. Mrs. Thomas Linley, née Mary Johnson

Creator:: Sir Thomas Lawrence, 1769–1830
Date:: 1790 to 1800
Materials & Techniques:: Graphite on medium, slightly textured, pale blue laid paper
Dimensions:: Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Fishing near a Waterfall

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 7 5/16 inches (16.2 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

330. View of the City of Vienna in Germany

Creator:: Print made by unknown artist
Date:: 1790
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

331. The Repeal of the Test Act a Vision

Creator:: James Sayer, 1748–1823
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 18 1/8 x 13 3/8in. (46 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Swearing to the Cutting Monster or - A Scene in Bow Street

Creator:: James Gillray, 1756–1815
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13in. (22.9 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. The Ghost's, or the Taylor Befrited &c. &c. A German Story

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Puritanical Amusements Revived

Creator:: Print made by William Holland, 1757–1815
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/2 x 18 7/8in. (29.2 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Battle of the Angels; Celestial and Infernal

Creator:: Print made by William Holland, 1757–1815
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 18 3/4in. (29.5 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Old Maids dreaming of the Monster

Creator:: Published by William Holland, 1757–1815
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/4 x 11 3/4in. (18.4 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. My Lords the Prisoner...

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 5 1/4 x 7 1/8in. (13.3 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. The Free Born Briton or a Perspective of Taxation.

Creator:: William Dent, active 1784–1793
Date:: 1790
Materials & Techniques:: Etching with watercolor on wove paper
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Musical Instruments

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 8 7/8 inches (27 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. The True Born Englishman!!! & Keeper Now Every Britons Song shall be Give me Death or Liberty etc. etc.

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/16 x 13 3/4in. (24 x 35cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Wet Souls

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 6 1/2 x 8 7/8in. (16.5 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Dry Souls

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 6 3/8 x 8 7/8in. (16.2 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. [ The Desponding Hero of the Coldstream ]

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/16 x 13 1/4in. (26.2 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. The Knight of the Woeful Contenance going to Expirpate the National Assembly (from: Caricature, vol. 7)

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/16 x 9 3/16in. (28.7 x 23.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Don Dismallo among the Grasshoppers in France

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. The Convention

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13 7/8in. (21.6 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. A Welsh Feast on St. David's Day

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 13 1/8in. (21.3 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Noah's Ark Improved, or an Attempt to Land in the Teeth of the Wind

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 12 7/8in. (21.3 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Eton College from Datchet Road

Creator:: Thomas Girtin, 1775–1802
Date:: 1790
Materials & Techniques:: Watercolor with pen and gray ink over graphite with gray wash border on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/4 x 23 1/16 inches (46.4 x 58.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Lincoln Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Rye, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. The Land Gate, Rye, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink, gray wash and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Pevensey Castle, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 7 5/8 x 9 7/8 inches (19.4 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. View of Winchelsea, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 7/8 x 10 1/8 inches (20 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Near Ramsgate, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 10 3/8 inches (15.6 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Saltwood Castle, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 6 7/8 inches (24.4 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. St. Paul's Cathedral, from St. Martin's-le-Grand, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash and watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/16 inches (50.2 x 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Layer Marney Hall, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 11 11/16 inches (24.4 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Tolleshunt-Beckingham, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 7 5/8 inches (21.6 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Carlisle Cathedral, Cumberland, from the South-west

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 1/2 inches (17.8 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Writtle Church, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. The Tithe Barn at Abbotsbury with the Abbey on the hill...

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Ruins of Savoy Palace

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. In the Farnese Gardens, Rome

Creator:: attributed to Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 11 1/16 inches (39.1 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Set of four: 1. Hare Shooting

Creator:: T. Simpson, active 1790–1814
Date:: 1790
Materials & Techniques:: Color printed and hand colored stipple engraving
Dimensions:: Sheet: 14 1/4 x 17in. (36.2 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Revolution

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 13 7/8in. (23.2 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Frith the Madman Hurling Treason at the King

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13in. (21.6 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Young Lady with Brown Hair in a Mauve Dress

Creator:: Philip Jean, 1755–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor and white gouache on ivory
Dimensions:: Overall: 2 3/8 × 1 7/8 × 1/8 inches (6 × 4.8 × 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

369. Young Man in a Brown Jacket

Creator:: Richard Crosse, 1742–1810
Date:: ca. 1795
Materials & Techniques:: Watercolor on ivory
Dimensions:: Overall: 3 5/8 × 2 1/2 × 1/4 inches (9.2 × 6.4 × 0.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

370. Kolquall 1790

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Kolquall 1790

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Kolquall 1790

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Rustic Studies

Creator:: Henry James Brocas, ca. 1790–1846
Date:: undated
Materials & Techniques:: Brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 15 inches (23.8 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anne W. and David T. Mininberg, Yale BA 1957

374. East View of Modern Buildings in Continuation from St Stephen's Chapel

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 17 3/8 inches (13 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

Creator:: Print made by John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Line engraving proof on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 7 3/8 × 5 5/16 inches (18.8 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Springing of an Arch, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 10 13/16 inches (35.2 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Capitals, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 4 1/8 inches (14.8 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Impost and Base of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Details of Imposts and Bases of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:: Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Half the Plan of Ceiling, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Impost moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Papyrus

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Papyrus

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Papyrus

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Front and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 20 1/4 inches (37.5 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Distress

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790 to 1795
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 17 1/16 inches (31 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Customs House at Boulogne

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790s
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 11 9/16 inches (20.3 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Two of a set of six: 2. Wood-Cock Shooting.

Creator:: Robert Dodd, 1748–1816
Date:: 1790
Materials & Techniques:: Hand colored and printed aquatint
Dimensions:: Sheet: 11 7/8 x 14 1/2in. (30.2 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. A View of Blackfriars Bridge and St. Paul's Cathedral

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1790
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. A View of Westminster Bridge including Westminster Hall and the Abbey

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1790
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Study

Creator:: Print made by John Chalon, 1738 – 1795
Date:: 1790
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 4 inches (11.2 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Details of one of the Figures

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 4 1/4 × 2 3/8 inches (10.8 × 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Date 1790

Search Results

301. The Poet

302. Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter

303. John Howard, Esq. Visiting and Relieving the Miseries of a Prison

304. Gloucester Cathedral

305. St. James's Park

306. Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck

307. Vue: Constantinople

308. Femme Greque

309. Convent at Valmontone. November 1790

310. (One of) Twenty-one pen drawings of Decorative Details in Antique Style

311. Washerwomen

312. Lady Grace Burnaby

313. A Lady of the Blunt Family

314. Design for a Monument to the Duke of Wellington

315. Sarsden House and Gardens, Oxfordshire: Bird's-eye View

316. Interior of Lancaster House

317. Design for a Bookcase

318. Binham Priory

319. Abbot's Kitchen, Glastonbury

320. The Chapel of the Greyfriars Monastery, Winchester

321. London Bridge and The Monument

322. Hercules Resting

323. On the Road Between Salerno and Eboli

324. Fanali di Villa Franca

325. Near Sterzing, Tyrol

326. Great Marlow Church, Buckinghamshire

327. A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground

328. Mrs. Thomas Linley, née Mary Johnson

329. Fishing near a Waterfall

330. View of the City of Vienna in Germany

331. The Repeal of the Test Act a Vision

332. Swearing to the Cutting Monster or - A Scene in Bow Street

333. The Ghost's, or the Taylor Befrited &c. &c. A German Story

334. Puritanical Amusements Revived

335. Battle of the Angels; Celestial and Infernal

336. Old Maids dreaming of the Monster

337. My Lords the Prisoner...

338. The Free Born Briton or a Perspective of Taxation.

339. Musical Instruments

340. The True Born Englishman!!! & Keeper Now Every Britons Song shall be Give me Death or Liberty etc. etc.

341. Wet Souls

342. Dry Souls

343. [ The Desponding Hero of the Coldstream ]

344. The Knight of the Woeful Contenance going to Expirpate the National Assembly (from: Caricature, vol. 7)

345. Don Dismallo among the Grasshoppers in France

346. The Convention

347. A Welsh Feast on St. David's Day

348. Noah's Ark Improved, or an Attempt to Land in the Teeth of the Wind

349. Eton College from Datchet Road

350. Lincoln Cathedral

351. Rye, Sussex

352. The Land Gate, Rye, Sussex

353. Pevensey Castle, Sussex

354. View of Winchelsea, Sussex

355. Near Ramsgate, Kent

356. Saltwood Castle, Kent

357. St. Paul's Cathedral, from St. Martin's-le-Grand, London

358. Layer Marney Hall, Essex

359. Tolleshunt-Beckingham, Essex

360. Carlisle Cathedral, Cumberland, from the South-west

361. Writtle Church, Essex

362. The Tithe Barn at Abbotsbury with the Abbey on the hill...

363. Ruins of Savoy Palace

364. In the Farnese Gardens, Rome

365. Set of four: 1. Hare Shooting

366. Revolution

367. Frith the Madman Hurling Treason at the King

368. Young Lady with Brown Hair in a Mauve Dress

369. Young Man in a Brown Jacket

370. Kolquall 1790

371. Kolquall 1790

372. Kolquall 1790

373. Rustic Studies

374. East View of Modern Buildings in Continuation from St Stephen's Chapel

375. PLATE XXVIII. St Stephen's Chapel, East Front, Westminster