Date: 1790 - YCBA Collections Search Search Results

301. Lady Grace Burnaby

Creator:: George Engleheart, 1753–1829
Date:: 1790
Materials & Techniques:: Watercolor and gouache on ivory
Dimensions:: Image: 2 1/8 x 1 5/8 inches (5.4 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. A Lady of the Blunt Family

Creator:: George Engleheart, 1753–1829
Date:: ca. 1795
Materials & Techniques:: Watercolor and gouache on ivory
Dimensions:: Image: 3 1/2 x 2 7/8 inches (8.9 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Design for a Monument to the Duke of Wellington

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on slightly textured, medium, white wove paper and slightly textured, medium, brown laid paper
Dimensions:: Sheet: 5 1/2 × 12 3/4 inches (14 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Sarsden House and Gardens, Oxfordshire: Bird's-eye View

Creator:: Humphry Repton, 1752–1818
Date:: ca. 1795
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 12 7/8 inches (24.1 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Interior of Lancaster House

Creator:: Sir Richard Westmacott, 1775–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately thick, slightly texture, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 inches (36.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Design for a Bookcase

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: undated
Materials & Techniques:: Gray wash, watercolor, pen and ink over graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 12 3/16 inches (28.3 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Binham Priory

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Graphite and brown wash on moderately textured, moderately thick, brown laid paper
Dimensions:: Sheet: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Abbot's Kitchen, Glastonbury

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: ca. 1795
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. The Chapel of the Greyfriars Monastery, Winchester

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 1/8 inches (22.9 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. London Bridge and The Monument

Creator:: Francis Nicholson, 1753–1844
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 3/8 inches (29.5 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Hercules Resting

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: undated
Materials & Techniques:: Black chalk with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 11 1/2in. (22.2 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. On the Road Between Salerno and Eboli

Creator:: Monro School
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 x 12 1/4 inches (21.3 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Fanali di Villa Franca

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 × 7 7/16 inches (12.5 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Near Sterzing, Tyrol

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 9 1/8 inches (16.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Great Marlow Church, Buckinghamshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 8 1/2 inches (13 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground

Creator:: William Anderson, 1757–1837
Date:: 1790
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

317. Mrs. Thomas Linley, née Mary Johnson

Creator:: Sir Thomas Lawrence, 1769–1830
Date:: 1790 to 1800
Materials & Techniques:: Graphite on medium, slightly textured, pale blue laid paper
Dimensions:: Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Fishing near a Waterfall

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 7 5/16 inches (16.2 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

319. View of the City of Vienna in Germany

Creator:: Print made by unknown artist
Date:: 1790
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

320. The Repeal of the Test Act a Vision

Creator:: James Sayer, 1748–1823
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 18 1/8 x 13 3/8in. (46 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Swearing to the Cutting Monster or - A Scene in Bow Street

Creator:: James Gillray, 1756–1815
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13in. (22.9 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. The Ghost's, or the Taylor Befrited &c. &c. A German Story

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Puritanical Amusements Revived

Creator:: Print made by William Holland, 1757–1815
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/2 x 18 7/8in. (29.2 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Battle of the Angels; Celestial and Infernal

Creator:: Print made by William Holland, 1757–1815
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 18 3/4in. (29.5 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Old Maids dreaming of the Monster

Creator:: Published by William Holland, 1757–1815
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/4 x 11 3/4in. (18.4 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. My Lords the Prisoner...

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 5 1/4 x 7 1/8in. (13.3 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. The Free Born Briton or a Perspective of Taxation.

Creator:: William Dent, active 1784–1793
Date:: 1790
Materials & Techniques:: Etching with watercolor on wove paper
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Musical Instruments

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 8 7/8 inches (27 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. The True Born Englishman!!! & Keeper Now Every Britons Song shall be Give me Death or Liberty etc. etc.

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/16 x 13 3/4in. (24 x 35cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Wet Souls

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 6 1/2 x 8 7/8in. (16.5 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Dry Souls

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 6 3/8 x 8 7/8in. (16.2 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. [ The Desponding Hero of the Coldstream ]

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/16 x 13 1/4in. (26.2 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. The Knight of the Woeful Contenance going to Expirpate the National Assembly (from: Caricature, vol. 7)

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/16 x 9 3/16in. (28.7 x 23.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Don Dismallo among the Grasshoppers in France

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. The Convention

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13 7/8in. (21.6 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. A Welsh Feast on St. David's Day

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 13 1/8in. (21.3 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Noah's Ark Improved, or an Attempt to Land in the Teeth of the Wind

Creator:: unknown artist
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 12 7/8in. (21.3 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Eton College from Datchet Road

Creator:: Thomas Girtin, 1775–1802
Date:: 1790
Materials & Techniques:: Watercolor with pen and gray ink over graphite with gray wash border on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/4 x 23 1/16 inches (46.4 x 58.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Lincoln Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Rye, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. The Land Gate, Rye, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink, gray wash and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Pevensey Castle, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 7 5/8 x 9 7/8 inches (19.4 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. View of Winchelsea, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 7/8 x 10 1/8 inches (20 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Near Ramsgate, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 10 3/8 inches (15.6 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Saltwood Castle, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 6 7/8 inches (24.4 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. St. Paul's Cathedral, from St. Martin's-le-Grand, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash and watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/16 inches (50.2 x 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Layer Marney Hall, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 11 11/16 inches (24.4 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Tolleshunt-Beckingham, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 7 5/8 inches (21.6 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Carlisle Cathedral, Cumberland, from the South-west

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 1/2 inches (17.8 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Writtle Church, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. The Tithe Barn at Abbotsbury with the Abbey on the hill...

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Ruins of Savoy Palace

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. In the Farnese Gardens, Rome

Creator:: attributed to Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 11 1/16 inches (39.1 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Set of four: 1. Hare Shooting

Creator:: T. Simpson, active 1790–1814
Date:: 1790
Materials & Techniques:: Color printed and hand colored stipple engraving
Dimensions:: Sheet: 14 1/4 x 17in. (36.2 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Revolution

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 13 7/8in. (23.2 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Frith the Madman Hurling Treason at the King

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13in. (21.6 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Young Lady with Brown Hair in a Mauve Dress

Creator:: Philip Jean, 1755–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor and white gouache on ivory
Dimensions:: Overall: 2 3/8 × 1 7/8 × 1/8 inches (6 × 4.8 × 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

358. Young Man in a Brown Jacket

Creator:: Richard Crosse, 1742–1810
Date:: ca. 1795
Materials & Techniques:: Watercolor on ivory
Dimensions:: Overall: 3 5/8 × 2 1/2 × 1/4 inches (9.2 × 6.4 × 0.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

359. Kolquall 1790

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Kolquall 1790

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Kolquall 1790

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Rustic Studies

Creator:: Henry James Brocas, ca. 1790–1846
Date:: undated
Materials & Techniques:: Brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 15 inches (23.8 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anne W. and David T. Mininberg, Yale BA 1957

363. East View of Modern Buildings in Continuation from St Stephen's Chapel

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 17 3/8 inches (13 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

Creator:: Print made by John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Line engraving proof on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 7 3/8 × 5 5/16 inches (18.8 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Springing of an Arch, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 10 13/16 inches (35.2 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Capitals, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 4 1/8 inches (14.8 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Impost and Base of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Details of Imposts and Bases of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:: Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Half the Plan of Ceiling, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Impost moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Papyrus

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Papyrus

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Papyrus

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Front and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 20 1/4 inches (37.5 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Distress

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790 to 1795
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 17 1/16 inches (31 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Customs House at Boulogne

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790s
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 11 9/16 inches (20.3 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Two of a set of six: 2. Wood-Cock Shooting.

Creator:: Robert Dodd, 1748–1816
Date:: 1790
Materials & Techniques:: Hand colored and printed aquatint
Dimensions:: Sheet: 11 7/8 x 14 1/2in. (30.2 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. A View of Blackfriars Bridge and St. Paul's Cathedral

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1790
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. A View of Westminster Bridge including Westminster Hall and the Abbey

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1790
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Study

Creator:: Print made by John Chalon, 1738 – 1795
Date:: 1790
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 4 inches (11.2 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Details of one of the Figures

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 4 1/4 × 2 3/8 inches (10.8 × 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Interior of a Dressing Room with Jack Bannister

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 x 8 5/16 inches (12.7 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Labourers at Rest

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Leiston Abbey, Suffolk England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/16 × 7 3/4 inches (15.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Bungay Castle

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Watercolor, graphite, pen and gray ink and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Leiston Abbey, Suffolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, crea, laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Rumburgh Priory Church, Suffolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Mettingham Castle, Suffolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Wingfield Castle

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Walsingham Priory, Norfolk, England

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 7 15/16 inches (16.2 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Wingfield Castle

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Refectory of Walsingham

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 15/16 inches (15.9 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Date 1790

Search Results

301. Lady Grace Burnaby

302. A Lady of the Blunt Family

303. Design for a Monument to the Duke of Wellington

304. Sarsden House and Gardens, Oxfordshire: Bird's-eye View

305. Interior of Lancaster House

306. Design for a Bookcase

307. Binham Priory

308. Abbot's Kitchen, Glastonbury

309. The Chapel of the Greyfriars Monastery, Winchester

310. London Bridge and The Monument

311. Hercules Resting

312. On the Road Between Salerno and Eboli

313. Fanali di Villa Franca

314. Near Sterzing, Tyrol

315. Great Marlow Church, Buckinghamshire

316. A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground

317. Mrs. Thomas Linley, née Mary Johnson

318. Fishing near a Waterfall

319. View of the City of Vienna in Germany

320. The Repeal of the Test Act a Vision

321. Swearing to the Cutting Monster or - A Scene in Bow Street

322. The Ghost's, or the Taylor Befrited &c. &c. A German Story

323. Puritanical Amusements Revived

324. Battle of the Angels; Celestial and Infernal

325. Old Maids dreaming of the Monster

326. My Lords the Prisoner...

327. The Free Born Briton or a Perspective of Taxation.

328. Musical Instruments

329. The True Born Englishman!!! & Keeper Now Every Britons Song shall be Give me Death or Liberty etc. etc.

330. Wet Souls

331. Dry Souls

332. [ The Desponding Hero of the Coldstream ]

333. The Knight of the Woeful Contenance going to Expirpate the National Assembly (from: Caricature, vol. 7)

334. Don Dismallo among the Grasshoppers in France

335. The Convention

336. A Welsh Feast on St. David's Day

337. Noah's Ark Improved, or an Attempt to Land in the Teeth of the Wind

338. Eton College from Datchet Road

339. Lincoln Cathedral

340. Rye, Sussex

341. The Land Gate, Rye, Sussex

342. Pevensey Castle, Sussex

343. View of Winchelsea, Sussex

344. Near Ramsgate, Kent

345. Saltwood Castle, Kent

346. St. Paul's Cathedral, from St. Martin's-le-Grand, London

347. Layer Marney Hall, Essex

348. Tolleshunt-Beckingham, Essex

349. Carlisle Cathedral, Cumberland, from the South-west

350. Writtle Church, Essex

351. The Tithe Barn at Abbotsbury with the Abbey on the hill...

352. Ruins of Savoy Palace

353. In the Farnese Gardens, Rome

354. Set of four: 1. Hare Shooting

355. Revolution

356. Frith the Madman Hurling Treason at the King

357. Young Lady with Brown Hair in a Mauve Dress

358. Young Man in a Brown Jacket

359. Kolquall 1790

360. Kolquall 1790

361. Kolquall 1790

362. Rustic Studies

363. East View of Modern Buildings in Continuation from St Stephen's Chapel

364. PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

365. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

366. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

367. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

368. Springing of an Arch, St Stephen's Chapel

369. Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

370. Capitals, St Stephen's Chapel

371. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

372. Plan of Moldings, St Stephen's Chapel

373. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

374. Impost and Base of Columns, St Stephen's Chapel

375. Details of Imposts and Bases of Columns, St Stephen's Chapel